From ancient times, embroidery and other textile arts have been associated with myths and legends, fables and fairy tales, high drama and folklore, from Ancient Greece to modern Europe. This book explores the use of embroidery in such rituals. The Myth and Magic of Embroidery contains embroidered pictures inspired by nature, including plant life, animals, landscapes and sacred places from many origins such as Celtic, Anglo-Saxon, Norse and Old English. Each chapter contains an adaptation of a legend or fable with illustrations taken from the author's own workbook. The book includes detailed working methods and new design techniques, such as the transformation of traditional ethnic stitches and the translation of designs from ceramics and architecture into motifs for embroidery, enabling the reader to create stunning embroidery pieces of their own.

Seventy magical designs by nine talented artists and designers are brought together to make a unique collection of fables and legends from East and West in cross stitich.

Explore personal transformation through the stitching of dreams and intentions. Anything but ordinary, Mystical Stitches combines the beloved and accessible craft of embroidery with a spiritual element, introducing a rich treasury of 200 magical symbols you can use to set an intention and create personal icons to wear or embellish items in the home. Christi Johnson offers unique patterns inspired by botanicals, animals, numbers, the cosmos, earth elements, zodiac signs, and mythical beasts, for novice or well-practiced crafters to combine into talismans with personal meaning. Johnson’s folk art style is vibrant and unintimidating and provides a framework for bringing spiritual elements into physical form. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.

The authors of this book investigate the patterns, imagery and symbols of stitching through history to show how they can be interpreted in embroidery techniques today. Topics covered include embroidery used for narrative and magical purposes, for clothing and fashion, in interior design, in imagery, and in the use of nature and natural forms. Each topic is illustrated with drawings and embroidery samples, both historical and contemporary in origin. This book is designed to be of interest to emroiderers, City and Guilds students as well as anyone interested in art and embroidery history.

Drawing inspiration from over 1200 years of history, this book provides a collection of 75 embroideries alongside sketches from the author's workbook. It includes full instructions for all techniques and stitches.

Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror’s invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry’s main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry’s place in medieval art, the embroidery’s depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.

This volume was first published by Inter-Disciplinary Press in 2016. Story can have a power and presence that stretches beyond the vast, unspeakable boundaries of time and space; and yet story can also have a delicate impermanence that lasts no longer than a moment before it flashes back into the void. Some stories can bring people together; other stories can tear entire civilisations apart. Stories express and enliven experience; stories project and describe the desires and anxieties of existence. Stories can be narrated through written word and physical gesture, through graphic illustration and musical orchestration, through the spatial dynamics of architecture and the abstract poetics of conjecture. For these and myriad other reasons, storytelling and narrative are central to humanity, and the study of these practices is central to an understanding of what it means to be human. In this volume, the many narrative dimensions, media, and critical approaches to storytelling are explored with the common intention of comprehending and appreciating the global role that story plays in the articulation of human experience.