Class is in, but Evangeline Hollis is struggling to get through the requisite training to be a full-fledged Mark. When her class goes on a field trip to an abandoned military base, passing the course isn't just a matter of pride...it's a matter of life and death. There's a demon hidden among them, killing off Eve's classmates one by one. In Eve of Destruction, as the body count mounts, a ragtag team of cable TV ghost hunters unwittingly stumbles into the carnage. Now keeping the Mark system secret competes with the need to keep the "paranormal researchers" alive. With Cain on assignment and Abel on an investigation, Eve must fly solo on her hunt to stop a killer before he strikes again. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Enter the dark, magical world of the House of Night series by bestselling authors P.C. Cast and Kristin Cast, a world very much like our own, except here vampyres have always existed. One minute, sixteen-year-old Zoey Redbird is a normal teenager dealing with everyday high school stress: her cute boyfriend Heath, the school's star quarterback who suddenly seems more interested in partying than playing ball; her nosy frenemy Kayla, who's way too concerned with how things are going with Heath; her uber-tough geometry test tomorrow. The next, she's Marked as a fledgling vampyre, forcing her to leave her ordinary life behind and join the House of Night, a boarding school where she will train to become an adult vampyre. That is, if she makes it through the Change—and not all of those who are Marked do. It sucks to begin a new life, especially away from her friends, and on top of that, Zoey is no average fledgling. She has been chosen as special by the vampyre Goddess, Nyx. Zoey discovers she has amazing powers, but along with her powers come bloodlust and an unfortunate ability to Imprint with Heath, who just doesn't know how to take "no" for an answer. To add to her stress, she is not the only fledgling at the House of Night with special powers: when she discovers that the leader of the Dark Daughters, the school's most elite group, is misusing her Goddess-given gifts, Zoey must look deep within herself for the courage to embrace her destiny—with a little help from her new vampyre friends.

The book, Objects of War, illuminates the ways in which people have used things to grapple with the social, cultural, and psychological upheavals wrought by war and forced displacement.― Utah Public Radio Historians have become increasingly interested in material culture as both a category of analysis and as a teaching tool. And yet the profession tends to be suspicious of things; words are its stock-in-trade. What new insights can historians gain about the past by thinking about things? A central object (and consequence) of modern warfare is the radical destruction and transformation of the material world. And yet we know little about the role of material culture in the history of war and forced displacement: objects carried in flight; objects stolen on battlefields; objects expropriated, reappropriated, and remembered. Objects of War illuminates the ways in which people have used things to grapple with the social, cultural, and psychological upheavals wrought by war and forced displacement. Chapters consider theft and pillaging as strategies of conquest; soldiers' relationships with their weapons; and the use of clothing and domestic goods by prisoners of war, extermination camp inmates, freed people, and refugees to make claims and to create a kind of normalcy. While studies of migration and material culture have proliferated in recent years, as have histories of the Napoleonic, colonial, World Wars, and postcolonial wars, few have focused on the movement of people and things in times of war across two centuries. This focus, in combination with a broad temporal canvas, serves historians and others well as they seek to push beyond the written word. Contributors: Noah Benninga, Sandra H. Dudley, Bonnie Effros, Cathleen M. Giustino, Alice Goff, Gerdien Jonker, Aubrey Pomerance, Iris Rachamimov, Brandon M. Schechter, Jeffrey Wallen, and Sarah Jones Weicksel

A tale of sacrifice, faith, and love in the aftermath of World War Three. The border between good and evil has always been bloody... After The Fall, the entire world is an open wound. William flees with his family to Magnolia, a farm in Tennessee, while America descends into madness, anarchy, and despair. With help from Special Forces units and 101st Airborne troops, Magnolia emerges as a beacon of hope and stability. But when a deadly biological weapon is unleashed, a new darkness stalks the Earth. Is humanity doomed? After The Fall, nothing is certain.

My name is Kaidance Monroe, and I'm cursed with the gift of sight. I see death. Bloody, violent death. Before it even happens. I was taken in by a mysterious benefactor, who wants to use my abilities to vanquish his oldest enemy. But the dark secrets in my new home drove me away. I don't know where I belong any more - with the fallen angel who has become my protector, or with the immortal deities that are determined for me to join their cause. All I know is I'm being hunted by an army of Zeus's soldiers, tracked by monstrous beasts that want to eat me alive, and running from the one person I want to be with. But when I find the Golden Shears, and claim the power to vanquish gods, everything will change.

Eve Erixour is a mercenary with a past no one would envy and more enemies than anyone should have. Death stalks her relentlessly. So when she gains the attention of a League assassin, she considers it par for the course. But Jinx Shadowbourne isn’t after Eve. Someone has it in for him and his brethren. High-ranking assassins are falling, and Jinx is convinced one of their own is selling them out. He’s on the trail of his key suspect when fate throws him headfirst into Eve’s life. Now the two of them have to find the League leak and plug it or neither one of them will live to face another enemy, and the ones they love, and the universe at large, will be left alone to face a power-crazed madman.