First appearing on early Spanish maps as the Río Escondido, or hidden river, and later named Río de las Nueces after the abundant pecan trees along its banks, the Nueces today is a stream of seeming contradictions: a river that runs above and below ground; a geographic reminder of a history both noble and egregious; and a spring-fed stream transformed into a salty, steep-sided channel. From its fresh, clear headwaters on the Edwards Plateau, Margie Crisp and William B. Montgomery follow the river through the mesquite and prickly pear of the South Texas Plains, to the river’s end in Nueces and Corpus Christi Bays on the Gulf of Mexico. With vivid prose and paintings, they record their travels as they explore the length of the river on foot, kayak, and fishing boat, ultimately weaving a vivid portrait of today’s Nueces. Capturing the river’s subtle beauty, abundant wildlife, diverse culture, and unique history of exploration, conflict, and settlement, they reveal the untold story of this enigmatic river with passion, humor, and reverence. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.

“Durham’s account is modest and straightforward . . . has many lessons for anyone interested in the history of the Old West, leadership or law enforcement.” —American West Review Only an extraordinary Texas Ranger could have cleaned up bandit-plagued Southwest Texas, between the Nueces River and the Rio Grande, in the years following the Civil War. Thousands of raiders on horseback, some of them Anglo-Americans, regularly crossed the river from Mexico to pillage, murder, and rape. Their main objective? To steal cattle, which they herded back across the Rio Grande to sell. Honest citizens found it almost impossible to live in the Nueces Strip. In desperation, the governor of Texas called on an extraordinary man, Captain Leander M. McNelly, to take command of a Ranger company and stop these border bandits. One of McNelly’s recruits for this task was George Durham, a Georgia farm boy in his teens when he joined the “Little McNellys,” as the Captain’s band called themselves. More than half a century later, it was George Durham, the last surviving “McNelly Ranger,” who recounted the exciting tale of taming the Nueces Strip to San Antonio writer Clyde Wantland. In Durham’s account, those long-ago days are brought vividly back to life. Once again the daring McNelly leads his courageous band across Southwest Texas to victories against incredible odds. With a boldness that overcame their dismayingly small number, the McNellys succeeded in bringing law and order to the untamed Nueces Strip—succeeded so well that they antagonized certain “upright” citizens who had been pocketing surreptitious dollars from the bandits’ operations. “The reader seems to smell the acrid gunsmoke and to hear the creak of saddle leather.” —Southwestern Historical Quarterly

The open country of Texas between the Nueces River and the Rio Grande was sparsely settled through the nineteenth century, and most of the settlers who did live there had Hispanic names that until recently were rarely admitted into the pages of Texas history. In 1935, however, a descendant of one of the old Spanish land-grant families in the region-a woman, no less-found an ingenious way to publish the history of her region at a time when neither Tejanos nor women had much voice. She told the story from the perspective of an ancient mesquite tree, under whose branches much South Texas history had passed. Her tale became an invaluable source of folk history but has long been out of print. Now, with important new introductions by Leticia M. Garza-Falcón and Andrés Tijerina, the history witnessed by El Mesquite can again inform readers of the way of life that first shaped Texas. Through the voice of the gnarled old tree, Elena Zamora O'Shea tells South Texas political and ethnographic history, filled with details of daily life such as songs, local plants and folk medicines, foods and recipes, peone/patron relations, and the Tejano ranch vocabulary. The work is an important example of the historical-folkloristic literary genre used by Mexican American writers of the period. Using the literary device of the tree's narration, O'Shea raises issues of culture, discrimination, and prejudice she could not have addressed in her own voice in that day and explicitly states the Mexican American ideology of 1930s Texas. The result is a literary and historic work of lasting value, which clearly articulates the Tejano claim to legitimacy in Texas history. ELENA ZAMORA O'SHEA (1880-1951) was born at Rancho La Noria Cardenena near Peñitas, Hidalgo County, Texas. A long-time schoolteacher, whose posts included one on the famous King Ranch, she wrote this book to help Tejano children know and claim their proud heritage.

