Exploring the Music, Culture and Attitudes of Hip-Hop Analyses the history and current status of hip-hop music from its raw beginnings in the Bronx right up to the present day. Contains numerous profiles of leading hip-hop and rap performers and is illustrated with 55 photographs. A superb book by a truly knowledgeable writer.

There is a new poet on his way, who combines the rhythms of 1950's Beat Generation poetry, with a fresh look at modern life, and illustrates them brilliantly with his verse. (Pulp magazine) The New Beat Generation A miscellany of intellectual verse, written in a modern style, that will produce maudlin questions of the reader.

Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the beginning of the Vietnam War, the passage of the Civil Rights Act, and the lead-up to a dramatic election. As the country grew more radicalized in those few months, “Dancing in the Street” gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all changing as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.

Part of a groundbreaking series of photobooks on LGBTQ communities around the world, a moving portrait of a group of queer East Africans who fled their home countries for the United States Same-sex relations are illegal in thirty-eight African countries, often under colonial-era laws. One of the most dangerous countries has been Uganda, which is attempting to pass an Anti-Homosexuality Bill (commonly known as the "Kill the Gays" bill) that seeks to broaden the criminalization of same-sex relations, making it punishable by life imprisonment and, in some instances, death. This Is How the Heart Beats is a portrait by acclaimed photographer Jake Naughton of a group of East Africans who have fled unimaginable abuse in their homeland for the United States. One couple, Sulait and his boyfriend, had been tortured in prison in the months after the anti-homosexuality bill had been proposed and, on their release, had made their way to Kenya, where they were attacked by a mob of machete-wielding men. It was only after years in hiding that many such refugees have been resettled in the United States. With an introduction by journalist Jacob Kushner and a foreword by Ugandan queer activist Ruth Muganzi, This Is How the Heart Beats is a record of LGBTQ forced migration unlike any other, following this community from its darkest moments to an uncertain future. At a time of great uncertainty for both LGBTQ and refugee rights, this work illuminates the stakes for those at the center of a firestorm.

Winner of IASPM's 2005 International Book Award Based on ten years of research among hip-hop producers, Making Beats was the first work of scholarship to explore the goals, methods, and values of a surprisingly insular community. Focusing on a variety of subjects—from hip-hop artists' pedagogical methods to the Afrodiasporic roots of the sampling process to the social significance of "digging" for rare records—Joseph G. Schloss examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values, and cultural realities. This second edition of the book includes a new foreword by Jeff Chang and a new afterword by the author.

This fascinating book explores Beat Generation writing from a transnational perspective, using the concept of worlding to place Beat literature in conversation with a far-reaching network of cultural and political formations. Countering the charge that the Beats abroad were at best na•ve tourists seeking exoticism for exoticism's sake, World Beats finds that these writers propelled a highly politicized agenda that sought to use the tools of the earlier avant-garde to undermine Cold War and postcolonial ideologies and offer a new vision of engaged literature. With fresh interpretations of central Beat authors Jack Kerouac, Allen Ginsberg, and William Burroughs - as well as usually marginalized writers like Philip Lamantia, Ted Joans, and Brion Gysin - World Beats moves beyond national, continental, or hemispheric frames to show that embedded within Beat writing is an essential universality that brought America to the world and the world to American literature. This book presents an original treatment that will attract a broad spectrum of scholars.

This book focuses on how Chicago actually tried to formulate and implement problem solving as part of a thoroughgoing change in its style of policing. It describes the five-step problem-solving model that the city developed for tackling neighborhood problems ranging from graffiti to gang violence.