Award-winning author Heidi Chiavaroli transports readers across time and place in this time-slip novel that will appeal to fans of Little Women. Two women, one living in present day Massachusetts and another in Louisa May Alcott’s Orchard House soon after the Civil War, overcome their own personal demons and search for a place to belong. 2001 Abandoned by her own family, Taylor is determined not to mess up her chance at joining the home of her best friend, Victoria Bennett. But despite attending summer camp at Louisa May Alcott’s historic Orchard House with Victoria and sharing dreams of becoming famous authors, Taylor struggles to fit in. As she enters college and begins dating, it feels like Taylor is finally finding her place and some stability . . . until Victoria’s betrayal changes everything. 1865 While Louisa May Alcott is off traveling the world, Johanna Suhre accepts a job tending Louisa’s aging parents and their home in Concord. Soon after arriving at Orchard House, Johanna meets Nathan Bancroft and, ignoring Louisa’s words of caution, falls in love and accepts Nathan’s proposal. But before long, Johanna experiences her husband’s dark side, and she can’t hide the bruises that appear. 2019 After receiving news of Lorraine Bennett’s cancer diagnosis, Taylor knows she must return home to see her adoptive mother again. Now a successful author, Taylor is determined to spend little time in Concord. Yet she becomes drawn into the story of a woman who lived there centuries before. And through her story, Taylor may just find forgiveness and a place to belong.

In this latest Orchard mystery, amateur sleuth Meg Corey takes a bite out of crime... Some baby-faced chefs, fresh out of cooking school, are looking to open a restaurant in Granford. They plan on using local foods-great news for city girl banker-turned orchard owner Meg Corey. Yet when one of the chefs is found dead, face-down in a farmer's pig wallow, plans come to a screeching halt. And Meg soon discovers they may have a locally grown killer on their hands.

There's a killer in the orchard-and he's rotten to the core. INCLUDES RECIPES Meg Corey has come to the quaint New England town of Granford, Massachusetts, to sell her mother's old colonial home and apple orchard. Instead, she becomes embroiled in development plans that include her land, and her former flame from Boston. When he's found dead in the new septic tank on her property, the police immediately suspect Meg, whose only ally in town is the plumber Seth Chapin. Together, they'll have to peel back the layers of secrecy that surround the deal in order to find the real murderer, and save the orchard.

In the early seventeenth century there was eager interest, among the leisured classes, in fruits from the Mediterranean and beyond, not least for the kitchen gardens and orchards of England's grand houses. The volume of charming, vibrant, almost primitif watercolour paintings of orchard fruits on the branch, popularly known as 'Tradescants' Orchard', is a precious and fragile relic of this era of broadening horticultural horizons.This manuscript, traditionally associated with the renowned plantsmen, the John Tradescants, was among the eclectic collections of Elias Ashmole (1617-1692), which came to form the basis of the Ashmolean Museum in Oxford. Then, in 1860 it was transferred to the Bodleian Library. It has been quietly recognized as a mysterious treasure, yet the paintings raise many unanswered questions. Who painted them, and for whom? What was their purpose? Only one apple is represented - were there once others, now missing? Whose handwriting appears in the manuscript? Why did the artist paint wildlife such as birds, frogs and butterflies on many of the folios?All sixty-six of the original illustrations are reproduced here in facsimile for the first time, following a general introduction which maps out the mystery of why and how these beguiling watercolours came to be commissioned and made.

‘An intriguing and heart-warming story you will love’ Katie Fforde

They have nothing in common except love for music and a donut-shop drive thru. Shy Lizzie Martin lives a quiet life. She has a part-time job teaching music and helps her family run their bed and breakfast but longs to record the songs of her heart. Sometimes she allows herself to dream about meeting the handsome man who pays for her coffee in the donut-shop drive-thru, but she is too frightened to take a first step in talking to him. When a mischievous sister connects Lizzie with her drive-thru dreamboat over the airwaves, she learns he is not as she expected. Former triathlon extraordinaire and owner of a multi million-dollar extreme sports company, Asher Hill is wheelchair bound after a freak accident that had nothing to do with the sports he loved. Now, his most enjoyable moments are spent in his truck, pretending he’s the man he used to be. Lizzie has trouble reconciling drive-thru Asher with the man she meets in person. Asher is brusque and off-putting, certain that Lizzie feels more pity than attraction for him. But beneath his brooding nature, Lizzie senses a tenderness that calls her out of her shell. Surprised by his efforts to help her achieve a life-long dream, Lizzie must decide if she has the courage to show Asher that a life worth living can include love—with or without a wheelchair. This is Book 3 in The Orchard House Bed and Breakfast Series, a contemporary twist on the well-loved classic, Little Women. Readers will fall in love with the Martin family—Maggie, Josie, Lizzie, Bronson, Amie, and their mother Hannah—each trying to find their own way in the world and each discovering that love, home, and hope are closer than they appear.