Ever wonder what it would be like to give it all up and head to Greenwich Village to become a singer-songwriter? In Reo MacGregors eyes, his law degree represents a spiritual and aesthetic dead end. He leaves it all behind to follow his music to lower Manhattans answer to Pariss Rive Gauche. There, he enters the bohemian scene of The Open Mike, where a new generation of singer-songwriters meets to sing for, and sometimes about, each other. At first alone amid the sea of guitar cases, hes inspired by the cafs fellow performers and sirens. Homeless and broke, he struggles to honor his calling. For Reo, survival means chasing burglars down the fire escape, recording sessions uptown with one of New Yorks major record producers, or hanging out on the Villages famed MacDougal Street. But first, he has to earn the respect of the audience. Rod MacDonald paid his dues in the coffeehouses of Greenwich Village during the 1970s and early 80s, and has caught the feel of the time and place in his new novel. For anyone who was in that place and time, it brings back memories vividly. For anyone who wasnt there, his writing gives a taste of what it was like. David Bromberg

Here, collected for the first time, are interviews and essays representing Michael Eric Dyson's most important thinking on race and identity. Exploring such topics as "whiteness" as seen through a black man's eye, modernism and postmodernism in black culture, and the emancipating role of black music from the plantation to the ghetto, Open Mike is a perfect introduction to Dyson's work and a must-have for students and scholars in African American Studies and Cultural Studies.

Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City’s live music events where musicians signup and perform short sets. This sociological study dispels the common assumption that open mics are culturally monolithic and reserved for novice musicians. Open mics allow musicians at different locations within their musical development and career to interactively perform, practice, and network with other musicians. Important themes in the book include: the tension between self and society in the creative process, issues of creative authenticity and authorship, and on-going cultural changes central to the Do-It-Yourself cultural zeitgeist of the early 21st century. The open mic’s cultural antecedents include a radio format, folk hootenannies, and the jazz jam session. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the western and urban musical landscape. Open mics represent a creative place where the boundaries of practicing and performing seemingly blur. This allows for a range of social settings from more competitive, stratified, and homogenous music scenes to culturally diverse weekly events often stretching late into the night.

Travertine Garcia is out of funds, out of options, and her air tax is due in the morning; you live on the moon, you pay for air. You can’t pay, you go looking for miracles, like the Bebop’s legendary open microphone, netcast by its equally legendary owner, Joseph Bannister. Bebop owner Joe “Glitch” Bannister is sleepwalking through his second life, tweaking the gang that wants payola and hacking for the Strike Force that put him back together after blowing him apart. Until Travertine decimates the Open Mike, flatlines on his stage, and wakes him up. She’s everything he didn’t know he needed, a deep-dive performer with an ancient-tech interface who can’t carry a tune outside the net. When the Blue Dragon gang kidnaps her while he’s off chasing down a rumor about the Ganymede conflict that got him temporarily killed, Joe’s ready to fight for the woman and the club; but it’s going to take both of them to save the venerable stage and each other.

Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City’s live music events where musicians signup and perform short sets. This sociological study dispels the common assumption that open mics are culturally monolithic and reserved for novice musicians. Open mics allow musicians at different locations within their musical development and career to interactively perform, practice, and network with other musicians. Important themes in the book include: the tension between self and society in the creative process, issues of creative authenticity and authorship, and on-going cultural changes central to the Do-It-Yourself cultural zeitgeist of the early 21st century. The open mic’s cultural antecedents include a radio format, folk hootenannies, and the jazz jam session. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the western and urban musical landscape. Open mics represent a creative place where the boundaries of practicing and performing seemingly blur. This allows for a range of social settings from more competitive, stratified, and homogenous music scenes to culturally diverse weekly events often stretching late into the night.

Focusing on racial identity, popular cultures, and freedom struggles, these essays and interviews are collected from one of the most insightful and thought-provoking black intellectuals to emerge since the heyday of the Civil Rights Movement.

Demystify and appreciate the pleasures of poetry Sometimes it seems like there are as many definitions of poetry as there are poems. Coleridge defined poetry as “the best words in the best order.” St. Augustine called it “the Devil’s wine.” For Shelley, poetry was “the record of the best and happiest moments of the happiest and best minds.” But no matter how you define it, poetry has exercised a hold upon the hearts and minds of people for more than five millennia. That’s because for the attentive reader, poetry has the power to send chills shooting down the spine and lightning bolts flashing in the brain — to throw open the doors of perception and hone our sensibilities to a scalpel’s edge. Poetry For Dummies is a great guide to reading and writing poems, not only for beginners, but for anyone interested in verse. From Homer to Basho, Chaucer to Rumi, Shelley to Ginsberg, it introduces you to poetry’s greatest practitioners. It arms you with the tools you need to understand and appreciate poetry in all its forms, and to explore your own talent as a poet. Discover how to: Understand poetic language and forms Interpret poems Get a handle on poetry through the ages Find poetry readings near you Write your own poems Shop your work around to publishers Don’t know the difference between an iamb and a trochee? Worry not, this friendly guide demystifies the jargon, and it covers a lot more ground besides, including: Understanding subject, tone, narrative; and poetic language Mastering the three steps to interpretation Facing the challenges of older poetry Exploring 5,000 years of verse, from Mesopotamia to the global village Writing open-form poetry Working with traditional forms of verse Writing exercises for aspiring poets Getting published From Sappho to Clark Coolidge, and just about everyone in between, Poetry For Dummies puts you in touch with the greats of modern and ancient poetry. Need guidance on composing a ghazal, a tanka, a sestina, or a psalm? This is the book for you.