Questions of ecclesiology abound, and Karl Barth has been regarded as an unhelpful conversation partner and guide for those who care about ecclesiology and the place of the church in the academic pursuit of theology. The Only Sacrament Left to Us recovers Barth's doctrine of the threefold Word of God and shows that it is at the heart of his ecclesiological commitments, and that he offers a distinct and robust doctrine of the church worthy to be carried forward into the twenty-first-century debates about the church's place in God's economy. Thomas Christian Currie explores the central role of the threefold Word of God in Barth's theology of the church, explains its place in Barth's later doctrine of reconciliation, and seeks to engage the field of Barth studies with contemporary ecclesiological questions.

The haunting, vivid story of a nun whose past returns to her in unexpected ways, all while investigating a mysterious death and a series of harrowing abuse claims A young nun is sent by the Vatican to investigate allegations of misconduct at a Catholic school in Iceland. During her time there, on a gray winter’s day, a young student at the school watches the school’s headmaster, Father August Franz, fall to his death from the church tower. Two decades later, the child—now a grown man, haunted by the past—calls the nun back to the scene of the crime. Seeking peace and calm in her twilight years at a convent in France, she has no choice to make a trip to Iceland again, a trip that brings her former visit, as well as her years as a young woman in Paris, powerfully and sometimes painfully to life. In Paris, she met an Icelandic girl who she has not seen since, but whose acquaintance changed her life, a relationship she relives all while reckoning with the mystery of August Franz’s death and the abuses of power that may have brought it on. In The Sacrament, critically acclaimed novelist Olaf Olafsson looks deeply at the complexity of our past lives and selves; the faulty nature of memory; and the indelible mark left by the joys and traumas of youth. Affecting and beautifully observed, The Sacrament is both propulsively told and poignantly written—tinged with the tragedy of life’s regrets but also moved by the possibilities of redemption, a new work from a novelist who consistently surprises and challenges.

Although scholars have widely acknowledged the prevalence of religious reference in the work of Cormac McCarthy, this is the first book on the most pervasive religious trope in all his works: the image of sacrament, and in particular, of eucharist. Informed by postmodern theories of narrative and Christian theologies of sacrament, Matthew Potts reads the major novels of Cormac McCarthy in a new and insightful way, arguing that their dark moral significance coheres with the Christian theological tradition in difficult, demanding ways. Potts develops this account through an argument that integrates McCarthy's fiction with both postmodern theory and contemporary fundamental and sacramental theology. In McCarthy's novels, the human self is always dispossessed of itself, given over to harm, fate, and narrative. But this fundamental dispossession, this vulnerability to violence and signs, is also one uniquely expressed in and articulated by the Christian sacramental tradition. By reading McCarthy and this theology alongside postmodern accounts of action, identity, subjectivity, and narration, Potts demonstrates how McCarthy exploits Christian theology in order to locate the value of human acts and relations in a way that mimics the dispossessing movement of sacramental signs. This is not to claim McCarthy for theology, necessarily, but it is to assert that McCarthy generates his account of what human goodness might look like in the wake of metaphysical collapse through the explicit use of Christian theology.

There is today a dramatic reexamination of structure, authority, dogma -- indeed, every aspect of the life of the Church is held up to scrutiny. Welcoming this as a sign of vitality, Avery Dulles has carefully studied the writings of contemporary Protestant and Catholic ecclesiologists and sifted out six major approaches, or "models," through which the Church's character can be understood: as Institution, Mystical Communion, Sacrament, Herald, Servant, and, in a recent addition to the book, as Community of Disciples. A balanced theology, he concludes, must incorporate the major affirmations of each. "The method of models or types," observes Cardinal Dulles, "can have great value in helping people to get beyond the limitations of their own particular outlook and to enter into fruitful conversation with others... Such conversation is obviously essential if ecumenism is to get beyond its present impasses." This new edition includes a new Appendix and Preface by the author.

Sacramental Poetics at the Dawn of Secularism asks what happened when the world was shaken by challenges to the sacred order as people had known it, an order that regulated both their actions and beliefs. When Reformers gave up the doctrine of transubstantiation (even as they held onto revised forms of the Eucharist), they lost a doctrine that infuses all materiality, spirituality, and signification with the presence of God. That presence guaranteed the cleansing of human fault, the establishment of justice, the success of communication, the possibility of union with God and another, and love. These longings were not lost but displaced, Schwartz argues, onto other cultural forms in a movement from ritual to the arts, from the sacrament to the sacramental. Investigating the relationship of the arts to the sacred, Schwartz returns to the primary meaning of "sacramental" as "sign making," noting that because the sign always points beyond itself, it participates in transcendence, and this evocation of transcendence, of mystery, is the work of a sacramental poetics.

A unique work of Fundamental Theology, Revelation and the Word of God explores key issues of divine revelation as open questions. They include: Why is revelation so elusive? Existential and philosophical problems of revelation in the context of apologetics. The self-revelation of God in mystery. What does it mean to say, as the Bible does, that God 'speaks' and 'acts'? How does revelation relate to the Bible, history, religious experience and the church? The relational and personalist dimensions of revelation. What the biblical Wisdom tradition contributes to our understanding of revelation. The threefold form of the Word of God: Jesus Christ – the incarnate Word (Logos) and Wisdom (Sophia) of God; the Scriptures that witness to him; and the church's proclamation (kerygma) in preaching, sacraments and other ways. The role of hermeneutics, cultural constraints and imagination in the reception of revelation. Critique (including Feminist Theology) of claimed 'revelation'. Is there revelation today? How do developments in doctrine and practice relate to divine revelation? The liturgy as a vehicle of the Word of God. The Word in pastoral practice. Jesus Christ as the crown and criterion of divine revelation according to the Fourth Gospel.