A shotgun misfires inside the American Fur Company store in Northern Michigan, and Alexis St. Martin's death appears imminent. It's 1822, and, as the leaders of Mackinac Island examine St. Martin's shot-riddled torso, they decide not to incur a single expense on behalf of the indentured fur trapper. They even go so far as to dismiss the attention of U.S. Army Assistant Surgeon William Beaumont, the frontier fort's only doctor. Beaumont ignores the orders and saves the young man's life. What neither the doctor nor his patient understands—yet—is that even as Beaumont's care of St. Martin continues for decades, the motives and merits of his attention are far from clear. In fact, for what he does to his patient, Beaumont will eventually stand trial and be judged. Rooted deeply in historic fact, Open Wound artfully fictionalizes the complex, lifelong relationship between Beaumont and his illiterate French Canadian patient. The young trapper's injury never completely heals, leaving a hole into his stomach that the curious doctor uses as a window to understand the mysteries of digestion. Eager to rise up from his humble origins and self-conscious that his medical training occurred as an apprentice to a rural physician rather than at an elite university, Beaumont seizes the opportunity to experiment upon his patient's stomach in order to write a book that he hopes will establish his legitimacy and secure his prosperity. As Jason Karlawish portrays him, Beaumont, always growing hungrier for more wealth and more prestige, personifies the best and worst aspects of American ambition and power.

A sustained philosophical reflection on trauma and recovery, this work is an original contribution to contemporary trauma studies, integrating material from psychology, sociology, history, literary studies, biography, and fiction. It addresses trauma as an open wound that cannot be closed over without festering. Distorted by trauma, we automatically react by trying to draw away from it, as we do from all pain. Trying to close the wound, cover it, and secure ourselves against further wounding, we strive to preserve our identity in the face of the blows that would shatter it. Inevitably, however, such reactive efforts only distort us even more painfully. Genuine recovery requires that instead of struggling to avoid our wounds we turn toward them, opening ourselves to the very way they so painfully split us open. Then we may find to our surprise that the open wound of trauma also opens, perhaps for the very first time, upon the real possibility of building a truly universal, all-inclusive, human community, one in which each and every one of us is allowed to be just who we are.In addition to investigating the impact of trauma upon identity and community, the book gives serious attention to such topics as: the politics of trauma; trauma and sovereignty; trauma, memory, and memorials; the meaning of trauma; trauma and history; the role of resistance in recovery from trauma; the social dimensions of trauma; and the complex connections between perpetrators and victims of trauma. Among the major historical traumas it discusses are the Nazi extermination of the Jews of Europe, the nuclear bombing of Hiroshima at the end of World War II, and September 11, 2001. It integrates insights and inspiration from such sources as: Freud, Robert J. Lifton, Jacques Lacan, Holocaust survivor Dori Laub, and various other psychoanalysts, psychologists, and therapists; James Joyce, Pat Barker, Margueritte Duras and other novelists and fiction writers; multiple 20th and 21st century philosophers,including especially Heidegger, Franz Rosenzweig, Giorgio Agamben, Alain Badiou, Jean Baudrillard, Slavoj Žižek, Jean-Luc Nancy, Jacques Derrida, Jean-Luc Marion, and Jean-Louis Chrétien; historian Dominick LaCapra; literary theorists Cathy Caruth, Shoshana Felman, and Paul Eisenstein; legal and political theorist Carl Schmitt; numerous journalists, memoirists, and essayists; the literature of survivors of the Holocaust and other major historical traumas; and diverse sources of popular culture from films to comics to music and TV.

Primary knee arthroplasty (PKA) has a long history and modern mobile bearing knee implants are successfully implanted worldwide since 1977. Primary Knee Arthroplasty focuses on basic science, personal surgical experiences, clinical, functional and radiographic outcomes of PKA, with special focus on challenging knees such as severe varus and valgus deformities with associated bone defects, fixed flexion deformities, soft tissue contractures, and arthrodesed knees. Patella treatment with or without resurfacing is addressed in great detail. Early criterion-based rehabilitation and the patient’s return to participating in sports are discussed as is the management of prosthetic or surgery related complications. Lavishly illustrated to complement the text, Primary Knee Arthroplasty is a ‘must-have’ for all practicing knee replacement surgeons, orthopedic surgeons in training, orthopedic nurses, and physiotherapists with a special interest in knee arthroplasty. Tips and tricks provided by experienced knee surgeons are indispensable for daily clinical practice.

A story for all those suffering, and yearning for dear hope to stop by and knock on their door. Zeest and Zayan share many open wounds that connect them to each other and many other beautiful souls. Life gives them abundant chances to spread love and save people's lives. They embrace every tragic blow of fate with love and hope. After every step, they stop and realize the essence of this life. Ask yourself, would you allow the winds of time to heal your wounds and see the sunrise again?

This book is the first available practical manual on the open abdomen. Practicing physicians, surgeons, anesthesiologists, nurses, and physiotherapists will find in it a ready source of information on all aspects of open abdomen management in a wide variety of settings. The coverage includes, for example, the open abdomen in trauma, intra-abdominal sepsis, and acute pancreatitis, step-by-step descriptions of different techniques with the aid of high-quality color figures, guidance on potential complications and their management, and features of management in different age groups. The book contents illustrate the most recent innovations and drawing upon a thorough and up-to-date literature review. Useful tips and tricks are highlighted, and the book is designed to support in daily decision making. The authors include worldwide opinion leaders in the field, guaranteeing the high scientific value of the content.

Standards for the Management of Open Fractures provides an evidence-based approach for the management of open fractures, focussing on lower limb injuries. It builds on and expands the NICE Guidelines to provide a practical approach with supporting evidence. The new edition has been extensively updated and expanded to include key aspects of management, ranging from setting up an orthoplastic service, through to dealing with the bone and soft tissue injures, complications such as infection, and patient rehabilitation and psychological care. The book is primarily aimed at trainee plastic, orthopaedic and trauma surgeons (particularly for expanding knowledge and examination revision) but would also appeal to established surgeons to improve patient care. Standards for the Management of Open Fractures is an open access title. It is available to read and download as a free PDF version on Oxford Medicine Online. It has been made available under a Creative Commons Attribution-Non Commercial No Derivatives 4.0 International licence.

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.