Filled with romance, rivalry, and passive-aggressive dog walking, Amy Spalding delivers a hilariously relatable story about how even the best-laid plans sometimes need to be rewritten. What's the only thing that could derail overachiever Jules's perfect senior year? Alex Powell--former member of boy-band sensation Chaos 4 All and newest transfer to Eagle Vista Academy. Alex seems cool enough when he starts spending time with Jules. In fact, he turns out to be quite the romantic (not to mention a killer kisser). And after getting over the initial shock that someone like Alex might actually like like her, Jules accepts that having a boyfriend could be a nice addition to her packed schedule. That is, until Alex commits the ultimate betrayal, which threatens to ruin her high school career, and possibly her entire future. This. Means. War.

Filled with romance, rivalry, and passive-aggressive dog walking, Amy Spalding delivers a hilariously relatable story about how even the best-laid plans sometimes need to be rewritten. What's the only thing that could derail overachiever Jules's perfect senior year? Alex Powell--former member of boy-band sensation Chaos 4 All and newest transfer to Eagle Vista Academy. Alex seems cool enough when he starts spending time with Jules. In fact, he turns out to be quite the romantic (not to mention a killer kisser). And after getting over the initial shock that someone like Alex might actually like like her, Jules accepts that having a boyfriend could be a nice addition to her packed schedule. That is, until Alex commits the ultimate betrayal, which threatens to ruin her high school career, and possibly her entire future. This. Means. War.

Sneak out. Make out. Rock out. Riley and her best guy friend, Reid, have made a pact: they'll help each other pursue their respective crushes, make something happen, and document the details in a shared notebook. While Reid struggles with the moral dilemma of adopting a dog to win over a girl's heart, Riley tries to make progress with Ted Callahan, the guy she's been obsessed with forever. His floppy hair! His undeniable intelligence! But between a chance meeting with a fellow musician in a record store and a brief tryst with a science-geek-turned-stud-not to mention Ted's own tentative attentions-cute guys are suddenly popping up everywhere. How did she never notice them before?! As their love lives go from zero to sixty in the blink of an eye, Riley and Reid's pact may prove to be more than they bargained for. Filled with cute dogs, cute boys, and a few awkward hookups, this hilarious tale from Amy Spalding chronicles the soaring highs and embarrassing lows of dating in high school.

Two best friends grow up—and grow apart—in this innovative contemporary YA novel Told in dual timelines—half of the chapters moving forward in time and half moving backward—We Used to Be Friends explores the most traumatic breakup of all: that of childhood besties. At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce. Funny, honest, and full of heart, We Used to Be Friends tells of the pains of growing up and growing apart.

Discussions of gender and sexuality have become part of mainstream conversations and are being reflected in the work of more and more writers of fiction, particularly in literature aimed at young adult audiences. But young readers, regardless of their sexual orientation, don’t always know what books offer well-rounded portrayals of queer characters and situations. Fortunately, finding positive role models in fiction that features LGBTQ+ themes has become less problematic, though not without its challenges. In Representing the Rainbow in Young Adult Literature: LGBTQ+ Content since 1969, Christine Jenkins and Michael Cart provide an overview of the literary landscape. An expanded version of The Heart Has Its Reasons, this volume charts the evolution of YA literature that features characters and themes which resonate not only with LGBTQ+ readers but with their allies as well. In this resource, Jenkins and Cart identify titles that are notable either for their excellence—accurate, thoughtful, and tactful depictions—or deficiencies—books that are wrongheaded, stereotypical, or outdated. Each chapter has been significantly updated, and this edition also includes new chapters on bisexual, transgender, and intersex issues and characters, as well as chapters on comics, graphic novels, and works of nonfiction. This book also features an annotated bibliography and a number of author-title lists of books discussed in the text that will aid teachers, librarians, parents, and teen readers. Encompassing a wider array of sexual identities, Representing the Rainbow in Young Adult Literature is an invaluable resource for young people eager to read about books relevant to them and their lives.

When her father dies suddenly, Devan is shipped off to Los Angeles to live with her estranged mother, Reece Malcolm, a bestselling novelist with little time for a daughter, and Devan navigates her way through her new performing arts school.

A hilarious and romantic novella sequel to Kissing Ted Callahan (and Other Guys). This is it. This is the day Riley Jean Crowe-Ellerman officially becomes a ROCK STAR. It's summer, school's out, and Riley's band The Gold Diggers is playing their first music festival halfway across the country. It's the most exciting day ever, except for one small detail: Riley's boyfriend Ted is away at a Young Leaders summer program and can't be there to witness this momentous occasion. Riley hasn't seen Ted in three whole weeks--she misses his perfectly floppy hair, his kissable lips--and when he sends her a cryptic text that just says, "I'm so sorry," Riley starts to get nervous. TED! WHAT ARE YOU SORRY FOR?! But there's no response. Suddenly the best day of Riley's life might become the worst. Is this the end of Riley and Ted Callahan? Or can love and music keep them together?