Describes how the Degrassi television shows are created, including how they are scripted, filmed, and produced, explains the plots and themes of the show, and introduces the characters on the show and the actors that play them.

When the groundbreaking show, The Kids of Degrassi Street, debuted twenty-five years ago, it was definitely teen television with a difference. The characters were refreshingly, astonishingly real and fans immediately saw themselves in the series' true-to-life storylines. Legions of teens followed the students through Degrassi Junior High and Degrassi Highand transformed the collective series into Degrassi Classic. Degrassi wasnt afraid to tackle big issues such as Aids, suicide, teen pregnancy, and interracial relationships. But it also offered glamour-free depictions of the daily mortifications of teenage existence -- shopping for your first bra, being the shortest guy in grade seven, having nothing to wear for your school photo. In 2005, even though Spike's giant hairdo has long gone out of style, the Degrassi Classic series continues to resonate with viewers across North America and around the world, from Sweden to Australia. And the 2001 launch of Degrassi: The Next Generation has introduced thousands of new viewers--young and old alike--to the Halls of Degrassi. Now, for the first time ever, a lavishly illustrated book about Degrassi--written by a Degrassi insider--takes fans behind the scenes of one of televisions most successful on-going teen series. Degrassi Generations is the ultimate fan book and a remarkable history of all the kids of Degrassi Street. Visit www.degrassi.tv/generations now to enter the Degrassi Generations contest and win a chance to appear on the show!

Degrassi Generationsis the exclusive, authorisedDegrassicompanion. Fans can dip into this full-colour, fully illustrated, must-have volume for never-seen-before photos, cast bios, scripts, quotes, interviews, song lyrics, bloopers and much more.Degrassiinvites fans to get to know - or get to know again - the kids, the school, the issues and the world ofDegrassi.

Reaching back to the beginnings of television, The Greatest Cult Television Shows offers readers a fun and accessible look at the 100 most significant cult television series of all time, compiled in a single resource that includes valuable information on the shows and their creators. While they generally lack mainstream appeal, cult television shows develop devout followings over time and exert some sort of impact on a given community, society, culture, or even media industry. Cult television shows have been around since at least the 1960s, with Star Trek perhaps the most famous of that era. However, the rise of cable contributed to the rise of cult television throughout the 1980s and 1990s, and now, with the plethora of streaming options available, more shows can be added to this categorization Reaching back to the beginnings of television, the book includes such groundbreaking series as The Twilight Zone and The Prisoner alongside more contemporary examples like Crazy Ex-Girlfriend and Hannibal. The authors provide production history for each series and discuss their relevance to global pop culture. To provide a more global approach to the topic, the authors also consider several non-American cult TV series, including British, Canadian, and Japanese shows. Thus, Monty Python’s Flying Circus appears alongside Sailor Moon and Degrassi Junior High. Additionally, to move beyond the conception of “cult” as a primarily white, heteronormative, fanboy obsession, the book contains shows that speak to a variety of cult audiences and experiences, such as Queer as Folk and Charmed. With detailed arguments for why these shows deserve to be considered the greatest of all time, Olson and Reinhard provide ideas for discussion and debate on cult television. Each entry in this book demonstrates the importance of the 100 shows chosen for inclusion and highlights how they offer insight into the period and the cults that formed around them.

This book presents a critical analysis of the ‘resource curse’ doctrine and a review of the international evidence on oil and urban development to examine the role of oil on property development and rights in West Africa’s new oil metropolis - Sekondi-Takoradi, Ghana. It seeks answers to the following questions: In what ways did the city come into existence? What changes to property rights are oil prospecting, explorations, and production introducing in the 21st century? How do the effects vary across different social classes and spectrums? To what extent are local and national institutions able to shape, restrain, and constrain trans-national oil-related accumulation and its effects on property in land, property in housing (residential, leisure, and commercial), and property in labour? How do these processes connect with the entire urban system in Ghana? This book shows how institutions of varying degrees of power interact to govern land, housing, and labour in the city, and analyses how efficient, sustainable, and equitable the outcomes of these interactions are. It is a comprehensive account of the tensions and contradictions in the main sectors of the urban economy, society, and environment in the booming Oil City and will be of interest to urban economists, development economists, real estate economists, Africanists and urbanists.