"In The Opposite of Desire, Tonya Krouse argues that explicit depictions of sex and sexuality operate as central sites of modernist aesthetic experimentation. To explore the aesthetic repercussions of these scenes in the novels of Virginia Woolf, D. H. Lawrence, and James Joyce, Krouse resists the common critical approach of reading such representations through theories of desire, obscenity, or pornography. Instead, she examines these depictions in terms of "the opposite of desire," or pleasure, and this approach allows Krouse to historicize these novelists' preoccupations with entering into discourses on sex and sexuality." "Examining explicit representations of sex and sexuality in modernist novels, Krouse asserts that these scenes provide a lens through which to examine modernist aesthetic interests as well as the centrality of issues surrounding sex, sexuality, and gender in the modernist period. Approaching scenes of sex and sexuality with the aid of Michel Foucault's theories about sexual discourses, The Opposite of Desire thoroughly examines modernist attempts to put pleasure into representation."--BOOK JACKET.

Most people have wondered whether anything really matters, some have temporarily thought that nothing really matters, and some philosophers have defended the view that nothing really matters. However, if someone thinks that nothing matters--if they are a "nihilist about value"--then it seems that it is irrational for them to care about anything. It seems that nihilism about value mandates total indifference. This is the "problem of nihilism" Allan Hazlett addresses in The Epistemology of Desire and the Problem of Nihilism. Hazlett argues that the problem of nihilism arises because desire--and thus caring--is a species of evaluation that admits of irrationality. This contradicts the influential Humean view that desire does not admit of irrationality, which has a ready solution to the problem of nihilism: since desire does not admit of irrationality, it cannot be irrational to care about something that you believe does not matter. However, following G.E. Anscombe, Hazlett argues that desire has the same relationship to goodness as belief has to truth: just as truth is the accuracy condition for belief, goodness is the accuracy condition for desire. This reveals desire as an appropriate target of epistemological inquiry, in the same way that belief is an appropriate target of epistemological inquiry. Desires can amount to knowledge (in the same way that beliefs can amount to knowledge) and, crucially for the problem of nihilism, desire admits of irrationality (in the same way that belief admits of irrationality). Nevertheless, although it is obviously irrational to believe something that you believe is not true, Hazlett argues that it is not irrational to desire something you believe is not good, despite the fact that goodness is the accuracy condition for desire. This provides a solution to the problem of nihilism, and shows that nihilism about value can coherently be combined with the anti-Humean view that desire is a species of evaluation.

14-year-old born blind Luciana and 28-year-old Russian emigrant Max; two romantic, intelligent and disadvantaged people in Australia, who struggle to find their place in society, but find themselves in rather awkward situations instead. They enjoy communicating with each other by email, but fail to meet in person, although the vicissitudes of fate confront them again and again... The book consists of two parts; Part One is narrated by Luciana, while Part Two contains Max's notes. The humour of the characters is sad and ironic, sometimes rising to outright sarcasm. Their comments are honest, though not void of certain controversy, bias and exaggeration. Complementing each other, they allow to observe the described events from different viewpoints and obtain impartial judgment about the heroes and their actions. The novel contains nude scenes and references to adult themes, however its scope is far wider than that.

This book presents the first English translation of Alexander Baumgarten's Initia Philosophiae Practicae Primae, the textbook Kant used in his lectures on moral philosophy. Originally published in Latin in 1760, the Initia contains a systematic, but original version of the universal practical philosophy first articulated by Christian Wolff. In his personal copy, Kant penned hundreds of pages of notes and sketches that document his relation to this earlier tradition. Translating these extensive elucidations into English, together with Kant's notes on the text, this translation offers a complete resource to Kant's reading of the Initia. To facilitate further study, first-time translations of elucidatory passages from G. F. Meier and Wolff are also included, alongside a German-English-Latin glossary. The translators' introduction provides a biography of Baumgarten, a discussion of the importance of the Initia, its relation to Wolff's and Meier's universal practical philosophy and its role in Kant's lectures. By shedding new light on the arguments of Kant's mature works and offering insights into his pre-Critical moral thought, Elements of First Practical Philosophy reveals why Baumgarten's work is essential for understanding the background to Kant's philosophy.