The sacred hymns of New Mexico compiled by the expert on church literature in a handsome bilingual volume.

A comprehensive overview of New Mexican folk arts from the 16th century to the present time.

Miguel de Quintana was among those arriving in New Mexico with Diego de Vargas in 1694. He was active in his village of Santa Cruz de la Cañada where he was a notary and secretary to the alcalde mayor, functioning as a quasi-attorney. Being unusually literate, he also wrote personal poetry for himself and religious plays for his community. His conflicted life with local authorities began in 1734, when he was accused of being a heretic. What unfolded was a personal drama of intrigue before the colonial Inquisition. Francisco A. Lomelí and Clark Colahan dug deep into Inquisition archives to recover Quintana's writings, the second earliest in Hispanic New Mexico's literary heritage. First, they present an essay focused on Church and society in colonial New Mexico and on Quintana's life. The second portion is a translation of and critical look at Quintana's poetry and religious plays.

This study by an author with intergenerational ties to the Penitentes--the deeply religious group called Hermanos de la Luz (Brothers of the Light)--ties the santero folk art of New Mexico, the Penitente Brotherhood, and the Penitente religious hymns together. (Christian)

This collection of essays challenges traditional readings of western history and literature, and redraws the boundaries of the American West. Essay topics range from tourism to immigration, from environmental battles to inter-ethnic relations, and from law to film.