Five years from now, the DC Universe is reeling from a war with another Earth, leaving the world unprepared for an approaching evil that threatens to destroy the future. As heroes are turned into mindless villains, the planet as we know it is no more. The only salvation lies in the past, where this future apocalypse must be averted. Can a time-traveling Batman Beyond help a massive cast of the DCU's finest avert the impending apocalypse? Written by a cast of the industry's best talents, including Jeff Lemire, Brian Azzarello, Keith Giffen and Dan Jurgens, this new epic series will expose the secrets of the New 52 universe! Collects issues #0-17.

"In September 2014, as every title in the DC Universe published special new issues featuring their favorite heroes and villains in iterations they've never seen before: future versions of themselves! Every DC Comics comic book series will feature a special issue, revealing the shocking fates of top super heroes including Superman, Batman, Wonder Woman, The Flash, Green Lantern and many more. Written and illustrated by top talent including Geoff Johns, Brian Azzarello, Scott Snyder, Jeff Lemire and many more! Just in time for the new year, these entry-point issues are collected in a single, massive hardcover edition that will be a great holiday gift for comics fans everywhere"--

Mr. Terrific unveils his latest technical achievement--but will it take over the DC Universe? Plus, Firestorm's inner conflict explodes.

This is the moment that Batman Beyond has traveled back in time to stop-the moment when his terrible future is born. Five years from now, the world of tomorrow is on the brink of creation. Brainiac has arrived from the stars, and intends to take New York City with him as a souvenir. It’s enough to bring Superman out of self-imposed exile, but not even the Man of Steel or his former teammates on the Justice League may be enough to stop the alien conqueror. Can Batman Beyond, Stormwatch, the Justice League Dark, Firestorm and others stop both Brainiac and Brother Eye? Or will the future die along with them? It all leads up to this. Jeff Lemire (JUSTICE LEAGUE OF AMERICA), Brian Azzarello (WONDER WOMAN), Dan Jurgens (THE DEATH OF SUPERMAN), Keith Giffen (JUSTICE LEAGUE 3001) and artists such as Patrick Zircher (THE FLASH) redefine the future of the DC Universe! Collects #31-48.

Cadmus Island turns against itself as the Earth 2 prisoners break out!

In a 2019 interview with the webzine DC in the 80s, Jeff Lemire (b. 1976) discusses the comics he read as a child growing up in Essex County, Ontario—his early exposure to reprints of Silver Age DC material, how influential Crisis on Infinite Earths and DC’s Who’s Who were on him as a developing comics fan, his first reading of Watchmen and The Dark Knight Returns, and his transition to reading the first wave of Vertigo titles when he was sixteen. In other interviews, he describes discovering independent comics when he moved to Toronto, days of browsing comics at the Beguiling, and coming to understand what was possible in the medium of comics, lessons he would take to heart as he began to establish himself as a cartoonist. Many cartoonists deflect from questions about their history with comics and the influences of other artists, while others indulge the interviewer briefly before attempting to steer the questions in another direction. But Lemire, creator of Essex County Trilogy, Sweet Tooth, The Nobody, and Trillium, seems to bask in these discussions. Before he was ever a comics professional, he was a fan. What can be traced in these interviews is the story of the movement from comics fan to comics professional. In the twenty-nine interviews collected in Jeff Lemire: Conversations, readers see Lemire come to understand the process of collaboration, the balancing act involved in working for different kinds of comics publishers like DC and Marvel, the responsibilities involved in representing characters outside his own culture, and the possibilities that exist in the comics medium. We see him embrace a variety of genres, using each of them to explore the issues and themes most important to him. And we see a cartoonist and writer growing in confidence, a working professional coming into his own.

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.