At the threshold of the twentieth century, Bergson reset the agenda for philosophy and its relationship with science, art and even life itself. Concerned with both examining and extolling the phenomena of time, change, and difference, he was at one point held as both "the greatest thinker in the world" and "the most dangerous man in the world." Yet the impact of his ideas was so all-pervasive among artists, philosophers and politicians alike, that by the end of the First World War it had become impossibly diffuse. In a manner imitating his own cult of change, the Bergsonian school departed from the scene almost as quickly as it had arrived. As part of a current resurgence of interest in Bergson, both in Europe and in North America, this collection of essays addresses the significance of his philosophical legacy for contemporary thought.

Various schools of philosophy have tried to position the thought of Henri Bergson over the last eighty years. In France he has been regarded primarily as an early form of phenomenologist, in the United States and Britain he is still regarded as a vitalist philosopher. This introductory study looks instead at Bergson's use of philosophical form itself and aims to dispel the view that Bergson ever stuck to one type of philosophy at all, be it vitalism or phenomenology. The claim of any one form of thought to the title of 'first philosophy' is challenged by the idea of a Bergsonian metaphilosophy which states that, in a universe with no static foundations, there can never be first philosophies. In other words, if everything is changing, then this must be no less true of philosophy. In pursuit of this approach, John Mullarkey explores each of Bergson's seven major works from a metaphilosophical perspective. Taking each book in chronological order of publication, the first four chapters are devoted to examining one of Bergson's works against the background of current debate within its respective field - the metaphysics of space and time, the philosophy of mind, the philosophy of biology, and sociobiology. The remaining four chapters take a problem-based approach examining the role of ethics, ontology, methodology and metaphilosophy in Bergson's thought. This book is an important and lucid reassessment of an influential philosopher which sets his work in philosophical contexts appropriate to his thought.Key Features* Covers all major aspects of Bergson's thought and all his philosophical writings.* Places Bergson's work in its proper philosophical context between Continental and Analytical traditions.* Relates Bergson's ideas to contemporary philosophical debate, showingthe importance of his work to Thomas Nagel, Gilles Deleuze, Emmanuel Levinas, philosophy of mind, biology and ethics.* Written in a clear style which assumes no prior knowledge of

Henri Bergson (1859-1941) was one of the most celebrated and influential philosophers of the twentieth century. He was awarded in 1928 the Nobel prize for literature for his philosophical work, and his controversial ideas about time, memory and life shaped generations of thinkers, writers and artists. In this clear and engaging introduction, Mark Sinclair examines the full range of Bergson's work. The book sheds new light on familiar aspects of Bergson’s thought, but also examines often ignored aspects of his work, such as his philosophy of art, his philosophy of technology and the relation of his philosophical doctrines to his political commitments. After an illuminating overview of his life and work, chapters are devoted to the following topics: the experience of time as duration the experience of freedom memory mind and body laughter and humour knowledge art and creativity the élan vital as a theory of biological life ethics, religion, war and modern technology With a final chapter on his legacy, Bergson is an outstanding guide to one of the great philosophers. Including chapter summaries, annotated further reading and a glossary, it is essential reading for those interested in metaphysics, time, free will, aesthetics, the philosophy of biology, continental philosophy and the role of European intellectuals in World War I.

"Under the aegis of time Suzanne Guerlac displaces matter, intuition, memory, and vitalism of the early twentieth century into the wake of poststructuralism and the dilemmas of nature and culture here and now. This book is a landmark for anyone working in the currents of philosophy, science, and literature. The force and vision of the work will enthuse and inspire every one of its readers." ―Tom Conley, Harvard University "In recent years, we have grown accustomed to philosophical language that is intensely self-conscious and rhetorically thick, often tragic in tone. It is enlivening to read Bergson, who exerts so little rhetorical pressure while exacting such a substantial effort of thought.... Bergson's texts teach the reader to let go of entrenched intellectual habits and to begin to think differently--to think in time.... Too much and too little have been said about Bergson. Too much, because of the various appropriations of his thought. Too little, because the work itself has not been carefully studied in recent decades."--from Thinking in Time Henri Bergson (1859-1941), whose philosophical works emphasized motion, time, and change, won the Nobel Prize for Literature in 1927. His work remains influential, particularly in the realms of philosophy, cultural studies, and new media studies. In Thinking in Time, Suzanne Guerlac provides readers with the conceptual and contextual tools necessary for informed appreciation of Bergson's work. Guerlac's straightforward philosophical expositions of two Bergson texts, Time and Free Will (1888) and Matter and Memory (1896), focus on the notions of duration and memory--concepts that are central to the philosopher's work. Thinking in Time makes plain that it is well worth learning how to read Bergson effectively: his era and our own share important concerns. Bergson's insistence on the opposition between the automatic and the voluntary and his engagement with the notions of "the living," affect, and embodiment are especially germane to discussions of electronic culture.

Appearing here in English for the first time, Vladimir Jankélévitch's Henri Bergson is one of the two great commentaries written on Henri Bergson. Gilles Deleuze's Bergsonism renewed interest in the great French philosopher but failed to consider Bergson's experiential and religious perspectives. Here Jankélévitch covers all aspects of Bergson's thought, emphasizing the concepts of time and duration, memory, evolution, simplicity, love, and joy. A friend of Bergson's, Jankélévitch first published this book in 1931 and revised it in 1959 to treat Bergson's later works. This unabridged translation of the 1959 edition includes an editor's introduction, which contextualizes and outlines Jankélévitch's reading of Bergson, additional essays on Bergson by Jankélévitch, and Bergson's letters to Jankélévitch.