A galaxy of writers epitomizes the state of American poetry at the century's close.

The early American legal system permeated the lives of colonists and reflected their sense of what was right and wrong, honorable and dishonorable, moral and immoral. In a compelling book full of the extraordinary stories of ordinary people, Elaine Forman Crane reveals the ways in which early Americans clashed with or conformed to the social norms established by the law. As trials throughout the country reveal, alleged malefactors such as witches, wife beaters, and whores, as well as debtors, rapists, and fornicators, were as much a part of the social landscape as farmers, merchants, and ministers. Ordinary people "made" law by establishing and enforcing informal rules of conduct. Codified by a handshake or over a mug of ale, such agreements became custom and custom became "law." Furthermore, by submitting to formal laws initiated from above, common folk legitimized a government that depended on popular consent to rule with authority. In this book we meet Marretie Joris, a New Amsterdam entrepreneur who sues Gabriel de Haes for calling her a whore; peer cautiously at Christian Stevenson, a Bermudian witch as bad "as any in the world;" and learn that Hannah Dyre feared to be alone with her husband--and subsequently died after a beating. We travel with Comfort Taylor as she crosses Narragansett Bay with Cuff, an enslaved ferry captain, whom she accuses of attempted rape, and watch as Samuel Banister pulls the trigger of a gun that kills the sheriff's deputy who tried to evict Banister from his home. And finally, we consider the promiscuous Marylanders Thomas Harris and Ann Goldsborough, who parented four illegitimate children, ran afoul of inheritance laws, and resolved matters only with the assistance of a ghost. Through the six trials she skillfully reconstructs here, Crane offers a surprising new look at how early American society defined and punished aberrant behavior, even as it defined itself through its legal system.

"From deeply personal perspectives, two dozen established writers ponder the mystery of their art and such fundamentals as: What is a genuine writing impulse? Why does good writing work? How is writing learned? What is the role of craft and technique? Who is meant to be a writer? How is close reading related to good writing? The volume is peppered with critical perspectives and practical advice, yet its special richness and inspiration lie in the wonderment and deep love for the act of writing expressed by each contributor. Each essay is a joy to read, blending storytelling, literary anecdotes gathered from a lifetime of avid reading, and the kind of shoptalk exchanged between colleagues. Writers will find here camaraderie and encouragement, teachers of writing will hear practical testimony to what works, and readers will come away with a renewed awe for the spell cast by good writing"--From back cover.

A stellar collection celebrates the vitality of American poetry at the turn of the new century. Collier is director of the Bread Loaf Writers' Conference which encourages the most promising new and young writers in America. 59 illustrations.

"Ali's ghazals are contemporary and colloquial, deceptively simple, yet still grounded in tradition....Highly recommended."—Library Journal The beloved Kashmiri-American poet Agha Shahid Ali presents his own American ghazals. Calling on a line or phrase from fellow poets, Ali salutes those known and loved—W. S. Merwin, Mark Strand, James Tate, and more—while in other searingly honest verse he courageously faces his own mortality.

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