This classic work is an exploration of what natural history is, and a sustained effort to see how it relates to other areas of biology. Marston Bates did not attempt to overwhelm his audience with facts or overinterpret those he did use, and, perhaps for this reason, The Nature of Natural History is a timeless work. The author's genuine interest in the tropics has a very current feeling, and the first ten or fifteen chapters of the work have a style that is parallel to that of David Attenborough's verbal presentations of nature. From the book: "I have already made several remarks about the connection between parasitism and degeneracy. I suspect this is a matter of point of view. We are predatory animals ourselves, and consequently admire the characteristics of predationagility, speed, cunning, self-reliance. We feel a certain kinship with the lion, and regard the liver fluke with horror. If a sheep were given the choice, though, it might prefer to be debilitated by liver flukes rather than killed by a lion." Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Art of Nature is an astonishing visual record of the exploration of parts of the natural world that had never previously been documented. It features many of the greatest natural history artists of the last 300 years--Merian, Bartram, Ehret, the Bauer brothers, Audubon, and Gould. Some were seeking fame as scientists or artists, others sought financial gain or at least the prospect of earning a living in what they loved doing. For some it also provided them with the opportunity to present their view of nature to a wider community. Whatever the reasons, few would have contradicted Humboldt's comment that he was "spurred on by an uncertain longing for what is distant and unknown, for whatever excited my fantasy: danger at sea, the desire for adventures, to be transported from a boring daily life to a marvellous world." Continent by continent, Judith Magee draws on the unrivaled collections of the Library of the Natural History Museum in London to illustrate the development of natural history art through the centuries and its crucial role in furthering people's appreciation of nature all around the world.

A Natural History of Nature Writing is a penetrating overview of the origins and development of a uniquely American literature. Essayist and poet Frank Stewart describes in rich and compelling prose the lives and works of the most prominent American nature writers of the19th and 20th centuries, including: Henry D. Thoreau, the father of American nature writing. John Burroughs, a schoolteacher and failed businessman who found his calling as a writer and elevated the nature essay to a loved and respected literary form. John Muir, founder of Sierra Club, who celebrated the wilderness of the Far West as few before him had. Aldo Leopold, a Forest Service employee and scholar who extended our moral responsibility to include all animals and plants. Rachel Carson, a scientist who raised the consciousness of the nation by revealing the catastrophic effects of human intervention on the Earth's living systems. Edward Abbey, an outspoken activist who charted the boundaries of ecological responsibility and pushed these boundaries to political extremes. Stewart highlights the controversies ignited by the powerful and eloquent prose of these and other writers with their expansive – and often strongly political – points of view. Combining a deeply-felt sense of wonder at the beauty surrounding us with a rare ability to capture and explain the meaning of that beauty, nature writers have had a profound effect on American culture and politics. A Natural History of Nature Writing is an insightful examination of an important body of American literature.

The Southern Appalachians are home to a breathtakingly diverse array of living things--from delicate orchids to carnivorous pitcher plants, from migrating butterflies to flying squirrels, and from brawny black bears to more species of salamander than anywhere else in the world. Mountain Nature is a lively and engaging account of the ecology of this remarkable region. It explores the animals and plants of the Southern Appalachians and the webs of interdependence that connect them. Within the region's roughly 35 million acres, extending from north Georgia through the Carolinas to northern Virginia, exists a mosaic of habitats, each fostering its own unique natural community. Stories of the animals and plants of the Southern Appalachians are intertwined with descriptions of the seasons, giving readers a glimpse into the interlinked rhythms of nature, from daily and yearly cycles to long-term geological changes. Residents and visitors to Great Smoky Mountains or Shenandoah National Parks, the Blue Ridge Parkway, or any of the national forests or other natural attractions within the region will welcome this appealing introduction to its ecological wonders.

Ancient Natural History surveys the ways in which people in the ancient world thought about nature. The writings of Aristotle, Theophrastus, Strabo, Pliny are examined, as well as the popular beliefs of their contemporaries. Roger French finds that the same natural-historical material was used to serve the purposes of both the Greek philosopher and the Christian allegorist, or of a taxonomist like Theophrastus and a collector of curiosa like Pliny. He argues convincingly that the motives of ancient writers on nature were rarely `scientific' and, indeed, that there was not really any science at all in the ancient world. This book will make fascinating reading for students, academics and anyone who is interested in the history of science, or in the ancient history of ideas.