This powerful look at the French Foreign Legion explores Sloane's experiences with the brutalities, adventure, destruction, danger, and criminal encounters over his five years of service in this dehumanizing regime. Well known as the most notorious, bloody and ruthless band of mercenaries in the world, in 1998 the Legion accepted Tony Sloane at the age of 18, inviting him as an elite member of this secret and mysterious fighting force. The legend and the myths of the Legion captivated Sloane and he quickly learned that life as a legionnaire was not just about physical training, but also about pledging mind and soul to the missions and operations.

The Naked Soldier is the inspiring story of Major Jesse M. Baltazar, USAF (Ret.), a survivor of the infamous Bataan Death March during WW II. His service to America covers three wars, four federal agencies, postings in nine countries and government travel to over 80 nations. This is a story about an American Patriot, Soldier, Airman and Diplomat; about his character, honor, and commitment.

When the Anzac Memorial, opened in 1934, eager crowds were enthralled by the evocative sculptures by Rayner Hoff. Unfortunately, controversy over one of Hoff's artworks and his premature death resulted in these sculptures being largely overlooked for the past 80 years. The Naked Soldier reveals for the first time, the secrets of Hoff's Anzac sculptures. It brings to light his amazing gifts to the people of New South Wales who were still grieving from the slaughter of the First World War. Above all, this book shows that Rayner Hoff created the central sculpture, Sacrifice, to depict the burden placed on women when their men were killed in the war. A visit to the Anzac Memorial will now be a richer experience because Hoff's messages of empathy are available to visitors.

“A raw, intimate look at the impact of combat and the healing power of friendship” (People): the lives of three women deployed to Afghanistan and Iraq, and the effect of their military service on their personal lives and families—named a best book of the year by Publishers Weekly. “In the tradition of Adrian Nicole LeBlanc, Richard Rhodes, and other masters of literary journalism, Soldier Girls is utterly absorbing, gorgeously written, and unforgettable” (The Boston Globe). Helen Thorpe follows the lives of three women over twelve years on their paths to the military, overseas to combat, and back home…and then overseas again for two of them. These women, who are quite different in every way, become friends, and we watch their interaction and also what happens when they are separated. We see their families, their lovers, their spouses, their children. We see them work extremely hard, deal with the attentions of men on base and in war zones, and struggle to stay connected to their families back home. We see some of them drink too much, have affairs, and react to the deaths of fellow soldiers. And we see what happens to one of them when the truck she is driving hits an explosive in the road, blowing it up. She survives, but her life may never be the same again. Deeply reported, beautifully written, and powerfully moving, Soldier Girls is “a breakthrough work...What Thorpe accomplishes in Soldier Girls is something far greater than describing the experience of women in the military. The book is a solid chunk of American history...Thorpe triumphs” (The New York Times Book Review).

The Stuff of Soldiers uses everyday objects to tell the story of the Great Patriotic War as never before. Brandon M. Schechter attends to a diverse array of things—from spoons to tanks—to show how a wide array of citizens became soldiers, and how the provisioning of material goods separated soldiers from civilians. Through a fascinating examination of leaflets, proclamations, newspapers, manuals, letters to and from the front, diaries, and interviews, The Stuff of Soldiers reveals how the use of everyday items made it possible to wage war. The dazzling range of documents showcases ethnic diversity, women's particular problems at the front, and vivid descriptions of violence and looting. Each chapter features a series of related objects: weapons, uniforms, rations, and even the knick-knacks in a soldier's rucksack. These objects narrate the experience of people at war, illuminating the changes taking place in Soviet society over the course of the most destructive conflict in recorded history. Schechter argues that spoons, shovels, belts, and watches held as much meaning to the waging of war as guns and tanks. In The Stuff of Soldiers, he describes the transformative potential of material things to create a modern culture, citizen, and soldier during World War II.