In this volume a variety of perspectives reevaluate the nature of friendship, desire, and the olde daunce of love in the Middle Ages. Challenging earlier scholarly notions about medieval marriage, this book suggests and explores the legitimacy of marital friendship, affection, and mutuality. The authors explore the relationship of medieval love to companionship, equality, and power, and relate medieval expressions of love to a number of issues including creativity, reading and writing, voyeurism, chastity, violence, and even hate. The book reconsiders the theological, philosophical, and legal background of medieval attitudes toward marriage, analyzes expressions of love and desire in European vernacular literature, and considers several implications of Chaucer's treatment of love, marriage, and sexuality.

An account of Dickens' novel in its manuscript, proof and printed versions; a survey of editions, adaptations, and responses to the novel from 1840 until 1985. Limited to material published in English. Revised from papers presented at a conference in April 1986, 13 essays re-evaluate the nature of intimate relations in the middle ages. They explore the relations between love and companionship, equality, and power; and between expressions of love and creativity, literacy, voyeurism, chastity, hate and other issues. The overall impression is that people used to do it in a very scholarly manner. A paper edition is available (0440-4, $17.95). Annotation copyrighted by Book News, Inc., Portland, OR

Fisher's work is a vivid, lively, and readable translation of the most famous work of England's premier medieval poet. Preserving Chaucer's rhyme and meter and faithfully articulating his poetic voice, Fisher makes Chaucer's tales accessible to a contemporary ear.

The Canterbury Tales by Geoffrey Chaucer from Coterie Classics All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book. “Then you compared a woman's love to Hell, To barren land where water will not dwell, And you compared it to a quenchless fire, The more it burns the more is its desire To burn up everything that burnt can be. You say that just as worms destroy a tree A wife destroys her husband and contrives, As husbands know, the ruin of their lives. ” ― Geoffrey Chaucer, The Canterbury Tales The Canterbury Tales are collection of stories by Chaucer, each attributed to a fictional medieval pilgrim.

Geoffrey Chaucer is increasingly recognized as a writer whose work is particularly congenial to modern tastes. The essays in Chaucer and Language are at the forefront of present-day interest in Chaucer as a highly self-conscious manipulator of language and theorist of signification in the broadest sense.

On several counts, one particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes (balade, rondeaux, virelay, lay, and five-stanza chanson) with by far the largest number of works of unknown authorship. The known authors represented in the manuscript and the texts themselves have notable associations with England and with Chaucer. And intriguingly there are fifteen lyrics each headed by the initials Ch, very likely indications of authorship, neatly inserted between rubric and text. . . . [The] rubrics, together with other substantial manuscript evidence and the intrinsic worth of the poems, make them easily the best candidates among extant French lyrics for Chaucer's authorship, appropriate representatives of his French work. - from the Introduction