The Roman Catholic Church has always been concerned with the quality of the music used in the liturgy, and the essays in this volume trace the church's efforts, during the nineteenth century and the first half of the twentieth, to cultivate a more appropriate liturgical music for its Latin Rite. The task of restoration - expressed, for example, in the chant revival associated with the monks of Solesmes, the efforts of the Cecilian movement, and Pius X's determination to reform sacred music in the universal church - is a recurring theme in the book. Meanwhile resistance, particularly to the reforms decreed by the pope's 1903 motu proprio, also finds a voice in the volume. The essays collected here describe selected scenes and episodes from the unending story of imperfect human beings trying to express in their music the perfection of God.

Here are 365 classic hymn texts, along with stories of how they came to be written. This is an ideal startling point for personal or family devotions.

How to Beat the Cost of Implementing CBW IIIHow your parish can get CBW III without straining its budget: 1) Two-year interest-free financing option allows you to pay in instalments-No payment for 90 days! Order 50 copies or more of CBW III (any combination of Choir and Pew editions). Upon receipt of the invoice, you have three months to pay only one third (1/3) of the amount billed. Pay the second third on the anniversary date of your invoice (a year later), and the last third the following year. No interest will be charged during this period. (Please note that our offer for a two-year interest-free payment plan does not apply to discounted orders.) or...2) Place your order through your diocese and save up to 20%. When placing bulk orders for their parishes, dioceses get a discount. In the case of CBW III, the discount is 20%. We normally bill and ship the order to the diocese, which is then responsible for redistribution. However, for CBW III we have agreed to bill the diocese and ship to individual parishes, when requested.

'This book, ' writes Les Murray, 'presents to British and European readers selections from the work of five leading Australian poets of the generation before mine.' They are, with Judith Wright, A.D. Hope and Gwen Harwood - who are happily available in British editions - key figures in 'a Golden Age of Australian poetry which paradoxically coincided with its greatest marginalisation'. Murray's characteristically vivid and emphatic introductory essays to the poets, of whom he is in a real sense himself made, as heir and successor, and his 'essential' selections from their work, are personal and challenging. He evokes the writers' circumstances, the trajectories of their very different work, and he suggests why their accomplishments have been eclipsed in the wider bourse of English-language literary reputations. The Academy has much to answer for, yet the freedom the poets enjoyed was partly a result of their very neglect by institutions. Murray strikes effectively against 'that imperial trap of exclusion', making the available map of our century's poetry larger and much richer.