The great virtue of this volume is that it reveals a lighter, comic side of Sade. He was a man obsessed, like many great writers, and his obsessions are still present here: his hatred of all things pretentious, his loathing of a corrupt judicial system, his damning of hypocrisy and false piety. One of the great anarchists of all time, he was nevertheless far from mad (as many pretended) and these works of fiction shed still another light on this most feverish of minds. But however heavy the subject, The Mystified Magistrate is infused with a light touch; it is revealing but never offensive.

A lively collection demonstrating de Sade's versatility as a short-story writer. His hatred of repressive institutions such as the Church and the legal system, his preoccupation with 'Sapphic' love, and his enjoyment of comedy and melodrama are all in evidence. But it is in the portrayal of his female characters that de Sade is seen at his most unexpectedly modern.

Scholarly responses to Henry Miller's works have never been numerous and for many years Miller was not a fashionable writer for literary studies. In fact, there exist only three collections of essays concerning Henry Miller's oeuvre. Since these books appeared, a new generation of international Miller scholars has emerged, one that is re-energizing critical readings of this important American Modernist. Henry Miller: New Perspectives presents new essays on carefully chosen themes within Miller and his intellectual heritage to form the most authoritative collection ever published on this author.

Twentieth-century narratology fostered the assumption, which distinguishes narratology from previous narrative theories, that all narratives have a narrator. Since the first formulations of this assumption, however, voices have come forward to denounce oversimplifications and dangerous confusions of issues. Optional-Narrator Theory is the first collection of essays to focus exclusively on the narrator from the perspective of optional-narrator theories. Sylvie Patron is a prominent advocate of optional-narrator theories, and her collection boasts essays by many prominent scholars—including Jonathan Culler and John Brenkman—and covers a breadth of genres, from biblical narrative to poetry to comics. This volume bolsters the dialogue among optional-narrator and pan-narrator theorists across multiple fields of research. These essays make a strong intervention in narratology, pushing back against the widespread belief among narrative theorists in general and theorists of the novel in particular that the presence of a fictional narrator is a defining feature of fictional narratives. This topic is an important one for narrative theory and thus also for literary practice. Optional-Narrator Theory advances a range of arguments for dispensing with the narrator, except when it can be said that the author actually “created” a fictional narrator.

A personal account by the late founder of Arcade Publishing documents his experiences in the literary world of the mid-20th century, describing his efforts to overcome U.S. censorship laws and introduce readers to important written works.