“After reading Friedrich Glauser's dark tour de force In Matto's Realm, it's easy to see why the German equivalent of the Edgar Allan Poe Award is dubbed ‘The Glauser.’”—The Washington Post Praise for the Sergeant Studer series: “Thumbprint is a fine example of the craft of detective writing in a period which fans will regard as the golden age of crime fiction.”—The Sunday Telegraph “In Matto’s Realm is a gem that contains echoes of Dürrenmatt, Fritz Lang’s film M and Thomas Mann’s The Magic Mountain. Both a compelling mystery and an illuminating, finely wrought mainstream novel.”—Publishers Weekly When, in later years, Sergeant Studer told the story of the Chinaman, he called it the story of three places, as the case unfolded in a Swiss country inn, in a poorhouse, and in a horticultural college. Three places and two murders. Anna Hungerlott, supposedly dead from gastric influenza, left behind handkerchiefs with traces of arsenic. One foggy November morning the enigmatic James Farny, nicknamed the Chinaman by Studer, was found lying on Anna’s grave. Murdered, a single pistol shot to the heart that did not pierce his clothing. This is the fourth in the Sergeant Studer series. Friedrich Glauser is a legendary figure in European crime writing. He was a morphine and opium addict much of his life and began writing crime novels while an inmate of the Swiss asylum for the insane at Waldau.

Winner of the Commonwealth Book Prize * Winner of the $50,000 DSC Prize for South Asian Literature * * A Publishers Weekly "First Fiction" Pick for Spring 2012 * "A crazy ambidextrous delight. A drunk and totally unreliable narrator runs alongside the reader insisting him or her into the great fictional possibilities of cricket."--Michael Ondaatje Aging sportswriter W.G. Karunasena's liver is shot. Years of drinking have seen to that. As his health fades, he embarks with his friend Ari on a madcap search for legendary cricket bowler Pradeep Mathew. En route they discover a mysterious six-fingered coach, a Tamil Tiger warlord, and startling truths about their beloved sport and country. A prizewinner in Sri Lanka, and a sensation in India and Britain, The Legend of Pradeep Mathew by Shehan Karunatilaka is a nimble and original debut that blends cricket and the history of modern Sri Lanka into a vivid and comedic swirl.

From the Introduction: The second volume of this collection follows Clemens from his first days as a resident journalist in California, late in May 1864, through the end of his first full year as a California resident, 1865. In this twenty-month period he wrote most of his work for the San Francisco Golden Era, the Morning Call, the Dramatic Chronicle, and the Californian. He began to publish somewhat more regularly in eastern journals, like the New York Saturday Press and the Weekly Review, and toward the end of the period he started a long assignment as the daily correspondent from San Francisco to the Virginia City Territorial Enterprise. In November 1865 he published "Jim Smiley and His Jumping Frog" [no. 119] and by the beginning of 1866 the news of its success with eastern readers had begun to filter back to California. He was on the verge of national and international fame as a humorist.

Nguyen Minh fought with the Viet Cong, before changing sides to become an efficient hunter of his former comrades. Imprisoned and tortured by the victorious North Vietnamese, he saw two of his daughters die. So when his wife and third daughter are killed by an IRA bomb, Nguyen seeks revenge.

Who gets to speak for China? During the interwar years, when American condescension toward “barbarous” China yielded to a fascination with all things Chinese, a circle of writers sparked an unprecedented public conversation about American-Chinese relations. Hua Hsu tells the story of how they became ensnared in bitter rivalries over which one could claim the title of America’s leading China expert. The rapturous reception that greeted The Good Earth—Pearl Buck’s novel about a Chinese peasant family—spawned a literary market for sympathetic writings about China. Stories of enterprising Americans making their way in a land with “four hundred million customers,” as Carl Crow said, found an eager audience as well. But on the margins—in Chinatowns, on Ellis Island, and inside FBI surveillance memos—a different conversation about the possibilities of a shared future was taking place. A Floating Chinaman takes its title from a lost manuscript by H. T. Tsiang, an eccentric Chinese immigrant writer who self-published a series of visionary novels during this time. Tsiang discovered the American literary market to be far less accommodating to his more skeptical view of U.S.-China relations. His “floating Chinaman,” unmoored and in-between, imagines a critical vantage point from which to understand the new ideas of China circulating between the world wars—and today, as well.

Originally published: New York: Simon & Schuster, 1978.