This new volume in the Oasis Papers series marks the 40th anniversary of archaeological fieldwork in the Dakhleh Oasis in Egypt’s Western Desert under the leadership of Anthony J. Mills and presents a synthesis of the current state of our knowledge of the oasis and its interconnections with surrounding regions, especially the Nile Valley. The papers are by distinguished authorities in the field and postgraduate students who specialise in different aspects of Dakhleh and presents an almost complete survey of the archaeology of Dakhleh including much unpublished, original material. It will be one of the few to document a specific part of modern Egypt in such detail and thus should have a broad and lasting appeal. The content of some of the papers is unlikely to be published in any other form elsewhere. Dakhleh is possibly the most intensively examined wider geographic region within Egypt.

This volume of fourteen papers covers the environment, archaeology and conservation of the Dakhleh Oasis, as presented at the Second International Conference of this long-running project (held in Toronto, 1997). Four abstracts from papers not submitted to the published volume are also included, as is the original conference program.

Excavations by the Dakhleh Oasis Project at Ismant al-Kharab, ancient Kellis in the Dakhleh Oasis, Egypt, revealed the presence of an extensive necropolis dating to the Roman Period, with hundreds of rock-cut tombs containing multiple burials. Termed the Kellis 1 Cemetery, it yielded a range of artifacts and many of the individuals were provided with elaborately decorated cartonnage coverings. This is the largest collection of such material yet discovered in Dakhleh. This book presents a detailed analysis of the entire corpus of cartonnage found at Kellis in a securely excavated context. These objects, which include mummy masks, foot-cases, and full body covers, were part of the burial accoutrements of the wealthier residents of the village. Stylistic and digital investigation of the artifacts suggests a well-defined craft production, with the presence of multiple groups of craftsmen using specific manufacturing techniques and local traits in their iconographic repertoire. The scale of evidence demonstrates that Kellis was a vibrant community with a dynamic funerary production in contact with nearby areas. Comparison with finds from the neighboring Oasis of Kharga, as well as with artifacts in museums collections and from the antiquities market, suggest a complex network of skilled craftsmen throughout the region. This is the first comprehensive study of the material. It has been studied in person by the author in the field enabling a detailed appraisal of the items, whether intact or fragmentary. It builds on recent research addressing regionalism and craftsmanship, and constitutes one of the main sources to investigate issues of permanence and change in the indigenous funerary customs of the area.

Papers from the Fourth Australasian Egyptology Conference held at Monash University in 2016 and dedicated to Gillian E. Bowen who retired from Monash that year. The contributions include several on Egypt’s Western Desert where Monash has been engaged in fieldwork for many years in the the Dakhleh Oasis.

First, fully illustrated, presentation of a large but generally little known assemblage of petroglyphic rock art from the Western Desert of Egypt. Rock art in Dakhleh was produced for perhaps as long as 10 millennia, resulting in the formation of hundreds of sites displaying thousands of images. In some places, petroglyphs form a true melting pot of iconographic creations, elsewhere only isolated depictions appear on rock surfaces. Various rock art traditions, from prehistoric, through pharaonic, Graeco-Roman, and mediaeval, have all added to a tremendous variety of petroglyphs, their formal traits and subject matter. This book is the first ever monograph on Dakhleh Oasis rock art, providing both an introduction to the versatile topic as well as an overview of the current state of research. It is designed as a collection of essays that deal with specific aspects of the research. The reader is offered here not only old and new documentation, much of it previously unpublished, but also a great deal of innovative interpretation. All chapters, although devoted to different case studies, revolve around an all-encompassing concept of landscape of motion. It is argued here that rock art, regardless of its date of origin, was (and is) always involved in certain dynamic contexts. In Dakhleh, the majority of petroglyphs – especially during historical periods – were produced in spatial contexts of paths and routes, and thus by people on the move. It is argued here that various kinds of movement were often a significant factor contributing to the meaning and function of the images. The intention of this book is to explore and unveil such contexts, which may prove somewhat elusive if we focus our analyses exclusively on the representational aspects of rock art. Such a type of integration of rock art, landscape and motion is the major aim of this work, and has hopefully been achieved by merging perspectives and concepts derived from Egyptology, Anthropology, and other social sciences.