This study shows that, despite numerous surface similarities, the popular culture of the 1930s was different from that of the 1920s in a variety of ways, and not only because of the Great Depression. It was a period of quiet desperation and shifting values, one in which nickels and dimes replaced dollars as the currency of popular culture, and in which the emphasis was on finding methods to occupy idle time and idle minds. Popular culture during the 1930s is important for understanding not only how Americans coped, but why they did so with such good humor and so little of the discontent visible elsewhere in the world. An appreciation of popular culture during the 1930s is essential to understanding other aspects of the decade.

This study shows that, despite numerous surface similarities, the popular culture of the 1930s was different from that of the 1920s in a variety of ways, and not only because of the Great Depression. It was a period of quiet desperation and shifting values, one in which nickels and dimes replaced dollars as the currency of popular culture, and in which the emphasis was on finding methods to occupy idle time and idle minds. Popular culture during the 1930s is important for understanding not only how Americans coped, but why they did so with such good humor and so little of the discontent visible elsewhere in the world. An appreciation of popular culture during the 1930s is essential to understanding other aspects of the decade.

This book examines the underlying causes of the tumult of the 1920s in America that has since captivated writers, readers, moviegoers, and television viewers. During the 1920s, Americans were aware of the momentous changes taking place in their lives. It was an introspective decade. Magazines and newspaper articles, books and anthologies explored the causes, nature, and implications of those changes. The impact of radio, and to a lesser extent motion pictures, rivaled the effects that the invention of printing had had on human society hundreds of years earlier. Add to these developments the effects of World War I and the popularization of Freud and Darwin, and the result was an America cast adrift on a sea of normlessness, treading water between two worlds: one of stability and tradition before the war, and one as yet dimly perceived in the mists of the future. While Freud challenged notions of traditional behavior, Darwin challenged traditional religious beliefs. The arrival of the affordable automobile transformed human mobility on a scale not seen since the domestication of the horse and the invention of the wheel thousands of years before. But those previous changes had not ushered in so many cataclysmic changes in so short a time. The author maintains that only in this context can much of the behavior of the time be understood, from the popularity of the Ku Klux Klan to the excesses of the flappers and the jazz age.

On cartoon animation

Most historical studies bury us in wars and politics, paying scant attention to the everyday effects of pop culture. Welcome to America's other history—the arts, activities, common items, and popular opinions that profoundly impacted our national way of life. The twelve narrative chapters in this volume provide a textured look at everyday life, youth, and the many different sides of American culture during the 1930s. Additional resources include a cost comparison of common goods and services, a timeline of important events, notes arranged by chapter, an extensive bibliography for further reading, and a subject index. The dark cloud of the Depression shadowed most Americans' lives during the 1930s. Books, movies, songs, and stories of the 1930s gave Americans something to hope for by depicting a world of luxury and money. Major figures of the age included Fred Astaire and Ginger Rogers, Irving Berlin, Amelia Earhart, Duke Ellington, the Marx Brothers, Margaret Mitchell, Cole Porter, Joe Louis, Babe Ruth, Shirley Temple, and Frank Lloyd Wright. Innovations in technology and travel hinted at a Utopian society just off the horizon, group sports and activities gave the unemployed masses ways to spend their days, and a powerful new demographic—the American teenager—suddenly found itself courted by advertisers and entertainers.

Using a rich variety of historical sources, Suzanne Morton traces the history of gambling regulation in five Canadian provinces - Nova Scotia, Quebec, Ontario, Manitoba, and B.C. - from the First World War to the federal legalization in 1969. This regulatory legislation, designed to control gambling, ended a long period of paradox and pretence during which gambling was common, but still illegal. Morton skilfully shows the relationship between gambling and the wider social mores of the time, as evinced by labour, governance, and the regulation of 'vice.' Her focus on the ways in which race, class, and gender structured the meaning of gambling underpins and illuminates the historical data she presents. She shows, for example, as "Old Canada" (the Protestant, Anglo-Celtic establishment) declined in influence, gambling took on a less deviant connotation - a process that continued as charity became secularized and gambling became a lucrative fundraising activity eventually linked to the welfare state. At Odds is the first Canadian historical examination of gambling, a complex topic which is still met by moral ambivalence, legal proscription, and volatile opinion. This highly original study will be of interest to the undergraduate history or social science student, but will also hold the attention of a more general reader.

Draws from oral histories, memoirs, local newspaper reports, and scholarly texts to tell the story of America's Great Depression in the words of people who lived through it.