Now updated, this classic tale of the antichrist who comes to Earth in the form of a young boy is available in time for 20th Century Fox's contemporary remake of the 1976 classic film, starring Liev Schreiber, Julia Stiles, and Mia Farrow, scheduled for release on June 6, 2006. Reissue.

From the #1 New York Times bestselling author of the Otherworld series and Hemlock Island, the first chilling novel in the Cainsville series. Olivia Taylor-Jones is shattered to learn that she’s adopted. Her biological parents? Notorious serial killers. On a quest to learn more about her past, Olivia lands in the small town of Cainsville, Illinois. As she draws on long-hidden abilities, Olivia begins to realize that there are dark secrets in Cainsville—and powers lurking in the shadows.

The classic collaboration from the internationally bestselling authors Neil Gaiman and Terry Pratchett, soon to be an original series starring Michael Sheen and David Tennant. ?Season 2 of Good Omens coming soon! “Good Omens . . . is something like what would have happened if Thomas Pynchon, Tom Robbins and Don DeLillo had collaborated. Lots of literary inventiveness in the plotting and chunks of very good writing and characterization. It’s a wow. It would make one hell of a movie. Or a heavenly one. Take your pick.” —Washington Post According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner. So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan. Except a somewhat fussy angel and a fast-living demon—both of whom have lived amongst Earth's mortals since The Beginning and have grown rather fond of the lifestyle—are not actually looking forward to the coming Rapture. And someone seems to have misplaced the Antichrist . . .

Directed by Richard Donner and written by David Seltzer, The Omen (1976) is perhaps the best in the devil-child cycle of movies that followed in the wake of Rosemary’s Baby and The Exorcist. Released to a highly suggestible public, The Omen became a major commercial success, in no small part due to an elaborate pre-sell campaign that played and preyed on apocalyptic fears and a renewed belief in the Devil and the supernatural. Since polarising critics and religious groups upon its release, The Omen has earned its place in the horror film canon. It’s a film that works on different levels, is imbued with nuance, ambiguity and subtext, and is open to opposing interpretations. Reflecting the film’s cultural impact and legacy, the name ‘Damien’ has since become a pop culture byword for an evil child. Adrian Schober’s Devil’s Advocate entry covers the genesis, authorship, production history, marketing and reception of The Omen, before going on to examine the overarching theme of paranoia that drives the narrative: paranoia about the 'end times'; paranoia about government and conspiracy; paranoia about child rearing (especially, if one strips away the layer of Satanism); and paranoia about imagined threats to the right-wing Establishment from liberal and post-countercultural forces of the 1970s.

The small town of Poplar is a quiet, comfortable, and respectable place to raise children. The neighbors are decent and the seasons are beautiful. All is well until the night young Ian Whelan glimpses something moving around in his backyard. Then everything begins to change.