A dish best served cold... The revenge of the forty-seven ronin is the famous story of samurai vengeance from feudal Japan. Briefly, Lord Asano, the daimyo of Ako, tries to kill Lord Kira, the chief master of ceremonies, in the shogun's castle in Edo during a visit of imperial envoys from Kyoto. The shogun handed down the sentence of seppuku, ritual suicide, to be carried out the same evening but only for Lord Asano. Some, but not all, of Asano's retainers found the punishment unjust and vowed to deliver Lord Kira's head to the grave of their lord. No one knows the full true story of the forty-seven ronin, but Eiji Yoshikawa weaves an exciting tale of the players on this historic stage. He tells a tale of the many players, their motivations and conflicts, and the series of events that affect Japan to this day. An early retelling of this incident was a puppet play titled Chushingura, which is translated as The Treasury of Loyal Retainers. Eiji Yoshikawa's The New Chushingura was serially published in Hinode magazine from January 1935 to January 1937.

A classic tale that will captivate lovers of Japan, history, and epic adventure alike. Japan's most celebrated tale of chivalry, loyalty and revenge--and the basis for a Hollywood feature film starring Keanu Reaves--47 Ronin is the epic tale of a heroic band of Samurai warriors who defy the Japanese Emperor to avenge the honor of their fallen master. The story begins in 1701 when the noble Lord Asano attacks an official at court. His punishment is swift and harsh--the Emperor orders Lord Asano to commit ritual suicide (harikiri). His lands are confiscated, his family exiled, and his Samurai warrior brigade is disbanded--becoming Ronin or masterless, wandering renegades. While appearing to follow the Emperor's instructions, the 47 Ronin plot in secret for many years, biding their time until the moment to strike is right. Like the story of the Knights of the Round Table, the Ronin's deeds became legendary, iconic examples of courage, cunning and loyalty in an age when the Samurai were true heroes and honor was something worth dying for. John Allyn's vivid retelling, with a foreword by scholar and film advisor, Stephen Turnbull, presents this epic of Japanese literature in its correct historical context.

In the tempestuous closing decades of the sixteenth century, the Empire of Japan writhes in chaos as the shogunate crumbles and rival warlords battle for supremacy. Warrior monks in their armed citadels block the road to the capital; castles are destroyed, villages plundered, fields put to the torch. Amid this devastation, three men dream of uniting the nation. At one extreme is the charismatic but brutal Nobunaga, whose ruthless ambition crushes all before him. At the opposite pole is the cold, deliberate Ieyasu, wise in counsel, brave in battle, mature beyond his years. But the keystone of this triumvirate is the most memorable of all, Hideyoshi, who rises from the menial post of sandal bearer to become Taiko--absolute ruler of Japan in the Emperor's name. When Nobunaga emerges from obscurity by destroying an army ten times the size of his own, he allies himself with Ieyasu, whose province is weak, but whose canniness and loyalty make him invaluable. Yet it is the scrawny, monkey-faced Hideyoshi--brash, impulsive, and utterly fearless--who becomes the unlikely savior of this ravaged land. Born the son of a farmer, he takes on the world with nothing but his bare hands and his wits, turning doubters into loyal servants, rivals into faithful friends, and enemies into allies. In all this he uses a piercing insight into human nature that unlocks castle gates, opens men's minds, and captures women's hearts. For Hideyoshi's passions are not limited to war and intrigue-his faithful wife, Nene, holds his love dear, even when she must share it; the chaste Oyu, sister of Hideyoshi's chief strategist, falls prey to his desires; and the seductive Chacha, whom he rescues from the fiery destruction of her father's castle, tempts his weakness. As recounted by Eiji Yoshikawa, author of the international best-seller Musashi, Taiko tells many stories: of the fury of Nobunaga and the fatal arrogance of the black-toothed Yoshimoto; of the pathetic downfall of the House of Takeda; how the scorned Mitsuhide betrayed his master; how once impregnable ramparts fell as their defenders died gloriously. Most of all, though, Taiko is the story of how one man transformed a nation through the force of his will and the depth of his humanity. Filled with scenes of pageantry and violence, acts of treachery and self-sacrifice, tenderness and savagery, Taiko combines the panoramic spectacle of a Kurosawa epic with a vivid evocation of feudal Japan.

This authoritative history of Japan’s elite warrior class separates fact from myth as it chronicles centuries of samurai combat, culture, and legend. In Legends of the Samurai, Hiroaki Sato examines the history of these medieval Japanese warriors, as well as the many long-standing myths that surround them. In doing so, he presents an authentic and revealing picture of these men and their world. Sato’s masterful translations of original samurai tales, laws, dicta, reports, and arguments are accompanied by insightful commentary. With incisive historical research, this volume chronicles the changing ethos of the Japanese warrior from the samurai's historical origins to his rise to political power. A fascinating look at Japanese history as seen through the evolution of the samurai, Legends of the Samurai stands as the ultimate authority on its subject.

The first book of its kind: a collection of the most important genres of Japanese performance--noh, kyogen, kabuki, and puppet theater--in one comprehensive, authoritative volume.

“A potent, vaporous fever dream; a meditation on truth, lie, illusion, and time that floats like an aromatic haze through Herzog’s vivid reconstruction of Onoda’s war.” —The New York Times Book Review The national bestseller by the great filmmaker Werner Herzog. The great filmmaker Werner Herzog, in his first novel, tells the incredible story of Hiroo Onoda, a Japanese soldier who defended a small island in the Philippines for twenty-nine years after the end of World War II In 1997, Werner Herzog was in Tokyo to direct an opera. His hosts asked him, Whom would you like to meet? He replied instantly: Hiroo Onoda. Onoda was a former soldier famous for having quixotically defended an island in the Philippines for decades after World War II, unaware the fighting was over. Herzog and Onoda developed an instant rapport and met many times, talking and unraveling the story of Onoda’s long war. At the end of 1944 on Lubang Island, with Japanese troops about to withdraw, Onoda stayed behind under orders from his superior officer. For years, Onoda continued to fight his fictitious war—at first with other soldiers, and then, finally, alone, a character in a novel of his own making. In The Twilight World, Herzog immortalizes and imagines Onoda’s years of absurd yet epic struggle in an inimitable, hypnotic style—part documentary, part poem, and part dream—that will be instantly recognizable to fans of his films. The result is a novel completely unto itself: a glowing, dancing meditation on the purpose and meaning we give our lives.

This study examines the significance of the archetypal heroes and heroines of Japanese cinema and traces both their prior development in literature, drama, and folklore, and their subsequent variations in popular culture.