In the late 1800s, Norwegian immigrants began flooding into the Red River Valley. As they moved into the Grand Forks area, they brought their Old World folkways and religious practices. On the corner of Third and Walnut, Norwegian Lutherans built a small sanctuary to house their services. The building mirrored the simple worship of the Hauge Synod, the organization to which this congregation belonged. After merging with two other Norwegian churches in town, the old Trinity Lutheran structure passed into the hands of the Grand Forks Church of God, a congregation that echoed the revival fires of the Second Great Awakening. This is the story of a church building and the two assemblies that utilized it over a 100-year period.

Harrisburg was the capital of an increasingly urban and progressive Pennsylvania at the turn of the twentieth century, with the remnants of an older, more diverse city thriving in its midst. As the streets were paved for the first time and the new state capitol building rose over a humming industrial city ready to embrace change, Harrisburg's Eighth Ward clung to its rambunctious past. When the "Old Eighth" stood in the way of the new Capitol Park, one journalist asked his readers to take a stroll through the streets one last time. J. Howard Wert's "Passing of the Old Eighth" articles-awash in images of decrepitude and vice-appeared in the Harrisburg Patriot in 1912-1913 and introduced readers to such cheats, fools, and boozers as Harry Cook and "Billy Jelly." This volume presents the complete series of 35 articles chronicling the adventures of people who lived through some of the most sweeping changes in American history. More than 100 photographs-most never before published-evoke Wert's tales of a turbulent Harrisburg now long gone. Through the captivating, rarely objective voice of turn-of-the-century journalism, readers visit vanished churchyards, stroll the halls of forgotten hotels, and walk with the ghosts of gangs through crumbling alleys to brothels, gambling dens, and speakeasies. No history of Harrisburg can match this one for detailed stories of the successes and scandals of the city's "good old days." Noted educator, journalist, and Civil War veteran J. Howard Wert's articles bring to life the colorful characters and day-to-day grit and drama of his time. By turns pious, hard-nosed, and folksy, Wert's prose veers wildly among literary modes but never fails to entertain. A melding of nineteenth-century moral sensibility and modern appreciation for progress makes this work as accessible to today's readers as it was to Wert's contemporaries.

Worship is dialogue. It is more than that, but it is not less than that. The way Baptists have worshiped for three and a half centuries demonstrates this consistently, in spite of their penchant for freedom and autonomy. No one tells Baptists how to order their worship services. They don't have a common liturgy that they must follow, and yet their services look remarkably similar. This is largely due to two controlling factors in their worship: The Bible that they embrace as inspired, inerrant, authoritative, and sufficient; and the Christ-revealing gospel that is contained within its pages. When the word of God is followed closely, a shape for worship order begins to emerge. It is the same "gospel-shape" that is found throughout the Bible. When the word of God is applied to a worship service in which God and his people are engaged in a worship conversation, a consistent contour of gospel elements and content begins to emerge that reveals the glory of the Christ we gather to worship. He is so glorious that when we behold him, we are transformed into the same image from one degree to another. This is the power of corporate worship (2 Cor 3).