This is the first book ever written on the basis of face-to-face interviews with women serial killers. The author, a professional criminal profiler, analyzes the common features and the distinctions between women and men who kill, and their crimes and cri.

When we think of serial killing, we tend to think of it as a perversion of contemporary society. The Human Predator makes an eye-opening case for the existence of serial killers throughout time—the motives and methods, the societies that spawned them, and the historical periods in which they lived . . . and killed. From Ancient Rome and the Dark Ages to the open roads of America, from the exploits of French religious zealot Gilles de Rais to such high-profile monsters as Jeffrey Dahmer and Aileen Wuornos, Katherine Ramsland offers a complete chronological record of the serial-killer phenomenon—and the parallel development of psychology, forensic science, and FBI profiling in the serial killer’s evolving manifestation throughout human history. INCLUDES PHOTOGRAPHS

In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS

There has been a huge increase in violent deaths in Ireland in recent years. While men are more often the killers, there has been a rise in the number of murders committed by women. There is no single reason for this; some of the women featured in More Bloody Women killed for love gone wrong; some as revenge; some in the heat of the moment; some in cold blood. For some women, it was just business. Among the infamous cases in this book are the “Black Widow”, Catherine Nevin, who set up her husband’s murder in Jack White’s Inn; Linda and Charlotte Mulhall, the “Scissor Sisters”, who killed and dismembered their mother’s violent boyfriend before dumping the remains in a canal; Sharon Collins, who tried to hire a professional assassin to kill her partner; Kelly Noble, who stabbed a friend to death outside a supermarket, and whose own mother was already in prison for killing Kelly’s father; and Lynn Gibbs, who tragically drowned her daughter in a bath because she believed the girl was suffering from anorexia. David Kiely looks at all of these cases in forensic detail. He also delves into the fascination we have with women killers, and the media circus that surrounds every murder trial involving a woman. More Bloody Women is a chilling book that will shock and disturb.

During the interwar "golden age" of British detective fiction, women writers like Dorothy L. Sayers and Agatha Christie reigned, but their work remains tame compared to today's crime novels. Elements of sexuality and gender, including soft porn and sexual psychopathy, pervade contemporary detective fiction. The 10 essays in this collection explore issues of gender and sexuality in crime writing by women from 1985 to 2011, surveying works about girl sleuths, parodies, hard-boiled detective fiction, police procedurals, and recent serial killer series. They examine the relationship between genre and gender and explore how later works enter into a field of "post-feminism." Most importantly, this volume demonstrates how popular women writers of the last three decades have reconceptualized what it means to be a female detective.

To date, approaches to understanding serial murder have focused on individual cases rather than the social context in which they occurred. Written by leading criminologists and world experts on serial murder, this book marks a departure by situating nineteenth century serial killer Mary Ann Cotton within the broader social structure. Using archival records of her court appearances, local histories and newspaper articles, it uniquely explores how institutions such as the family, economy and religion shaped the environment she inhabited and her social integration through the roles of wife, mother, worker and criminal. Acknowledging that it takes a particular type of individual to commit serial murder, the book shows that it also takes a particular type of society to enable that murderer to go unseen. As the first work to analyse serial murder through the theoretical framework of institutional criminology and institutional anomie theory, it will equip criminologists with a methodological toolkit for performing institutional analysis.

Engendered Death: Pennsylvania Women Who Kill is an historical and interdisciplinary study of women who kill in Pennsylvania from the 18th century to the present. It is not an examination of what motivates women to kill, although the reader may deduce that from the case studies included. Instead, it is an examination of how society perceives women who kill and how the gender-lens is applied to them throughout the legal process in the media and in the courtroom. What makes this work particularly unique is its combination of both scholarly analysis and narrative case studies. As such, it will appeal to both the scholar and the reader of true-crime non-fiction. If we are to recognize the complex variables at play in all criminal offenses, we will need to understand that the laws of a community, its social values, its politics, economics, and even geography play a factor in what laws are enforced and against whom they are enforced. The decision to define and label certain behaviors and certain people was based on social, political, and economic considerations of each community. Thus, the commission of murder by a woman in Arizona may have a variety of factors associated with it that are not present in the case of a woman who murdered her husband in Maine. This study, in part because of the volume of cases and in part to limit the variables affecting the cases, has limited its scope of women killers to the state of Pennsylvania. Pennsylvania is the ideal state to study because of its long and stable legal and political traditions, its historically diverse population, and the large number of newspapers that will help us gauge the public's view of women and women who kill. By limiting our scope to one state, we know that the legal definitions are fairly consistent for all of the women during a certain period and we can more easily identify the shifts in social values regarding women and homicide.