'By far the best study of Britain and the First World War that has yet been written.' London Review of Books The Myriad Faces of War, first published in 1987, is a unique and compelling study of the First World War from the standpoint of British involvement. It explores the reasons for Britain's entry into the war, the nature and course of Britain's participation, and the far-reaching repercussions of the war on British society. The result is a rich and comprehensive chronicle of the social, political, diplomatic and military aspects of the 'Great War.' 'Professor Trevor Wilson's mighty work on the first world war... is a truly significant contribution to our understanding of what the war meant to the British people... a disciplined, unsentimental and thoughtful book - and it also retains strongly the human touch.' Spectator 'Wilson ranges impressively over all major aspects of the conflict... a judicious, readable overview of a monster subject.' New York Times

Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace. Drawing on a wide range of materials, from government policy and propaganda to subversive trench journalism and performance, from fiction, drama and film to the record of activists in various movements and in various countries, Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace.

The contributors to the present volume approach World War I and World War II as complex and intertwined crossroads leading to the definition of the new European (and world) reality, and deeply pervading the making of the twentieth century. These scholars belong to different yet complementary areas of research – history, literature, cinema, art history; they come from various national realities and discuss questions related to Italy, Britain, Germany, Poland, Spain, at times introducing a comparison between European and North American memories of the two World War experiences. These scholars are all guided by the same principle: to encourage the establishment of an interdisciplinary and trans-national dialogue in order to work out new approaches capable of integrating and acknowledging different or even opposing ways to perceive and interpret the same historical phenomenon. While assessing the way the memories of the two World Wars have been readjusted each time in relation to the evolving international historical setting and through various mediators of memory (cinema, literature, art and monuments), the various essays contribute to unveil a cultural panorama inhabited by contrasting memories and by divided memories not to emphasise divisions, but to acknowledge the ethical need for a truly shared act of reconciliation.

Challenges beliefs that World War I was inevitable, documenting largely forgotten events in each of the warring countries to reveal how several factors may have prevented the war or caused a different outcome.

In the first full length analysis of the rise of left-wing hobbyists, performative radicals and the 'Identity Left', A Left for Itself interrogates the connection between socio-economic realities and politico-cultural views and boldly asks what is a worthy politics, one for the follower count or one for effecting change.

Based on primary source research, this is the most comprehensive history of the Victoria Cross available, tracing the evolution of the award from its inception in 1856 to the most recent bestowals. The study also examines the evolution of the concept of heroism and how the definition of heroism changed along with the nature of warfare.