The One-Handed Pianist was published to acclaim in the early 1990’s, with the two-part Spanish edition winning the Latino Literature Prize in 1989 and the Gamma Literature Prize in 1992. Its tales look at what it means to be Jewish in the Hispanic world—a world in which spirituality is often exercised outside the realm of orthodoxy. Stavans constructs fables that raise questions about ethnicity and community; even Stavans’ person raises questions about ethnicity and community: what does it mean that a Jew of Eastern European lineage can call himself Latino and speak for that group?

This guide to the piano literature for the one-handed pianist surveys over 2,100 individual piano pieces which include not only concert literature but pedagogical pieces as well. Following the introduction are four chapters cataloguing original works for the right hand alone, original works for the left hand alone, music arranged or transcribed for one hand alone, and concerted works for one hand in concert with other pianists, instruments, or voices. Each entry assesses the individual composition, its quality, its difficulty, its particular appeal, and its uses with the composer's name, dates, and nationality, where possible. Also included is a selected discography of commercially produced phonodiscs, compact discs, and cassettes. Instructors and pianists alike will appreciate this exhaustive guide to one-handed piano music. To aid further research, a bibliography of books, articles, and theses about the literature is provided along with a chapter that lists the contents of thirty-six anthologies devoted to one-handed piano music. This unique reference also includes an index.

"Bravo to Edel on his excellent presentation of the subject! . . . highly recommended . . . " —ARBA 96 ". . . filled with information for pianists with injured hands and for players and teachers seeking unusual repertoire or ways of developing left-hand technique." —Clavier "Thanks to Edel for cataloging this largely unknown area of piano repertoire and to Indiana University Press for publishing this most welcomed book." —American Music Teacher A descriptive catalog of solos, chamber works, and concertos with piano parts written for one hand, including nearly 1,000 solo compositions for the left hand. Publication data, length, level of difficulty, style, and often brief biographical information about the composer are provided for each piece.

Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.

Jewish writing has only recently begun to be recognized as a major cultural phenomenon in Latin American literature. Nevertheless, the majority of students and even Latin American literary specialists, remain uninformed about this significant body of writing. This Dictionary is the first comprehensive bibliographical and critical source book on Latin American Jewish literature. It represents the research efforts of 50 scholars from the United States, Latin America, and Israel who are dedicated to the advancement of Latin American Jewish studies. An introduction by the editor is followed by entries on 118 authors that provide both biographical information and a critical summary of works. Argentina, Brazil, and Mexico-home to the largest Jewish communities in Latin America-are the countries with the greatest representation, but there are essays on writers from Venezuela, Chile, Uruguay, Peru, Colombia, Costa Rica, and Cuba.

Enough with the dead white men! The true story of the United States lies with its most overlooked and marginalized peoples—the workers, immigrants, housewives, and slaves who built America from the ground up, and who made this country what it is today. In A Most Imperfect Union, cultural critic Ilan Stavans and award-winning cartoonist Lalo Alcaraz present a vibrant history of these unsung Americans. In an irreverent, fast-paced narrative that challenges the conventional narrative of American history, Stavans and Alcaraz offer a fresh, controversial take on the philosophies, products, practices, and people—from Algonquin and African royals to early feminists, Puerto Rican radicals, and Arab immigrants—that have made America such an outsized and extraordinary land.

From East L.A. to the barrios of New York City and the Cuban neighborhoods of Miami, Latino literature, or literature written by Hispanic peoples of the United States, is the written word of North America's vibrant Latino communities. Emerging from the fusion of Spanish, North American, and African cultures, it has always been part of the American mosaic. Written for students and general readers, this encyclopedia surveys the vast landscape of Latino literature from the colonial era to the present. Aiming to be as broad and inclusive as possible, the encyclopedia covers all of native North American Latino literature as well as that created by authors originating in virtually every country of Spanish America and Spain. Included are more than 700 alphabetically arranged entries written by roughly 60 expert contributors. While most of the entries are on writers, such as Julia Alvarez, Sandra Cisneros, Lorna Dee Cervantes, Oscar Hijuelos, and Piri Thomas, others cover genres, ethnic and national literatures, movements, historical topics and events, themes, concepts, associations and organizations, and publishers and magazines. Special attention is given to the cultural, political, social, and historical contexts in which Latino literature has developed. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. The encyclopedia gives special attention to the social, cultural, historical, and political contexts of Latino literature, thus making it an ideal tool to help students use literature to learn about history and cultural diversity.