Most drawings of the scene at Calvary show three crosses -- the one on which Jesus hung and two on which the thieves hung. But are these drawings correct in their portrayals? Discover the relevance of the four crosses to our walk with Christ. Understanding this concept will tie together many other precious Truths that God has recorded in both the Old and New Testaments.

St. Louis Mary De Montfort (1673–1716), author of this “Letter,” is widely known through his treatise on “The True Devotion to the Blessed Virgin Mary” and its abridgment “The Secret of Mary.” Well has he merited the title of “Apostle of Mary” and deservedly he is called “Tutor of the Legion of Mary.” Addressing the many pilgrims at the canonization of St. De Montfort, July 1947, the Holy Father calls him “the guide who leads you to Mary and from Mary to Jesus.” Aeterna Press

How are Christians to approach the central gospel teachings concerning the death and resurrection of Jesus? The Bible firmly establishes the historicity of these events and doesn't leave their meanings ambiguous or open to interpretation. Even so, there is an irony and surprising strangeness to the cross. Carson shows that this strange irony has deep implications for our lives as he examines the history and theology of Jesus's crucifixion and resurrection. Scandalous highlights important theological truths in accessible and applicable ways. Both amateur theologians and general readers will appreciate how Carson deftly preserves weighty theology while simultaneously noting the broader themes of Jesus' death and resurrection. Through exposition of five primary passages of Scripture, Carson helps us to more fully understand and appreciate the scandal of the cross.

A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.

The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies—along with the forms of devotion—this central symbol of Christianity inspires. Jesus’s death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ’s sacrificial love and miraculous resurrection. Over time, the symbol’s transformation raised myriad doctrinal questions, particularly about the crucifix—the cross with the figure of Christ—and whether it should emphasize Jesus’s suffering or his glorification. How should Jesus’s body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen’s wide-ranging study focuses on the cross in painting and literature, the quest for the “true cross” in Jerusalem, and the symbol’s role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.