This 1829 manual offered advice on everything from withdrawal of challenges to weapons. Dramatic anecdotes recount duels arising from disagreements over religion, women, gambling, and other volatile subjects.

In 1834, Charlotte Brontë and her brother Branwell created the imaginary kingdom of Angria in a series of tiny handmade books. Continuing their saga some years later, the five 'novelettes' in this volume were written by Charlotte when she was in her early twenties, and depict a aristocratic beau monde in witty, racy and ironic language. She creates an exotic, scandalous atmosphere of intrigue and destructive passions, with a cast ranging from the ageing rake Northangerland and his Byronic son-in-law Zamorna, King of Angria, to Mary Percy, Zamorna's lovesick wife, and Charles Townshend, the cynical, gossipy narrator. Together the tales provide a fascinating glimpse into the mind and creative processes of the young writer who was to become one of the world's great novelists.

Though no landmarks or memorials formally recognize dueling in Charleston, it remains a quintessential element of the Holy City's legacy. Most upstanding locals nourished the duelist's tradition, many going so far as to make it an integral part of their social lives. For a time, even the most casual character insults or slurs toward one's moral fiber or family lineage invited a challenge, and almost always, the offended party was expected to retaliate. Thus, finding full expression in frequency and public acceptance throughout the Lowcountry, a gentleman's duel was a crucial--albeit deadly--matter of taste and caste. For two centuries, Charlestonians dueled habitually, settling personal grievances with malice instead of mediation. Charleston historian J. Grahame Long presents a charming portrait of this dreadfully civilized custom.

During the years when George IV ruled the United Kingdom, first as Prince Regent then as King, his extravagant tastes served to characterize the times - the Regency period being identified strongly with new trends in British architecture, fashion and culture. The literary expression of this era was the genre of so-called 'silver fork' novels set in fashionable London society. Initially devoured as authentic insights into the rarefied world of the best social circles, these novels were thus serving as etiquette primers for growing numbers of nouveaux riches. The detail and décor of the novels gives them an enduring socio-historical interest, hence the value of Alison Adburgham's study, first published in 1983, which offers astute readings of such 'silver fork' specialists as Disraeli, Bulwer-Lytton, and Catherine Gore. With an assured eye for the social context of these works, Adburgham explores the class tensions and complex social interactions behind the high sheen of the silver fork.