This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.

The encyclopedia of Australian art.

A unique history of the Australian art market since World War II. Van den Bosch traces the development of the Australian art market from a small, parochial outpost to its integration into the major international art markets.

Bernard Smith is widely recognised as one of Australia's leading intellectuals. Yet the recognition of his work has been partial, focused on art history and anthropology. Peter Beilharz argues that Smith's work also contains a social theory, or a way of thinking about Australian culture and identity in the world system. Smith enables us to think matters of place and cultural imperialism through the image of being not Australian so much as antipodean. Australian identities are constructed by the relationship between core and periphery, making them both European and Other at the same time. This 1997 work is a book-length analysis of Bernard Smith's work and is the result of careful and systematic research into Smith's published works and his private papers. It is both an introduction to Smith's thinking and an important interpretive argument about imperialism and the antipodes.

Art and artists.