This book represents a new vista, looking past the days when there were two distinct groups-those who were studied and those who studied them. This history of the Umatilla, Cayuse, and Walla Walla people had its beginnings in October 2000, when elders sat side by side with native students and native and non-native scholars to compare notes on tribal history and culture. Through this collaborative process, tribal members of the Confederated Tribes of the Umatilla Indian Reservation have taken on their own historical retellings, drawing on the scholarship of non-Indians as a useful tool and external resource. Primary to this history are native voices telling their own story. Beginning with ancient teachings and traditions, moving to the period of first contact with Euro-Americans, the Treaty council, war, and the reservation period, and then to today's modern tribal governance and the era of self-determination, the tribal perspective takes center stage. Throughout, readers will see continuity in the culture and in ways of life that have been present from the earliest times, all on the same landscape. Wiyaxayxt (Columbia River Sahaptin) and Wiyaakaa'awn (Nez Perce) can be interpreted to mean "as the days go by," "day by day," or "daily living." They represent the meaning of the English term "history" in two of the common languages still spoken on the Umatilla Indian Reservation.

Photographer Edward S. Curtis was a prolific photographer and recorder of Native American culture. This is a collection of his most moving, cultural portraits.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A noted photographer of Native Americans for more than 30 years, Curtis documented more than 80 tribes. This collection includes Curtis's never-before-seen master prints and other prints that comprised his last great exhibition in 1906. 75 full-color photos.