Reconciling explosive growth with often majestic landscape defines New Geographies of the American West. Geographer William Travis examines contemporary land use changes and development patterns from the Mississippi to the Pacific, and assesses the ecological and social outcomes of Western development. Unlike previous "boom" periods dependent on oil or gold, the modern population explosion in the West reflects a sustained passion for living in this specific landscape. But the encroaching exurbs, ranchettes, and ski resorts are slicing away at the very environment that Westerners cherish. Efforts to manage growth in the West are usually stymied at the state and local levels. Is it possible to improve development patterns within the West's traditional anti-planning, pro-growth milieu, or is a new model needed? Can the region develop sustainably, protecting and managing its defining wildness, while benefiting from it, too? Travis takes up the challenge , suggesting that functional and attractive settlement can be embedded in preserved lands, working landscapes, and healthy ecologies.

This one-volume history chronicles a 150-year history of dramatic changes in fortune and attitudes in western Canada. From the Riel Rebellions and the Winnipeg General Strike to the founding of the CCF, Social Credit, and Reform parties, Canada's West has always been a hotbed of political, social, and economic change. In the early twentieth century those calls for change emanated from the left as farmers and workers fought for social and economic justice. In the past two decades, the protests and calls for change emanated from the right as the region gained a new role for itself in Canada. This history chronicles the rise and fall of such figures as Grant Devine, Bill Vander Zalm, Glen Clark, Roy Romanow, Stockwell Day, and Lorne Calvert -- and the emergence of Stephen Harper and the federal Conservatives. It describes how the West, the political wellspring of progressive changes over the years, has been transformed into the bastion of the right, culminating in the virtual annihilation of the NDP in Saskatchewan, the cradle of social democracy in Canada. This is the updated fourth edition of John Conway's classic book originally published under the titleThe West.

In the early 1970s, empowered by the civil rights and women's movements, a new group of women writers began speaking to the American public. Their topic, broadly defined, was the postmodern American West. By the mid-1980s, their combined works made for a bona fide literary groundswell in both critical and commercial terms. However, as Krista Comer notes, despite the attentions of publishers, the media, and millions of readers, literary scholars have rarely addressed this movement or its writers. Too many critics, Comer argues, still enamored of western images that are both masculine and antimodern, have been slow to reckon with the emergence of a new, far more "feminine," postmodern, multiracial, and urban west. Here, she calls for a redesign of the field of western cultural studies, one that engages issues of gender and race and is more self-conscious about space itself_especially that cherished symbol of western "authenticity," open landscape. Surveying works by Joan Didion, Wanda Coleman, Maxine Hong Kingston, Leslie Marmon Silko, Barbara Kingsolver, Pam Houston, Louise Erdrich, Sandra Cisneros, and Mary Clearman Blew, Comer shows how these and other contemporary women writers have mapped new geographical imaginations upon the cultural and social spaces of today's American West.

From wildcatting Texas oilmen to Colorado rock climbers, from hipster capitalists to populist moralizers, westerners have proven themselves to be a highly individualistic breed of American-as much in their politics as in their vocations or lifestyles. This first book on the landscape of the American West's politics looks beyond red state/blue state assumptions to explore how westerners have expanded the boundaries of the political and emerged as a harbinger of America's electoral future. Representing a wide range of specialties-popular culture, business history, the environment, ethnic history, agriculture, and more-these authors portray a politically heterogeneous region and show how its multiple traditions have strongly shaped the nation's body politic. Viewing politics as more than cyclical electioneering, they draw on historical evidence to portray westerners imaginatively rethinking democratic practice and constantly forging new political publics. These twelve essays move western political history beyond the usual discussions of elections and parties and the standard issues of water, progressivism, and states' rights. Some explore claims to western authenticity among those associated with western conservatism-not just regional heroes like Barry Goldwater and Ronald Reagan, but farmers and evangelicals as well. Others examine the transformation of the West's minority communities to reveal a liberalism that celebrates diversity and articulates claims for social justice. The final chapters reveal the complexity of contemporary western political culture, challenging longstanding assumptions about such notions as space, nature, and the liberal-conservative divide. Here then is the paradox of western politics in all its enigmatic glory, with frontier individualism going head-to-head with multiethnic diversity in debates over divergent views of "western authenticity," and wild cards put into play by counterculturists, cyber-libertarians, fiscally conservative gun-toting Democrats, and environmentalists. The Political Culture of the New West shows how westerners have expressed themselves within a complex, often contradictory, and constantly changing political culture-and helps explain why no electoral outcome in this part of America can be predicted for certain.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

This work tells the story of Cambodians whose route takes them from refugee camps to California's inner-city and high-tech enclaves. We see these refugees becoming new citizen-subjects through a dual process of being made and self-making, balancing religious salvation and entrepreneurial values.

Although the origins of the western are as old as colonial westward expansion, it was Owen Wister?s novel The Virginian, published in 1902, that established most of the now-familiar conventions of the genre. On the heels of the classic western?s centennial, this collection of essays both re-examines the text of The Virginian and uses Wister?s novel as a lens for studying what the next century of western writing and reading will bring. The contributors address Wister?s life and travels, the novel?s influence on and handling of gender and race issues, and its illustrations and various retellings on stage, film, and television as points of departure for speculations about the ?new West??as indeed Wister himself does at the end of the novel. ø The contributors reconsider the novel?s textual complexity and investigate The Virginian's role in American literary and cultural history. Together their essays represent a new western literary studies, comparable to the new western history.