The result of a two-year investigation, this study delves into the possible connection between international drug trafficking and the terror attacks of September 11, 2001. The smoking gun is the very plane the 9/11 hijackers learned to fly--a plane that had previously been seized by the DEA with 43 pounds of heroin on board. This inquiry into possible collusion begins with the 2001 attacks, but ends with a deeper inspection of the American drug trade and asks questions such as Who is the American Pablo Escobar? Once drugs are safely harbored into the United States, who distributes them, and how? and Are free passes given with a wink and a nod?

The Cali drug cartel changed the face of organised crime. For over twenty years it pumped thousands of tons of cocaine across the world, laundered billions of pounds in illegal profits and was responsible for untold murders and assassinations. Based in the city of Cali, the three founders brought an unprecedented degree of organisation and planning to the drugs trade and through violence, terrorism, intimidation and bribery they became a major threat to society. For the first time the gang's founders are scrutinised and the efforts that brought them to justice are recreated.

This “investigative magnum opus” offers a jaw-dropping history of Mexican drug cartels as it transports readers to the frontlines of the ‘war on drugs’ in Latin America (Los Angeles Times). “A riveting story . . . [from] an incredibly brave journalist.” —NPR The “war on drugs” has so far cost more than 60,000 lives. Hernández explains in riveting detail how Mexico became a base for the mega-cartels of Latin America and one of the most violent places on the planet. At every turn, Hernández names not just the narcos, but also the politicians, functionaries, judges, and entrepreneurs who have collaborated with them. In doing so, she reveals the mind-boggling depth of corruption in Mexico’s government and business elite. Hernández became a journalist after her father was kidnapped and killed and the police refused to investigate without a bribe. She gained national prominence in 2001 with her exposure of excess and misconduct at the presidential palace, and previous books have focused on criminality at the summit of power, under presidents Vicente Fox and Felipe Calderón. The product of 5 years’ investigative reporting—and the subject of intense national controversy—Narcoland is a publishing and political sensation in Mexico.

Drug Lords, Cowboys, and Desperadoes examines how historical archetypes in violent narratives on the Mexican American frontier have resulted in political discourse that feeds back into real violence. The drug battles, outlaw culture, and violence that permeate the U.S.-Mexican frontier serve as scenery and motivation for a wide swath of North American culture. In this innovative study, Rafael Acosta Morales ties the pride that many communities felt for heroic tales of banditry and rebels to the darker repercussions of the violence inflicted by the representatives of the law or the state. Narratives on bandits, cowboys, and desperadoes promise redistribution, regeneration, and community, but they often bring about the very opposite of those goals. This paradox is at the heart of Acosta Morales’s book. Drug Lords, Cowboys, and Desperadoes examines the relationship between affect, narrative, and violence surrounding three historical archetypes—social bandits (often associated with the drug trade), cowboys, and desperadoes—and how these narratives create affective loops that recreate violent structures in the Mexican American frontier. Acosta Morales analyzes narrative in literary, cinematic, and musical form, examining works by Américo Paredes, Luis G. Inclán, Clint Eastwood, Rolando Hinojosa, Yuri Herrera, and Cormac McCarthy. The book focuses on how narratives of Mexican social banditry become incorporated into the social order that bandits rose against and how representations of violence in the U.S. weaponize narratives of trauma in order to justify and expand the violence that cowboys commit. Finally, it explains the usage of universality under the law as a means of criminalizing minorities by reading the stories of Mexican American men who were turned into desperadoes by the criminal law system. Drug Lords, Cowboys, and Desperadoes demonstrates how these stories led to recreated violence and criminalization of minorities, a conversation especially important during this time of recognizing social inequality and social injustices. The book is part of a growing body of scholarship that applies theoretical approaches to borderlands studies, and it will be of interest to students and scholars in American and Mexican history and literature, border studies, literary criticism, cultural criticism, and related fields.

A stunning expose of the multinational narcotics trade and a harrowing account from the men and women fighting on the front lines of the war against drugs.

“Malcolm Beith risked life and limb to tell the inside story of Joaquín ‘El Chapo’ Guzmán Loera, Mexico’s notorious drug capo.” —George W. Grayson, author of Mexico: Narco-Violence and a Failed State? The dense hills of Sinaloa, Mexico, were home to the most powerful drug lord since Pablo Escobar: Joaquin “El Chapo” Guzman. Guzman was among the world’s ten most wanted men and also appeared on Forbes magazine’s 2009 billionaire list. With his massive wealth, his army of professional killers, and a network of informants that reached into the highest levels of government, catching Guzman was once considered impossible Newly isolated by infighting amongst the cartels, and with Mexican and DEA authorities closing in, El Chapo was vulnerable as never before. Newsweek correspondent Malcolm Beith had spent years reporting on the drug wars and followed the chase with full access to senior officials and exclusive interviews with soldiers and drug traffickers in the region, including members of Guzman’s cartel. The Last Narco combines fearless reporting with the story of El Chapo’s legendary rise from a poor farming family to the “capo” of the world’s largest drug empire. “The Last Narco gracefully captures the heroic struggle of those who dare to stand up to the cartels, and the ways those cartels have tragically corrupted every aspect of Mexican law enforcement.” —Laura Bickford, producer, Traffic

A stunning investigation of the life and legend of Mexican kingpin Joaquín Archivaldo “El Chapo” Guzmán Loera, building on Noah Hurowitz’s revelatory coverage for Rolling Stone of El Chapo’s federal drug-trafficking trial. This is the true story of how El Chapo built the world’s wealthiest and most powerful drug-trafficking operation, based on months’ worth of trial testimony and dozens of interviews with cartel gunmen, Mexican journalists and political figures, Chapo’s family members, and the DEA agents who brought him down. Over the course of three decades, El Chapo was responsible for smuggling hundreds of tons of cocaine, marijuana, heroin, meth, and fentanyl around the world, becoming in the process the most celebrated and reviled drug lord since Pablo Escobar. El Chapo waged ruthless wars against his rivals and former allies, plunging vast areas of Mexico into unprecedented levels of violence, even as many in his home state of Sinaloa continued to view him as a hero. This unputdownable book, written by a great new talent, brings El Chapo’s exploits into a focus that previous profiles have failed to capture. Hurowitz digs in deep beyond the legends and delves into El Chapo’s life and legacy—not just the hunt for him, revealing some of the most dramatic and often horrifying moments of his notorious career, including the infamous prison escapes, brutal murders, multi-million-dollar government payoffs, and the paranoia and narcissism that led to his downfall. From the evolution of organized crime in Mexico to the militarization of the drug war to the devastation wrought on both sides of the border by the introduction of synthetic opioids like fentanyl, this book is a gripping and comprehensive work of investigative, on-the-ground reporting.