In this richly woven study of preoedipal erotic experience, Harriet Kimble Wrye and Judith Welles focus on patients for whom early mothering did not sustain the flowering and subsequent transformation of early erotic desire. Such patients remain under the sway of a primitive eroticism that is often sadistic and invariably perverse. Successful analytic work requires accepting and containing the patient's primitive erotic needs; reconstructing the mother-infant narratives that sustain these needs; and mobilizing the patient's transformative desire to grow out of maternal eroticism to an adult love of self and others.

Winner of the Cervantes Prize Carlos Fuentes, one of the world’s most acclaimed authors, is at the height of his powers in this stunning new novel—a magnificent epic of passion, magic, and desire in modern Mexico, a rich and remarkable tapestry set in a world where free will fights with the wishes of the gods. Josué Nadal has lost more than his innocence: He has been robbed of his life—and his posthumous narration sets the tone for a brilliantly written novel that blends mysticism and realism. Josué tells of his fateful meeting as a skinny, awkward teen with Jericó, the vigorous boy who will become his twin, his best friend, and his shadow. Both orphans, the two young men intend to spend their lives in intellectual pursuit—until they enter an adult landscape of sex, crime, and ambition that will test their pledge and alter their lives forever. Idealistic Josué goes to work for a high-tech visionary whose stunning assistant will introduce him to a life of desire; cynical Jericó is enlisted by the Mexican president in a scheme to sell happiness to the impoverished masses. On his journey into a web of illegality in which he will be estranged from Jericó, Josué is aided and impeded by a cast of unforgettable characters: a mad, imprisoned murderer with a warning of revenge, an elegant aviatrix and addict seeking to be saved, a prostitute shared by both men who may have murdered her way into a brilliant marriage, and the prophet Ezekiel himself. Mixing ancient mythologies with the sensuousness and avarice and need of the twenty-first century, Destiny and Desire is a monumental achievement from one of the masters of contemporary literature.

WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.

The desire to know the body is a powerful dynamic of storytelling in all its forms. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body. From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body, the inescapable other of the spirit. Brooks's deep understanding of psychoanalysis informs his demonstration of how the "epistemophilic urge"--the desire to know-guides fictional plots and our reading of them. It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself-which then takes us away from the body. Yet mind and language need to recover the body, as an other realm that is primary to their very definition. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force. This major book entertains and teaches: Brooks presumes no special knowledge on the part of his readers. His account proceeds chronologically from Rousseau in the eighteenth century forward to contemporary artists and writers. Body Work gives us a set of analytical tools and ideas-primarily from psychoanalysis, narrative and film studies, and feminist theory-that enable us to read modern narrative afresh.

In this richly woven study of preoedipal erotic experience, Harriet Kimble Wrye and Judith Welles focus on patients for whom early mothering did not sustain the flowering and subsequent transformation of early erotic desire. Such patients remain under the sway of a primitive eroticism that is often sadistic and invariably perverse. Successful analytic work requires accepting and containing the patient's primitive erotic needs; reconstructing the mother-infant narratives that sustain these needs; and mobilizing the patient's transformative desire to grow out of maternal eroticism to an adult love of self and others.

In her first book Lou Charnon-Deutsch looked at the representation of women in male-authored texts. This book deals with women-authored texts of the same period. While women are unveiled as monstrous and are chastised or abandoned in male-written texts, novels written by women teach women how to deal with abandonment and undeserved punishment. In approaching her subject, Charnon-Deutsch draws on modern theorists such as Jessica Benjamin, Nancy Chodorow, Michel Foucault, Julia Kristeva, Lawrence Lipking, Luce Irigaray, Carol Gilligan, and Teresa de Lauretis. Charnon-Deutsch explores women's domestic fiction as the product of a patriarchal society dependent upon the enforcement of certain sexual arrangements to sustain itself. She contends that the production of sexual identity is crucial to the exercise of power by a conservative patriarchy and that the domestic novel was a particularly productive genre in this regard. At the same time, she argues that feminine desire accommodates itself even within the most repressive power relations that women writers sometimes imagined as fostering rather than hindering feminine maturity. With a recognition of the contradictions inherent in women's fiction, she examines different psychological desires underlying the cult of domesticity. While some desires seem subversive to the ideal of femininity as promoted in Spanish culture, Charnon-Deutsch concludes that most promote sexual arrangements that reinforce repressive norms of feminine conduct.

NEW YORK TIMES BESTSELLER • Psychologist Alex Delaware and detective Milo Sturgis struggle to make sense of a seemingly inexplicable massacre in this electrifying psychological thriller from the #1 New York Times bestselling master of suspense. LAPD Lieutenant Milo Sturgis has solved a lot of murder cases. On many of them—the ones he calls “different”—he taps the brain of brilliant psychologist Dr. Alex Delaware. But neither Alex nor Milo are prepared for what they find on an early morning call to a deserted mansion in Bel Air. This one’s beyond different. This is predation, premeditation, and cruelty on a whole new level. Four people have been slaughtered and left displayed bizarrely and horrifically in a stretch limousine. Confounding the investigation, none of the victims seems to have any connection to any other, and a variety of methods have been used to dispatch them. As Alex and Milo make their way through blind alleys and mazes baited with misdirection, they encounter a crime so vicious that it stretches the definitions of evil.