Readers who can quote word for word from C.S. Lewis’s theological classic, Mere Christianity, or his science fiction novel, Perelandra, have often never read his work as a professional literary historian. They may not even recognize some of the neglected works discussed, here. Mark Neal and Jerry Root have done students of Lewis a great service, tracing the signature ideas in Lewis’s works of literary criticism and showing their relevance to Lewis’s more familiar books. Their thorough research and lucid prose will be welcome to all who would like to understand Lewis more fully, but who feel daunted by books of such evident scholarly erudition. For example, when you read The Discarded Image on the ancients’ view of the heavens, you understand better why Ransom has such unpleasant sensations when first descending toward Malacandra in Out of the Silent Planet. And when you come across Lewis’s discussion in OHEL of a minor sixteenth-century poet who described the hellish River Styx as a “puddle glum,” you can’t help but chuckle at the name when you meet the famous Marshwiggle in The Silver Chair. These are just two examples of how reading the “Neglected Lewis” can help every reader understand Lewis more fully.

Readers who can quote word for word from C.S. Lewis’s theological classic, Mere Christianity, or his science fiction novel, Perelandra, have often never read his work as a professional literary historian. They may not even recognize some of the neglected works discussed, here. Mark Neal and Jerry Root have done students of Lewis a great service, tracing the signature ideas in Lewis’s works of literary criticism and showing their relevance to Lewis’s more familiar books. Their thorough research and lucid prose will be welcome to all who would like to understand Lewis more fully, but who feel daunted by books of such evident scholarly erudition. For example, when you read The Discarded Image on the ancients’ view of the heavens, you understand better why Ransom has such unpleasant sensations when first descending toward Malacandra in Out of the Silent Planet. And when you come across Lewis’s discussion in OHEL of a minor sixteenth-century poet who described the hellish River Styx as a “puddle glum,” you can’t help but chuckle at the name when you meet the famous Marshwiggle in The Silver Chair. These are just two examples of how reading the “Neglected Lewis” can help every reader understand Lewis more fully.

A fresh look at this Christian champion and master storyteller through his varied uses of imagination.

Many Christians today tend to view the story of medieval faith as a cautionary tale. Too often, they dismiss the Middle Ages as a period of corruption and decay in the church. They seem to assume that the church apostatized from true Christianity after it gained cultural influence in the time of Constantine, and the faith was only later recovered by the sixteenth-century Reformers or even the eighteenth-century revivalists. As a result, the riches and wisdom of the medieval period have remained largely inaccessible to modern Protestants. Church historian Chris Armstrong helps readers see beyond modern caricatures of the medieval church to the animating Christian spirit of that age. He believes today's church could learn a number of lessons from medieval faith, such as how the gospel speaks to ordinary, embodied human life in this world. Medieval Wisdom for Modern Christians explores key ideas, figures, and movements from the Middle Ages in conversation with C. S. Lewis and other thinkers, helping contemporary Christians discover authentic faith and renewal in a forgotten age.

What did C. S. Lewis think about truth, goodness and beauty? Twenty essays explore three major philosophical themes from the writings of Lewis--Truth, Goodness and Beauty. This volume provides a comprehensive overview of Lewis's philosophical reflections on arguments for Christianity, the character of God, theodicy, moral goodness, heaven and hell, a theory of literature, and the place of the imagination.

The remarkable breadth of C. S. Lewis's (1898–1963) work is nearly as legendary as the fantastical tales he so inventively crafted. A variety of themes emerge in his literary output, which spans the genres of nonfiction, fantasy, science fiction, and children's literature, but much of the scholarship examining his work focuses on religion or philosophy. Overshadowed are Lewis's views on nature and his concern for environmental stewardship, which are present in most of his work. In Narnia and the Fields of Arbol: The Environmental Vision of C. S. Lewis, authors Matthew Dickerson and David O'Hara illuminate this important yet overlooked aspect of the author's visionary work. Dickerson and O'Hara go beyond traditional theological discussions of Lewis's writing to investigate themes of sustainability, stewardship of natural resources, and humanity's relationship to wilderness. The authors examine the environmental and ecological underpinnings of Lewis's work by exploring his best-known works of fantasy, including the seven books of the Chronicles of Narnia and the three novels collectively referred to as the Space Trilogy. Taken together, these works reveal Lewis's enduring environmental concerns, and Dickerson and O'Hara offer a new understanding of his pioneering style of fiction. An avid outdoorsman, Lewis deftly combined an active imagination with a deep appreciation for the natural world. Narnia and the Fields of Arbol, the first book-length work on the subject, explores the marriage of Lewis's environmental passion with his skill as a novelist and finds the author's legacy to have as much in common with the agrarian environmentalism of Wendell Berry as it does with the fantasy of J. R. R. Tolkien. In an era of increasing concern about deforestation, climate change, and other environmental issues, Lewis's work remains as pertinent as ever. The widespread adaption of his work in film lends credence to the author's staying power as an influential voice in both fantastical fiction and environmental literature. With Narnia and the Fields of Arbol, Dickerson and O'Hara have written a timely work of scholarship that offers a fresh perspective on one of the most celebrated authors in literary history.

C.S. Lewis' novel, The Great Divorce, about a man who takes a bus trip from Hell to Heaven, is full of fascinating characters and conversations. C.S. Lewis Goes to Heaven is the first book dedicated to exploring this story, revealing many important secrets that have gone undetected since its publication in 1946. Discover how leaving a train station in the wrong direction provided Lewis a model for Hell. Learn the real names of an Impressionist painter and a famous detective writer that Lewis placed (anonymously) in Hell. With considerable detective work of his own, David Clark carefully expands ideas found in The Great Divorce using supporting references from Lewis' personal correspondence and other books, particularly Mere Christianity, The Screwtape Letters, Surprised by Joy and Letters to Malcolm.* * * Clark looks at the story through three different lenses. First, he introduces the characters and their interactions chapter by chapter, including a brief narrative so readers new to Lewis will feel at home. Second, he reveals how even the book's landscapes convey the theology of Lewis. Then the author comes "alongside" Lewis, explaining his theological ideas and insights, showing their far-reaching implications, and providing scriptural references. By these three approaches, the astonishing grasp of Lewis' theology is revealed in accessible language. The book concludes with three appendices, including 40 pages of historical character sketches, literary references, and concepts.* * * Considering that Lewis himself thought it surpassed his classic book, The Screwtape Letters, it's regrettable that The Great Divorce has been neglected for so long. Now for the first time, there is a comprehensive guide to help readers appreciate this profound and entertaining novel, and be awestruck by the grace of God it reveals. * * * "If you want a great guide to The Great Divorce, you can't do better than David Clark, who introduces readers to a host of fascinating historical and literary characters - illuminating this popular novel with theological insight and devotional delight. Clark's tour of C. S. Lewis' version of Heaven and Hell provides a truly refreshing holiday." * * * Terry Lindvall, author of Surprised by Laughter: The Comic World of C.S. Lewis