The nations bordering the North Sea have always been engaged in a dialogue with water. The sea is the source of livelihoods as well as leisure, industry as well as relaxation. Holidaymakers are not the only ones drawn to the seaside: the currency of both painters and photographers is light, and under Northern skies the best light is often to be found where land joins water. In addition, coastal locations often give urban artists an opportunity to observe life in the raw. North Sea provides the overarching theme for this showcase of vintage and contemporary photography, accompanied by paintings and songs, poetry and prose. Its pages capture both the sublimity of nature and a cast of human subjects, whose lives are placed in perspective by the vastness of the sea. In spite of the changes wrought by history, the fascination of the frontier between land and water remains timeless, and these images stand as a striking testament to the relationship between the sea and the people who live and work alongside it.

This book offers an up-to-date review of our current understanding of climate change in the North Sea and adjacent areas, as well as its impact on ecosystems and socio-economic sectors. It provides a detailed assessment of climate change based on published scientific work compiled by independent international experts from climate-related disciplines such as oceanography, atmospheric sciences, marine and terrestrial ecology, using a regional evaluation and review process similar to that of the Intergovernmental Panel on Climate Change (IPCC). It provides a comprehensive overview of all aspects of our changing climate, discussing a wide range of topics including past, current and future climate change, and climate-related changes in marine, terrestrial and freshwater ecosystems. It also explores the impact of climate change on socio-economic sectors such as fisheries, agriculture, coastal zone management, coastal protection, urban climate, recreation/tourism, offshore activities/energy, and air pollution.

This is a historical study of great wind storms over the last 500-600 years, with meteorological maps and wind measurements.

Saturnine and quick-tempered, the formidable North Sea is often overlooked – even by those living within a stone's throw of its steel-grey waters. But as playground, theatre of war and cultural crossing-point, it has shaped the world in myriad ways, forged villains and heroes, and determined the fates of nations. It's not all grim, though: the seaside holiday was born on North Sea beaches, and artists, poets and writers have been as equally inspired by glinting sun on the wave-tops as they have the drama of a winter storm. With a wry eye and a warm coat, Tom Blass travels the edges of the North Sea meeting fishermen, artists, bomb disposal experts, burgermeisters – and those who have found themselves flung to the sea's perimeters quite by chance. In doing so he attempts to piece together its manifold histories and to reveal truths, half-truths and fictions otherwise submerged...

On a warm summer’s night in Athens, Georgia, Patrik Keim stuck a pistol into his mouth and pulled the trigger. Keim was an artist, and the room in which he died was an assemblage of the tools of his particular trade: the floor and table were covered with images, while a pair of large scissors, glue, electrical tape, and some dentures shared space with a pile of old medical journals, butcher knives, and various other small objects. Keim had cleared a space on the floor, and the wall directly behind him was bare. His body completed the tableau. Art and artists often end in tragedy and obscurity, but Keim’s story doesn’t end with his death. A few years later, 180 miles away from Keim’s grave, a bulldozer operator uncovered a pine coffin in an old beaver swamp down the road from Allen C. Shelton’s farm. He quickly reburied it, but Shelton, a friend of Keim’s who had a suitcase of his unfinished projects, became convinced that his friend wasn’t dead and fixed in the ground, but moving between this world and the next in a traveling coffin in search of his incomplete work. In Where the North Sea Touches Alabama, Shelton ushers us into realms of fantasy, revelation, and reflection, paced with a slow unfurling of magical correspondences. Though he is trained as a sociologist, this is a genre-crossing work of literature, a two-sided ethnography: one from the world of the living and the other from the world of the dead. What follows isn’t a ghost story but an exciting and extraordinary kind of narrative. The psycho-sociological landscape that Shelton constructs for his reader is as evocative of Kafka, Bataille, and Benjamin as it is of Weber, Foucault, and Marx. Where the North Sea Touches Alabama is a work of sociological fictocriticism that explores not only the author’s relationship to the artist but his physical, historical, and social relationship to northeastern Alabama, in rare style.

In light of the North Sea's major role in today's world petroleum market, these essays examine the structure of the market, the international framework and tax regime, the function and mechanism of forward dealings, and price behavior.

This richly illustrated book tells the story of cultural exchange between the people of the Low Countries and England in the Middle Ages and the Early Modern period, and reveals how Anglo-Dutch connections changed the literary landscape on both sides of the North Sea.Ranging from the Norman Conquest of 1066 to the 'Glorious Revolution' of 1688, it examines how Dutch-speaking immigrants transformed English culture, and it uncovers the lasting impact of contacts and collaborations between Dutch and English speakers on historical writing, map-making, manuscript production and early printing. The literary heritage of Anglo-Dutch relations is explored and lavishly illustrated through the unique collection of manuscripts, early prints, maps and other treasures from the Bodleian Library in Oxford. The book sheds new light on the literature and art of a pivotal period in European history.