In ten impassioned essays, veteran Texas environmental advocates and conservation professionals step outside their roles as lawyers, lobbyists, administrators, consultants, and researchers to write about water. Their personal stories of what the springs, rivers, bottomlands, bayous, marshes, estuaries, bays, lakes, and reservoirs mean to them and to our state come alive in the landscape photography of Charles Kruvand. Allied with the Texas Living Waters Project (a joint education and policy initiative of the Lone Star Chapter of the Sierra Club, the National Wildlife Federation, and the Environmental Defense Fund, among others), editor Ken Kramer joins his fellow activists in a call to keep rivers flowing, to protect wildlife habitat, and to save tax dollars by using water efficiently and sustainability. INSIDE THIS BOOK:Introduction: the Living Waters of Texas—Ken KramerWhere the First Raindrop Falls—David K. LangfordSpringing to Life: Keeping the Waters Flowing—Dianne WassenichHooked on Rivers—Myron J. HessFalling in Love with Bottomlands: Waters and Forests of East Texas—Janice BezansonOn the Banks of the Bayous: Preserving Nature in an Urban Environment—Mary Ellen WhitworthA Taste of the Marsh—Susan Raleigh KaderkaBays and Estuaries of Texas: An Ephemeral Treasure?—Ben F. Vaughan IIIRio Grande: Fragile Lifeline in the Desert—Mary E. KellyLeaving a Water Legacy for Texas—Ann Thomas HamiltonTexas Water Politics: Forty Years of Going with the Flow—Ken Kramer

First appearing on early Spanish maps as the Río Escondido, or hidden river, and later named Río de las Nueces after the abundant pecan trees along its banks, the Nueces today is a stream of seeming contradictions: a river that runs above and below ground; a geographic reminder of a history both noble and egregious; and a spring-fed stream transformed into a salty, steep-sided channel. From its fresh, clear headwaters on the Edwards Plateau, Margie Crisp and William B. Montgomery follow the river through the mesquite and prickly pear of the South Texas Plains, to the river’s end in Nueces and Corpus Christi Bays on the Gulf of Mexico. With vivid prose and paintings, they record their travels as they explore the length of the river on foot, kayak, and fishing boat, ultimately weaving a vivid portrait of today’s Nueces. Capturing the river’s subtle beauty, abundant wildlife, diverse culture, and unique history of exploration, conflict, and settlement, they reveal the untold story of this enigmatic river with passion, humor, and reverence. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.

Writer and artist Margie Crisp has traveled the length of Texas’ Colorado River, which rises in Dawson County, south of Lubbock, and flows 860 miles southeast across the state to its mouth on the Gulf of Mexico at Matagorda Bay. Echoing the truth of Heraclitus’s ancient dictum, the river’s character changes dramatically from its dusty headwaters on the High Plains to its meandering presence on the coastal prairie. The Colorado is the longest river with both its source and its mouth in Texas, and its water, from beginning to end, provides for the state’s agricultural, municipal, and recreational needs. As Crisp notes, the Colorado River is perhaps most frequently associated with its middle reaches in the Hill Country, where it has been dammed to create the six reservoirs known as the Highland Lakes. Following Crisp as she explores the river, sometimes with her fisherman husband, readers meet the river’s denizens—animal, plant, and human—and learn something about the natural history, the politics, and those who influence the fate of the river and the water it carries. Those who live intimately with the natural landscape inevitably formulate emotional responses to their surroundings, and the people living on or near the Colorado River are no exception. Crisp’s own loving tribute to the river and its inhabitants is enhanced by the exquisite art she has created for this book. Her photographs and maps round out the useful and beautiful accompaniments to this thoughtful portrait of one of Texas’ most beloved rivers. Former first lady Laura Bush unveils this year's Texas Book Festival poster designed by artist Margie Crisp, author of River of Contrasts: The Texas Colorado. The poster features cliff swallows flying over the Colorado River. Photo by Grant Miller To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.

"Come with us to learn about a great Texas river ... We will explore ... camp on its banks ... and look for places of excitement, beauty and learning - some of them surprising." From its ancient headwaters on the semiarid plains of eastern New Mexico to its mouth at the Gulf of Mexico, the Brazos River carves a huge and paradoxical crescent through Texas geography and history.