This book explores the role that religion and culture play in the oppression of women. Ophelia Benson and Jeremy Stangroom ask probing questions about the way that religion shields the oppression of women from criticism and why many Western liberals, leftists and feminists have remained largely silent on the subject. Does God Hate Women? explores instances of the oppression of women in the name of religious and cultural norms and how these issues play out both in the community and in the political arena. Drawing on philosophical concerns such as truth, relativism, knowledge and ethics, Benson and Stangroom assess the current situation and provide a rallying call for a progressive politics that is committed to universal values. This book will appeal to anyone interested in issues of global justice, human rights and multiculturalism.

An exploration of the role that religion and culture play in the oppression of women Ophelia Benson and Jeremy Stangroom, philosophers and authors, ask probing questions about the way that religion shields the oppression of women from criticism and why many Western liberals, leftists, and feminists have remained largely silent on the subject. Throughout the world, a great many women lead lives of misery and sometimes plain horror. They are often considered and treated as the property of men and have few, if any, rights. Such treatment is generally sustained and protected by a combination of religion and culture. Does God Hate Women? explores instances of the oppression of women in the name of religious and cultural norms and how these issues play out both in the community and in the political arena. Drawing on philosophical concerns such as truth, relativism, knowledge, and ethics, Benson and Stangroom assess the current situation and provide a rallying call for a progressive politics that is committed to universal values.

'Remarkable' Robert Macfarlane 'Gorgeous' Amy Liptrot 'Urgent and nourishing' Jessica J. Lee Nina Mingya Powles first learned to swim in Borneo – where her mother was born and her grandfather studied freshwater fish. There, the local swimming pool became her first body of water. Through her life there have been others that have meant different things, but have still been, in their own way, home: from the wild coastline of New Zealand to a pond in northwest London. In lyrical, powerful prose, Small Bodies of Water weaves together memories, dreams and nature writing. Exploring everything from migration, food, family, earthquakes and the ancient lunisolar calendar, Nina reflects on a girlhood spent growing up between two cultures, and what it means to belong.

In a period when Western military engagement has unleashed violent sectarianism global terrorism, and become a catalyst for the biggest exodus of migrants since the Second World War, the 1999 Nato intervention in Kosovo remains a unique and shining example of a process that led to a peaceful transition from vicious ethnic war to modern democracy. Less than twenty years ago, a young ethnic Albanian student leader called Hashim Thaçi, led a revolution against Slobodan Milosevic, the Serbian tyrant with the biggest military force in Europe, and convinced the West to bomb Belgrade out of Kosovo. The aerial bombardment beckoned a period of unrivalled peace in the Balkans which Western leaders who sought to subsequently overturn other tyrannies in foreign lands would view with envy as a rare successful model. Nato intervention in Kosovo, led by Tony Blair and Bill Clinton, resulted in democracy and the rule of law. By contrast, however, attempts by George W. Bush to effect regime change in Iraq and Afghanistan, and by America, Britain and France to do the same in Libya, have left lethal power vacuums filled by Islamist insurgents, and brought about the downfall of Western leaders themselves. This book is the story of the rare success of Western military intervention and the first biography of the new President of Kosovo, the youngest country in Europe.

Fiction of the New Statesman is the first study of the short stories published in the renowned British journal theNew Statesman. This book argues that New Statesman fiction advances a strong realist preoccupation with ordinary, everyday life, and shows how British domestic concerns have a strong hold on the working-class and lower-middle-class imaginative output of this period.

For the rest of the decade deputy editors Mostyn Lloyd and G. D. H. Cole struggled to combine academic careers with re-establishing the discredited New Statesman as the voice of the left. Success was to come only under the leadership and inspiration of a new editor, Kingsley Martin, and a new chairman, John Maynard Keynes, following the paper's symbolic take-over in 1930 of the Liberal weekly, the Nation.

'This honest, engaging memoir shares such gems . . . the perfect read for anyone who dreams big' The Times and Sunday Times, Books of the Year The powerful, urgent memoir and manifesto on never giving up from Booker prize-winning trailblazer, Bernardine Evaristo In 2019, Bernardine Evaristo became the first black woman to win the Booker Prize since its inception fifty years earlier - a revolutionary landmark for Britain. Her journey was a long one, but she made it, and she made history. Manifesto is her intimate and fearless account of how she did it. From a childhood steeped in racism from neighbours, priests and even some white members of her own family, to discovering the arts through her local youth theatre; from stuffing her belongings into bin bags, always on the move between temporary homes, to exploring many romantic partners both toxic and loving, male and female, and eventually finding her soulmate; from setting up Britain's first theatre company for Black women in the eighties to growing into the trailblazing writer, theatre-maker, teacher, mentor and activist we see today - Bernardine charts her rebellion against the mainstream and her life-long commitment to community and creativity. And, through the prism of her extraordinary experiences, she offers vital insights into the nature of race, class, feminism, sexuality and ageing in modern Britain. Bernardine Evaristo's life story is a manifesto for courage, integrity, optimism, resourcefulness and tenacity. It's a manifesto for anyone who has ever stood on the margins, and anyone who wants to make their mark on history. It's a manifesto for being unstoppable. 'Raw and emotive . . . a powerful account of how Evaristo got to the top of her game - it's moving, but there's also much humour and joy' Independent 'Bernardine Evaristo is one of those writers who should be read by everyone, everywhere' Elif Shafak 'Bernardine Evaristo is one of Britain's best writers, an iconic and unique voice, filled with warmth, subtlety and humanity. Exceptional' Nikesh Shukla