The Old English History of the World, produced around the year 900, is an anonymous translation and adaptation of Paulus Orosius's immensely popular Latin history known as the Seven Books of History against the Pagans. This volume offers a new edition and modern translation of an Anglo-Saxon perspective on the ancient world.

An entertaining and illuminating collection of weird, wonderful, and downright baffling words from the origins of English—and what they reveal about the lives of the earliest English speakers Old English is the language you think you know until you actually hear or see it. Unlike Shakespearean English or even Chaucer’s Middle English, Old English—the language of Beowulf—defies comprehension by untrained modern readers. Used throughout much of Britain more than a thousand years ago, it is rich with words that haven’t changed (like word), others that are unrecognizable (such as neorxnawang, or paradise), and some that are mystifying even in translation (gafol-fisc, or tax-fish). In this delightful book, Hana Videen gathers a glorious trove of these gems and uses them to illuminate the lives of the earliest English speakers. We discover a world where choking on a bit of bread might prove your guilt, where fiend-ship was as likely as friendship, and where you might grow up to be a laughter-smith. The Wordhord takes readers on a journey through Old English words and customs related to practical daily activities (eating, drinking, learning, working); relationships and entertainment; health and the body, mind, and soul; the natural world (animals, plants, and weather); locations and travel (the source of some of the most evocative words in Old English); mortality, religion, and fate; and the imagination and storytelling. Each chapter ends with its own “wordhord”—a list of its Old English terms, with definitions and pronunciations. Entertaining and enlightening, The Wordhord reveals the magical roots of the language you’re reading right now: you’ll never look at—or speak—English in the same way again.

The English language in its complex shapes and forms changes fast. This thoroughly revised edition has been refreshed with current examples of change and has been updated regarding archeological research. Most suggestions brought up by users and reviewers have been incorporated, for instance, a family tree for Germanic has been added, Celtic influence is highlighted much more, there is more on the origin of Chancery English, and internal and external change are discussed in much greater detail. The philosophy of the revised book remains the same with an emphasis on the linguistic history and on using authentic texts. My audience remains undergraduates (and beginning graduates). The goals of the class and the book are to come to recognize English from various time periods, to be able to read each stage with a glossary, to get an understanding of typical language change, internal and external, and to understand something about language typology through the emphasis on the change from synthetic to analytic. This book has a companion website: http://dx.doi.org/10.1075/z.183.website

A HISTORY OF OLD ENGLISH LITERATURE A History of Old English Literature has been significantly revised to provide an unequivocal response to the renewed historicism in medieval studies. Focusing on the production and reception of Old English texts and on their relation to Anglo-Saxon history and culture, this new edition covers an exceptionally broad array of genres. These range from riddles and cryptograms to allegory, liturgical texts, and romance, as well as lyric poetry and heroic legend. The authors also integrate discussions of Anglo-Latin texts, crucial to understanding the development of Old English literature. This second edition incorporates extensive reference to scholarship that has evolved over the past decade, with new chapters on both Anglo-Saxon manuscripts and on incidental and marginal texts. There is expanded treatment throughout, including increased coverage of legal texts and scientific and scholastic texts. The book concludes with a retrospective outline of the reception of Anglo-Saxon literature and culture in subsequent periods.

"Many of the texts in this volume are edited here for the first time in English and likewise for the first time within the context of Wulfstan's thought and career. In bringing together editions of his most significant works on law, politics, and ecclesiastical governance, this anthology is thus intended to shed light on the range of Wulfstan's legal writings while also demonstrating the vibrancy of English political thought in the decades before the Norman Conquest. Over the course of his career, Wulfstan composed a variety of tracts on such topics as the proper exercise of royal authority, the inviolability of ecclesiastical sanctuary, and the structure of the ideal society. Although the extent to which these tracts reflected actual practice remains unclear, they nonetheless provided Wulfstan with the opportunity to promote his views on how best to govern a Christian kingdom. It is in these texts that we see Wulfstan honing his distinctive "homiletic style," combining the moral admonitions and rhetorical flourishes of a sermon with the legalistic vocabulary and causal syntax of a law code. Wulfstan draws these two seemingly incompatible genres together through the use of a vigorous prose idiom that borrows the rhythm, alliteration, and occasionally even something resembling the meter of Old English poetry. This mingling of genres is the result of neither accident nor carelessness on Wulfstan's part: rather, it reflects the archbishop's view of his ecclesiastical and legislative roles as two halves of a single enterprise. For Wulfstan, the minister and lawgiver share the same obligation to safeguard the political stability and moral integrity of the community"--

This innovative and intriguing introduction to Old English literature is structured around what the author calls ‘figures’ from Anglo-Saxon culture: the Vow, the Hall, the Miracle, the Pulpit, and the Scholar. An innovative and intriguing introduction to Old English literature. Structured around ‘figures’ from Anglo-Saxon culture: the Vow, the Hall, the Miracle, the Pulpit, and the Scholar. Situates Old English literary texts within a cultural framework. Creates new connections between different genres, periods and authors. Combines close textual analysis with historical context. Based on the author’s many years experience of teaching Old English literature. The author is co-editor with Seamus Heaney of Beowulf: A Verse Translation (2001) and recently published with Blackwell Lady Godiva: A Literary History of the Legend (2003).