The Nordic Storyteller: Essays in Honour of Niels Ingwersen consists of a set of nineteen research essays plus an introduction, written by colleagues and admirers of Niels and Faith Ingwersen, leaders in the field of Scandinavian Studies in North America for some four decades. A first section of seven essays, entitled “Songs and Tales in Oral Tradition,” presents research in the area of folklore studies, including balladry, saints’ lives, incantations, healing, legendry, and personal experience narrative. Articles take up such issues as classification, thematics, cultural and historical change, and the effects of technology on daily life. A closely related second section, “From Oral Tradition to Literature” includes three essays which examine the adaptation of oral tradition to literary forms, focusing on the works of P. Chr. Asbjørnsen, Esias Tegnér, Elias Lönnrot, F. R. Kreutzwald, and the illustrations of Arthur Rackham—all figures important in the rise of folklore as a key interest of Romantic nationalism. A further set of nine essays grouped under the title “Tales in Literary Form” examine aspects of the writings of some of the greatest storytellers of the nineteenth and twentieth centuries, including H. C. Andersen, Herman Bang, Henrik Ibsen, Jóhann Magnús Bjarnason, Charles Dickens, Thomas Mann, Isak Dinesen, Martin Andersen Nexø, Billy August, Hans Scherfig, Peter Høeg, Klaus Rifbjerg, Leif Panduro, and Kjartan Fløgstad. Articles address topics including autobiography, source criticism, symbolism, personal and national identities, and the representation of political ideals. Together the essays of this volume demonstrate the unflagging salience of narrative—of storytelling—in the personal lives and social experiences of Scandinavians and their neighbors, past and present.

#1 New York Times bestselling author Neil Gaiman and Eisner Award-winning comics legend P. Craig Russell breathe new life into the ancient Norse stories in this comic-book adaptation of the hit novel Norse Mythology. Gaiman and Russell team with a legendary collection of artists to take readers through a series of Norse myths, including the creation of the Nine Worlds, the loss of Odin's eye and source of his knowledge, the crafting of Thor's hammer and the gods' most valuable treasures, the origin of poetry, and Loki's part in the end of all things--Ragnarök. Collects Norse Mythology #1-#6, featuring art by P. Craig Russell, Mike Mignola, Jerry Ordway, David Rubín, Piotr Kowalski, and Jill Thompson.

All the World’s Reward presents ninety-eight tales from Norway, Denmark, Sweden, Swedish-speaking Finland, and Iceland. Each area is represented by the complete recorded repertoire of a single storyteller. Such a focus helps place the stories in the context of the communities in which they were performed and also reveals how individual folk artists used the medium of oral literature to make statements about their lives and their world. Some preferred jocular stories and others wonder tales; some performed mostly for adults, others for children; some used storytelling to criticize society, and others spun wish fulfillment tales to find relief from a harsh reality. For the most part collected a century ago, the stories were gleaned from archives and printed sources; the Icelandic repertoire was collected on audiotape in the 1960s. Each repertoire was selected by a noted folklorist. Introductions to the storytellers and collectors and commentaries and references for the tales are provided. A general introduction, a comprehensive bibliography, and an index of the tales according to Aarne-Thompson’s typology are also included. Period illustrations add charm to the stories.

Chinese storytelling has survived through more than a millennium into our own time, while similar oral arts have fallen into oblivion in the West. Under the main heading of 'The Eternal Storyteller', in August 1996 the Nordic Institute of Asian Studies hosted an International Workshop on Oral Literature in Modern China. To this meeting, the first of its kind in Europe, five special guests were invited - master tellers from Yangzhou: Wang Xizotang, Li Xintang, Fei Zhengliang, Dai Buzhang and Hui Zhaolong. The volume derived from this meeting includes an introductory article written by John Miles Foley entitled 'A Comparative View on Oral Traditions'. Thereafter, a wide range of topics relating to Chinese oral literature is covered under the headings: 'Historical Lines', 'A Spectrium of Genres', 'Studies of Yangzhou and Suzhou Story- telling' and 'Performances of Yangzhou Storytelling'. However, the present volume does more than include papers derived from the meeting. It is also lavishly illustrated in word and picture from performances by the guest-storytellers. In so doing, the world of Chinese story telling is not just described and analysed - it is also brought to life.

The #1 New York Times bestseller—a “gripping, suspenseful” (Washington Post) retelling of Norse myths—now with spectacular illustrations. In this dazzling, illustrated edition of the instant classic that has sold more than a million copies, award-winning illustrator Levi Pinfold brings Neil Gaiman’s bravura rendition of the Norse gods and their world to life. Bursting off the page with breathtaking, full-color art are tales of fierce battles with giants, storied quests for knowledge, and the gods in Asgard: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong, yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator. Gaiman fashions these primeval stories into a novelistic arc that takes us from the genesis of the legendary nine worlds to Ragnorak, the twilight of the gods and the rebirth of a new time. Through his epic storytelling and Pinfold’s enthralling images, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, breathing vivid life into these long-ago myths. “Who else but Neil Gaiman could become an accomplice of the gods, using the sorcery of words to make their stories new?” —Maria Tatar, translator and editor of The Annotated Brothers Grimm “Gaiman brings rakish mischief and severe glamour to the Norse canon.” —The New Yorker “Remarkable. . . . Gaiman has provided an enchanting contemporary interpretation of the Viking ethos.” —Lisa L. Hannett, Atlantic “A lively, funny and very human rendition of Thor the thunder god, his father Odin and the dark-hearted trickster Loki (plus countless other gods and monsters).” —Petra Mayer, NP

This book shows how the people of Estonia, Latvia, and Lithuania confronted a military superpower and achieved independence in the Baltic "Singing Revolution". When attacked by Soviet soldiers in public displays of violent force, singing Balts maintained faith in non-violent political action. As an inspiration to all nations, the non-violent Baltic independence movement revolutionised each country through singing and smiling. The "Singing Revolution" is indeed the essence of the Baltic way, and began in 1987 as a public revolt against Soviet restrictions on free speech and assembly. The revolutions and following elections in 1990 resulted in three separate governments and a declaration of independence from the Soviet Union. The book seeks to answer questions such as why the struggle for Baltic independence came to be called the Singing Revolution? What did they sing? And what role did singing play in the Estonian, Latvian, and Lithuanian campaigns of political mobilisation and non-violent action? Furthermore, and uniquely for this publication, it explores, in great depth, the songs that gave the revolution its name, translating and interpreting over 110 choral, rock, and folk songs in their poetic, cultural, and historical context.

“A wonderfully evocative biography of the . . . 13th century Icelandic writer and chieftain” who wrote the immortal stories of Thor, Odin, Valhalla, and Ragnarök (Guardian, UK). Much like Greek and Roman mythology, Norse myths are still with us. Famous storytellers from JRR Tolkien to Neil Gaiman have drawn their inspiration from the long-haired, mead-drinking, marauding and pillaging Vikings. But few of us know much about the creator of these immortal heroes: a thirteenth-century Icelandic chieftain by the name of Snorri Sturluson. Like Homer, Snorri was a bard, writing down and embellishing the folklore and pagan legends of medieval Scandinavia. Unlike Homer, Snorri was a man of the world—a wily political power player, one of the richest men in Iceland who came close to ruling it, and even closer to betraying it. In Song of the Vikings, award-winning author Nancy Marie Brown brings Snorri Sturluson’s story to life in a richly textured narrative that draws on newly available sources.