This final volume in John Nichols's acclaimed New Mexico trilogy, (“Gentle, funny, transcendent.” —New York Times Book Review). Like its predecessors, The Nirvana Blues is a lusty, visionary novel that blends comedy and tragedy, reality and fantasy, tenderness and bite, to illuminate some very troubling truths about America—truths no less pointed and accurate today than they were decades ago. The seventies are over. All across America, the overgrown kids of the middle class are getting their acts together—and getting older. The once-tight Chicano community of Chamisaville is long gone, and the Anglo power brokers control almost everything. Joe Miniver—faithful husband, loving father, and all-around good guy—is about to sink roots. To buy the land he wants, he dreams up a coke scam that will net him the necessary bread. Joe is also about to embark on a series of erotic adventures with three headstrong women, bringing him face-to-face with the terrors (and absurdity) of the modern man-woman scene. The Nirvana Blues is part of John Nichols's New Mexico trilogy, which includes The Milagro Beanfield War and The Magic Journey

Spanning forty years, the second book in John Nichols's New Mexico trilogy, The Magic Journey, tells the tale of how relentless progress transformed a rural backwater into a boomtown. Boom times came to the forgotten little southwestern town of Chamisaville just as the rest of America was in the Great Depression. They came when a rattletrap bus loaded with stolen dynamite blew sky-high, leaving behind a giant gushing hot spring. Within minutes, the town's wheeler-dealers had organized, and within a year, Chamisaville was flooded with tourists and pilgrims, and the wheeler-dealers were rich. At first, it was a magic time for Chamisaville—almost as if every day were a holiday. But the euphoria gradually dissipated, and the land-hungry developers, speculators, and interlopers moved in. Finally, the day came when Chamisaville's people found themselves all but displaced, their children no longer heirs to their land or their tradition. With mounting intensity, The Magic Journey reaches a climax that is tragically foreordained. A sensitive, vital, and honest chronicle of life in America's Southwest, it is also an incisive commentary on what America has become on its road to progress. The Magic Journey is part of John Nichols's New Mexico trilogy, which includes The Milagro Beanfield War and The Nirvana Blues.

The Milagro Beanfield War is the first book in John Nichols's New Mexico trilogy (“Gentle, funny, transcendent.” —The New York Times Book Review), later adapted to film by Robert Redford. Joe Mondragon, a feisty hustler with a talent for trouble, slammed his battered pickup to a stop, tugged on his gumboots, and marched into the arid patch of ground. Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro's rising is wildly comic and lovingly tender, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.

One of the most accomplished nutritional biochemists and medical writers in his field reveals the truth about caffeine and helps you kick the habit forever. Nearly 80% of all Americans are hooked on caffeine, this country's #1 addiction. A natural component of coffee, tea and chocolate, and added to drugs, soft drinks, candy and many other products, the truth about caffeine is that it can affect brain function, hormone balance, and sleep patterns, while increasing your risk of osteoporosis, diabetes, ulcers, PMS, stroke, heart disease and certain types of cancer. Discover a step-by-step, clinically-proven program that reduces your caffeine intake, and effective ways to boost your energy with nutrients, healthy beverages, better sleep and high-energy habits.

“Fans of stories centered on the conflict between the virtual and the real will find plenty to enjoy.” — Publishers Weekly No one goes out anymore. Society is sheltered indoors. The economy is in ruins. People spend their lives addicted to a breakthrough virtual reality technology, desperate for escapism in a troubled world. The Nirvana Effect has taken over. Aaron and Clarissa are members of a subculture of realists who resist the lure of a fake utopia. They watch in horror as the technology spreads across the country with willing participants who easily forgo their freedoms for false pleasures. When the young couple discovers a plot to enforce compliance for mind control, the battle for free will begins. What started as a playful diversion turns deadly. The future of the human race is at stake. FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

Musicians strive to "keep it real"; listeners condemn "fakes"; but does great music really need to be authentic? By investigating this obsession in the last century, this title rethinks what makes popular music work.

One of the renowned Beat writer’s most formally inventive books, Mexico City Blues is Jack Kerouac’s essential work of lyric verse, now reissued following his centenary celebration Written between 1954 and 1957, and published originally by Grove Press in 1959, Mexico City Blues is Kerouac’s most important verse work. It incorporates all the elements of his theory of spontaneous composition and his interest in Buddhism. Memories, fantasies, dreams, and surrealistic free association are lyrically combined in the loose format inspired by jazz and the blues. Written while Kerouac was living in Mexico City, and with references to William S. Burroughs, Gregory Corso, and Bill Garver, this exciting book in Kerouac’s oeuvre is an original and moving epic of sound, rhythm, and religion.