Three mysterious guests appear at generous but impoverished Ezra's table on Sukkoth and bless him, while they bring curses upon his rich but selfish brother Eben.

Bouillier presents a delightfully French memoir singled out by the "San Francisco Chronicle, Slate," and "New York Magazine" as a Best Book of the Year. This translation marks the English-language debut of an iconoclast who has attracted a passionate following in French literature.

THE MYSTERIOUS GUEST An enquiry on creativity from Arts Therapy's perspective. What is creativity? How does it work? How can it help us to improve our lives? The Mysterious Guest is a study of creativity, rooted in the ground of Arts Therapies. It opens with a general definition of creativity, and then explores two main themes: 1. Its importance in the healthy development of individuals, therefore its value as a resource in therapeutic, educational and social fields; 2. A thorough analysis of the creative process, showing how it works and reflecting on the possibilities of activating, managing, and assessing it. The discussion on creativity is enriched with discussions and examples ranging from neurosciences to psychoanalysis, from literature to the history of art, from philosophy to symbolism, from science to poetry. The results of the treatment are synthesized, at the end of the second and the fourth part, in two clear and coherent patterns, graphically visualized. It is the first book on the creativity issue written from an Arts Therapies point of view; it offers a model of creativity that explores the complexity of the phenomenon, but at the same time it is a model that is easy to understand and rich of practical cues. It is a creatively written book in which scientific thought and poetry meet.

A glamorous birthday dinner in the Hollywood Hills ends with the famous host dead and every guest under suspicion in The Last Guest, a dark, cinematic suspense debut reminiscent of an Agatha Christie page-turner crossed with David Lynch's Mulholland Drive. “The Last Guest is a sharp, unshrinking look at the costs of submission—to power and control, to ambition and desire, even to the wish to protect those we love by forcing memory underground.”—Paula McLain, author of The Paris Wife and When the Stars Go Dark When Elspeth Bell attends the fiftieth birthday party of her ex-husband, Richard Bryant, the Hollywood director who launched her acting career, all she wants is to pass unnoticed through the glamorous crowd in his sprawling Los Angeles mansion. Instead, there are only seven other guests—and Richard's pet octopus, Persephone, watching over them from her tank as the intimate party grows more surreal (and rowdy) by the hour. Come morning, Richard is dead—and all of the guests are suspects. In the weeks that follow, each guest comes under suspicion: the school friend, the studio producer, the actress, the actor, the new partner, the manager, the cinematographer, and even Elspeth herself. What starts out as a locked-room mystery soon reveals itself to be much more complicated, as dark stories from Richard's past surface, colliding with memories of their marriage that Elspeth vowed never to revisit. She begins to wonder not just who killed Richard, but why these eight guests were invited—and what sort of man would desire to possess a creature as mysterious and unsettling as Persephone. The Last Guest is a stylish exploration of power—the power of memory, the power of perception, the power of one person over another.

Gracie Fairshaw and her family have barely moved into The Majestic, a Blackpool boarding house when Ma mysteriously vanishes. She teams up with her younger brother George, and befriends siblings Violet and Tom, and maid Phyllis. They must work out why one of the guests - a conman conjurer - has made Ma disappear!

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.