Geoffrey, the new Viscount Astor, needs a wife. Since he sets no great store by love and romance, he decides it would be eminently sensible to offer marriage to one of the three daughters of his predecessor. He has never met any of them and has no preference. He leaves the choice to them and their mother. Arabella, the middle daughter, volunteers to make the sacrifice and marry the earl since her older, far more lovely, sister is already in love with someone else. She prays that he will be an older man of few attractions, for she sees herself as plain and uninteresting. She is dismayed to discover that Geoffrey is, in fact, young, handsome, and fashionable. She vows to be a dutiful, obedient wife and to devote her life to making him comfortable. Arabella's plan seems to be working nicely for both Geoffrey and herself—until, that is, she discovers something about him that shocks her to the core. It is an offense she considers quite unforgivable. And when Arabella makes up her mind about something, she is not easily persuaded to change it. Geoffrey is finally shaken out of his complacency to the discovery that his wife means far more to him than he had realized. But how is he to win her back when she flatly refuses to be wheedled out of her outrage?

Elizabeth Rich Handford uses God's Word to present the reason for a wife's subjection to her husband. She shows how the husband and wife relationship is the foundation for a happy and godly home. And at the same time, she shows how a submissive wife is not an inferior partner.

Jane Seymour is a shy, dutiful fifteen-year-old when her eldest brother, Edward, brings his bride home to Wolf Hall. Katherine Filliol is the perfect match for Edward, as well as being a breath of fresh air for the Seymour family, and Jane is captivated by the older girl.Only two years later, however, the family is torn apart by a dreadful allegation—that Katherine has had an affair with the Seymour patriarch. The repercussions for all the Seymours are incalculable, not least for Katherine herself. When Jane is sent away to serve Katharine of Aragon, she is forced to witness another wife being put aside, with terrible consequences. Changed forever by what happened to Katherine Filliol, Jane comes to understand that, in a world where power is held entirely by men, there is a way in which she can still hold true to herself.

Fearing a forced betrothal with a man known for his cruelty, Heloise Bergeron throws herself on the mercy of Charles Fawley, Earl of Walton. He believes himself attracted to her younger, beautiful sister, so what is he doing entertaining thoughts of marriage to the plain, quiet Heloise? But marry her he does. Returning to England with a convenient wife, who inspires a very inconvenient desire, Charles is about to discover just how untouched his French bride really is….

The marriage of Georgiana Burton to Ralph, Earl of Chartleigh, begins with every promise of happiness for both, though they scarcely know each other. She is attracted by his youthful good looks and gentle, courtly demeanor, while he is dazzled by her beauty and vivacity. It soon becomes clear, however, that the very qualities that attracted them before they married are driving them apart. Ralph is intimidated by the bright star who is his new bride while Georgiana is dismayed by her bridegroom's shyness, which seems to worsen with every passing day. Finally each of them sets out to devise a bold scheme to bring about the happily ever after for which they both yearn. It is only to be hoped that they do not bring disaster crashing down upon their dreams instead.

Jack Frazer is resigned to spending Christmas in the country with his family, even knowing that his grandmother has invited a young lady and her family with the specific intention of matchmaking for him. His grandmother has also invited the newly widowed Isabella, Comtesse de Vacheron, an acclaimed actress, and her two children. The whole family is delighted to have the comtesse among them to enliven their traditional family theatricals. All except Jack, that is. He once lived with Isabella for a whole year and has been unable to forget her in the nine years since.

These two autobiographical novels lay bare the life journey of a Mexican Jewish woman reconciling herself with a Sephardic background, her parent's dictates, and her husband's and family's expectations. The only constant in her life is a need to find her own way, and the story of how she does so is intensely personal and yet universal in its humanness. This quest begins in Oshinica's childhood: at about age ten she's taken from the public school in Mexico City and placed in a Jewish one. There she begins to understand what it means to be Jewish. Though somewhat indifferent to Hebrew lessons, she warms to the teacher who shares experiences of the Holocaust and learns that being Jewish means being different. Oshinica's family thwarts her desire to enter the university and instead she's pushed into marriage at age seventeen. Children follow quickly, four in all, and into the 1960s Oshinica tries to be a dutiful wife and mother while continuing to be an obedient daughter. But the insular Jewish neighborhood that sheltered and defined her life is impinged upon as modernity transforms Mexico City. Seeing films like the Fellini movie 8 1/2 and experiencing a culturally changing capital city sets her on a quest for her own voice and space. Eventually she separates and divorces, supports herself as a commercial photographer, and enrolls in a creative writing course taught by Elena Poniatowska, one of Mexicoás most prominent women authors. The short pieces begun in that course evolved into these two novels. The remarkable story they tell is how Oshinicaás many, and often painful, journeys of discovery led to a personal peace. áIáve never met a person so natural and spontaneous. Rosa Nissán adapts herself to life the way a plant adapts itself to the soil or the sun.ááElena Poniatowska