Two trends in the early twenty-first-century intersect to give this volume immediate relevance: 1) The emerging postmodern ethos in North America is calling into question many things we have taken for granted, including the purposes of the church; and 2) our time is increasingly fractious as groups with distinct worldviews become polarized and often antagonistic. Eleven noted contributors join a growing current that sees conversation as an image to refresh our thinking about the nature and purpose of the church, and as a process in which individuals and communities with different perspectives come together for real understanding. Under the Oak Tree employs the image of Sarah and Abraham greeting three visitors under the Oaks of Mamre as an image for the church as a community of conversation, a community that opens itself to the otherness of the Bible, voices in history and tradition, others in the contemporary social and ecological worlds. Furthermore, the book shows how conversation can lead the church to action. The book takes a practical approach by exploring how conversation can shape key parts of the church's life. Topics include preaching, worship, formation, evangelism, pastoral care, mission and ecumenism, social witness, and the relationship of Christianity to other religions. Foundational chapters consider God as conversational, the church as community of conversation, and the minister as conversation leader.

To Have and Have Not is the dramatic, brutal story of Harry Morgan, an honest boat owner who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who swarm the region, and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the “haves” and the “have nots” and creates one of the most subtle and moving portraits of a love affair in his oeuvre. In turn funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not takes literary high adventure to a new level. As the Times Literary Supplement observed, “Hemingway's gift for dialogue, for effective understatement, and for communicating such emotions the tough allow themselves, has never been more conspicuous.”

During the 1920s and 1930s, Mississippi produced two of the most significant influences upon twentieth-century culture: the modernist fiction of William Faulkner and the recorded blues songs of African American musicians like Charley Patton, Geeshie Wiley, and Robert Johnson. In Yoknapatawpha Blues, the first book examining both Faulkner and the music of the south, Tim A. Ryan identifies provocative parallels of theme and subject in diverse regional genres and texts. Placing Faulkner's literary texts and prewar country blues song lyrics on equal footing, Ryan illuminates the meanings of both in new and unexpected ways. He provides close analysis of the Great Mississippi Flood of 1927 in Faulkner's "Old Man" and Patton's "High Water Everywhere"; racial violence in the story "That Evening Sun" and Wiley's "Last Kind Words Blues"; and male sexual dysfunction in Sanctuary and Johnson's "Dead Shrimp Blues." This interdisciplinary study reveals how the characters of Yoknapatawpha County and the protagonists in blues songs similarly strive to assert themselves in a threatening and oppressive world. By emphasizing the modernism found in blues music and the echoes of black vernacular culture in Faulkner's writing, Yoknapatawpha Blues links elucidates the impact of both Faulkner's fiction and roots music on the culture of the modern South, and of the nation.

Ernest Hemingway witnessed many of the seminal conflicts of the twentieth century—from his post as a Red Cross ambulance driver during World War I to his nearly twenty-five years as a war correspondent for The Toronto Star—and he recorded them with matchless power. This landmark volume brings together Hemingway’s most important and timeless writings about the nature of human combat. Passages from his beloved World War I novel, A Farewell to Arms, and For Whom the Bell Tolls, about the Spanish Civil War, offer an unparalleled portrayal of the physical and psychological impact of war and its aftermath. Selections from Across the River and into the Trees vividly evoke an emotionally scarred career soldier in the twilight of life as he reflects on the nature of war. Classic short stories, such as “In Another Country” and “The Butterfly and the Tank,” stand alongside excerpts from Hemingway’s first book of short stories, In Our Time, and his only full-length play, The Fifth Column. With captivating selections from Hemingway’s journalism—from his coverage of the Greco-Turkish War of 1919–22 to a legendary early interview with Mussolini to his jolting eyewitness account of the Allied invasion of Normandy on June 6, 1944—Hemingway on War collects the author’s most penetrating chronicles of perseverance and defeat, courage and fear, and love and loss in the midst of modern warfare.

More accurately, perhaps, a historical bibliography. Baker (English and libraries, Northern Illinois U.) and Ross (Massey U., New Zealand) provide extensive detail of the earlier British and American editions of the literary work and other writings by Eliot (1819-80), from their first publication to the time of her death. They also include later printings from plates of editions that had first appeared during her life time, especially those on which she might have had some influence. The reference would interest book collectors and historians of books more than scholars of literature. Annotation copyrighted by Book News, Inc., Portland, OR