On August 10, 1901, two English ladies decided to visit the Palace of Versailles for what was anticipated to be an ordinary day of sightseeing. However, on that fateful day, a series of mysterious encounters occurred. When the ladies visited Queen Marie Antoinette’s Petit Trianon, both were later convinced they had stepped back in time to the eighteenth century. One of the ladies even believed she had witnessed the queen herself! Were the ladies encounters a case of mistaken identity and confusion, or did they unknowingly step back in time to walk along paths from a bygone era at Versailles?

Marie Antoinette at Petit Trianon challenges common perceptions of the last Queen of France, appraising the role she played in relation to the events of French Revolution through an original analysis of contemporary heritage practices and visitor perceptions at her former home, the Petit Trianon. Controversy and martyrdom have placed Marie Antoinette’s image within a spectrum of cultural caricatures that range from taboo to iconic. With a foundation in critical heritage studies, this book examines the diverse range of contemporary images portraying Marie Antoinette’s historical character, showing how they affect the interpretation and perception of the Petit Trianon. By considering both producers and receivers of these cultural heritage exponents - Marie Antoinette’s historical figure and the historic house museum of the Petit Trianon - the book expands current understandings of twenty-first century cultural heritage perceptions in relation to tourism and popular culture. A useful case study for academics, researchers and postgraduate students of cultural heritage, it will also be of interest to historians, keepers of house museums and those working in the field of tourism studies.

This new hardcover annual offers a unique scholarly format, an interdisciplinary dialogue that, it is hoped, will foster the development of a sound, useful methodology for applying psychoanalytic insight to art and artists. The series provides a medium for those who study art, those who interpret it, and occasionally those who create it, formally to explore the meaning of an artistic work as the direct reflection of the inner world of its creator. Within each volume, individual topics are addressed by either an art historian or a psychoanalyst, with a response frequently tendered by an expert from the other field. Reviews of important books of cross-disciplinary interest are treated in a similar manner, and include rebuttals by the authors themselves. It is precisely this exchange of ideas among scholars with difference perspectives on the meaning of a work of art that sets PPA apart from the standard art history publication. Its depth of scholarship, coupled with its innovative format, make it a fascinating addition to the burgeoning field of psychoanalytic studies of art history.

From Atlantis to Nostradamus, Masons to Templars, Lionel and Patricia Fanthorpe have explored some of the greatest mysteries ever known in this world and beyond. Now, in The Big Book of Mysteries, the Fanthorpes attempt to answer, among other questions: What are the origins of blood-sucking creatures such as vampires? Do Yeti and Sasquatch truly exist on mountains in Canada and Nepal? Who actually built the Sphinx and the Pyramids and why were they erected? What strange, dangerous powers lay hidden in the Ark of the Covenant? Is the Bermuda Triangle really a deathtrap for ships and planes? Secret societies, lost treasures, and legendary monsters all have been carefully researched by the Fanthorpes, many investigated in person, and now presented with illustrations and photographs in one super-sized collection to satisfy everyones curiosity. If youve ever felt the burning desire to know more about lifes great mysteries, then The Big Book of Mysteries is for you no element of the unknown is safe from the Fanthorpes scrutinizing eyes.

This special 16-book bundle collects fearless investigations into the paranormal from the pens of Lionel and Patricia Fanthorpe, who for several decades been researching and writing about ancient and eternal mysteries. Their entertaining and thought-provoking works span numerous topics, from numerology, freemasonry, voodoo, satanism and witchcraft to the very nature of death and time. Additionally, they have produced numerous volumes examining the great unexplained mysteries and places of history, including The Bible, European castles, strange murders, arcane objects of power, the mysterious depths of the sea and remarkable people. Take a strange and beautiful trip to the mystical side of life in this special set! Includes Death Mysteries and Secrets of Numerology Mysteries and Secrets of the Masons Mysteries and Secrets of the Templars Mysteries and Secrets of Time Mysteries and Secrets of Voodoo, Santeria, and Obeah Satanism and Demonology Secrets of the World’s Undiscovered Treasures The Big Book of Mysteries The Oak Island Mystery The World’s Greatest Unsolved Mysteries The World’s Most Mysterious Castles The World’s Most Mysterious Murders The World’s Most Mysterious Objects The World’s Most Mysterious People Unsolved Mysteries of the Sea

WINNER OF THE BLUE PETER BOOK AWARD 2018 - Best Book with Facts. Have you ever wondered what goes bump in the night? From mysteries like Shackleton's ghostly companion to the Loch Ness Monster and friends, read the amazing evidence about these mysterious cases and make up your own mind.

In this intellectually challenging collection of literary criticism, Rebecca West undertakes the question of art’s value, examining the works of her contemporaries and their places in history “The Strange Necessity,” one of the twelve essays collected here and first published in 1928, anchors West’s quest to understand why art matters and how aesthetics of every caliber can not only inspire but reveal the author’s inner world. Whether juxtaposing Ulysses’s prose with Pavlov’s research, or comparing Sinclair Lewis with actress and pianist Yvonne Printemps, West finds that a satisfying emotion overrides an artistic work’s form. Her intricately crafted essays reveal her experience in the literary circles of the twenties and thirties and the important role this question played in her own writing. West’s keenly observed criticism offers invaluable insight not only into her work but into her impressions of early twentieth century literature.