A sophisticated and suspenseful novel about the poignant lives of two women living in different eras. On the day John F. Kennedy is inaugurated, Claire, an uncompromising young wife and mother obsessed with the glamour of Jackie O, struggles over the decision of whether to stay in a loveless marriage or follow the man she loves and whose baby she may be carrying. Decades earlier, in 1919, Vivien Lowe, an obituary writer, is searching for her lover who disappeared in the Great San Francisco Earthquake of 1906. By telling the stories of the dead, Vivien not only helps others cope with their grief but also begins to understand the devastation of her own terrible loss. The surprising connection between Claire and Vivien will change the life of one of them in unexpected and extraordinary ways. Part literary mystery and part love story, The Obituary Writer examines expectations of marriage and love, the roles of wives and mothers, and the emotions of grief, regret, and hope.

Gordie Hatch is twenty-two, charmingly naive, and certain that his first job as a writer for the ST LOUIS INDEPENDENT'S obituary page will be a stepping stone to a crackerjack career in journalism. The year is 1989, and Gordie watches helplessly while dramatic events -- the very events that could be his lucky break -- unfold in the world around him. But nothing can prepare him for the call he gets from Alicia Whiting, a young widow with an accent he can't quite place. When Gordie agrees to meet Alicia, against his better judgment, his journalistic curiosity quickly turns into an obsessive search for the outrageous truth behind the Whiting family. Shot through with affectionate humor and surprising twists and turns, THE OBITUARY WRITER introduces an author of enormous talent and heart. Porter Shreve brings a deft touch to the moments that mark a young person's entrance into the world, and a sharp eye to the ways in which the lead story can be wonderfully, seductively misleading.

For 10 years, "The Economist" has included unique and original obituaries in a popular column. The selections are remarkable because of the people written about, the surprising lives they led, and the brilliant writing style. This volume gathers 200 of the best obituaries.

Like Everything I Really Needed to Know, I Learned in Kindergarten, or Tuesdays with Morrie, Obit is a wise and deeply moving book that illuminates the human condition. For ten years, Jim Sheeler has scoured Colorado looking for subjects whose stories he will tell for the last time. Most are unknowns, but that doesn't mean they're nobodies. Their obituaries are sometimes humorous, sometimes heartbreaking, and chock full of life lessons as taught by the people we all pass on the street every day. And thanks to Sheeler's brilliant and compassionate prose, it's not too late to meet them.

Something just didn't seem right when Wallace McRae got word in the middle of the night that an eminent chemist he'd just interviewed had taken his own life by slashing his wrists with a straight razor in his bath tub.McRae's job, which he'd been forced to take after getting fired for drinking, was to prepare obituaries of famous, older people so his new employer, dead.com, could respond to a person's death with a quick story, ideally full of dirt and rumors that would attract online viewers - and advertising. His odious boss's motto on how far to go in writing an obituary was: "You can't libel a dead man."Taking the job was a Faustian bargain. McRae, known to all as just Mack, had traded his skills as a prize-winning investigative reporter for health insurance that covered the mounting medical bills of his dying wife.Mack had often interviewed the dead chemist, who was obsessed with winning the Nob el Prize for his breakthrough work on obesity and dementia. As he told his boss the night he got the news of the man's death: "He didn't have a suicidal bone in his body."Intrigued, his boss ordered him to dig into the matter, mostly because he saw the possibility of millions of eyeballs coming to his obituary website to read a juicy, viral story. Mack saw something different: a chance to redeem himself with a legitimate scoop that showed the man's official suicide had been something more sinister.As he would find, others with a huge financial interest in the true story were willing to resort to threats and even murder to muzzle Mack before he could print the truth.

As the obituary writer in a spectacularly beautiful but often dangerous spit of land in Alaska, Heather Lende knows something about last words and lives well lived. Now she’s distilled what she’s learned about how to live a more exhilarating and meaningful life into three words: find the good. It’s that simple--and that hard. Quirky and profound, individual and universal, Find the Good offers up short chapters that help us unlearn the habit--and it is a habit--of seeing only the negatives. Lende reminds us that we can choose to see any event--starting a new job or being laid off from an old one, getting married or getting divorced--as an opportunity to find the good. As she says, “We are all writing our own obituary every day by how we live. The best news is that there’s still time for additions and revisions before it goes to press.” Ever since Algonquin published her first book, the New York Times bestseller If You Lived Here, I’d Know Your Name, Heather Lende has been praised for her storytelling talent and her plainspoken wisdom. The Los Angeles Times called her “part Annie Dillard, part Anne Lamott,” and that comparison has never been more apt as she gives us a fresh, positive perspective from which to view our relationships, our obligations, our priorities, our community, and our world. An antidote to the cynicism and self-centeredness that we are bombarded with every day in the news, in our politics, and even at times in ourselves, Find the Good helps us rediscover what’s right with the world. “Heather Lende’s small town is populated with big hearts--she finds them on the beach, walking her granddaughters, in the stories of ordinary peoples’ lives, and knits them into unforgettable tales. Find the Good is a treasure.” —Jo-Ann Mapson, author of Owen’s Daughter “Find the Good is excellent company in unsteady times . . . Heather Lende is the kind of person you want to sit across the kitchen table from on a rainy afternoon with a bottomless cup of tea. When things go wrong, when things go right, her quiet, commonsense wisdom, self-examining frankness, and good-natured humor offer a chance to reset, renew, rebalance.” —Pam Houston, author of Contents May Have Shifted “With gentle humor and empathy [Lende] introduces a number of people who provide examples of how to live well . . . [Find the Good] is simple yet profound.” —Booklist “In this cynical world, Find the Good is a tonic, a literary wellspring, which will continue to run, and nurture, even in times of drought. What a brave and beautiful thing Heather Lende has made with this book.” —John Straley, Shamus Award winner and former writer laureate of Alaska “Heather Lende is a terrific writer and terrific company: intimate, authentic, and as quirky as any of her subjects.” —Marilyn Johnson, author of The Dead Beat

The New York Times 100 Notable Books of 2020 Time Magazine's 100 Must-Read Books of 2020 NPR's Best Books of 2020 National Book Award in Poetry, Longlist Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living. "When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time."—Time Magazine