The establishment in British India produced an impressive number of scholars and scholarly amateurs who pursued historical and other studies and wrote books and articles of distinction. Mr Palmer has produced a work in this tradition. His subject is the outbreak of the Mutiny (as the Raj considered it) among the native regiments (as the Raj called them) at Meerut on the evening of Sunday 10 May 1857. Was the outbreak planned in advance or did it arise through chance circumstances on that fateful evening? How badly was the situation handled?

The Indian Uprising of 1857 had a profound impact on the colonial psyche, and its spectre haunted the British until the very last days of the Raj. For the past 150 years most aspects of the Uprising have been subjected to intense scrutiny by historians, yet the nature of the outbreak itself remains obscure. What was the extent of the conspiracies and plotting? How could rumours of contaminated ammunition spark a mutiny when not a single greased cartridge was ever distributed to the sepoys? Based on a careful, even-handed reassessment of the primary sources, The Great Fear of 1857 explores the existence of conspiracies during the early months of that year and presents a compelling and detailed narrative of the panics and rumours which moved Indians to take up arms. With its fresh and unsentimental approach, this book offers a radically new interpretation of one of the most controversial events in the history of British India.

The Indian Mutiny of 1857 was the bloodiest insurrection in the history of the British Empire. It began with a large-scale uprising by native troops against their colonial masters, and soon developed into general rebellion as thousands of discontented civilians joined in. It is a tale of brutal murder and heroic resistance from which innocents on both sides could not escape. This work covers the story of the Mutiny. It challenges the accepted wisdom that a British victory was inevitable, showing just how close the mutineers came to dealing a fatal blow to the British Raj.

WINNER OF THE DUFF COOPER MEMORIAL PRIZE | LONGLISTED FOR THE SAMUEL JOHNSON PRIZE 'Indispensable reading on both India and the Empire' Daily Telegraph 'Brims with life, colour and complexity . . . outstanding' Evening Standard 'A compulsively readable masterpiece' Brian Urquhart, The New York Review of Books A stunning and bloody history of nineteenth-century India and the reign of the Last Mughal. In May 1857 India's flourishing capital became the centre of the bloodiest rebellion the British Empire had ever faced. Once a city of cultural brilliance and learning, Delhi was reduced to a battered, empty ruin, and its ruler – Bahadur Shah Zafar II, the last of the Great Mughals – was thrown into exile. The Siege of Delhi was the Raj's Stalingrad: a fight to the death between two powers, neither of whom could retreat. The Last Mughal tells the story of the doomed Mughal capital, its tragic destruction, and the individuals caught up in one of the most terrible upheavals in history, as an army mutiny was transformed into the largest anti-colonial uprising to take place anywhere in the world in the entire course of the nineteenth century.

In 1963, a human skull was discovered in a pub in Kent in south-east England. A brief handwritten note stuck inside the cavity revealed it to be that of Alum Bheg, an Indian soldier in British service who was executed during the aftermath of the 1857 Uprising, or The Indian Mutiny as historians of an earlier era described it. Alum Bheg was blown from a cannon for having allegedly murdered British civilians, and his head was brought back as a grisly war-trophy by an Irish officer present at his execution. The skull is a troublesome relic of both anti- colonial violence and the brutality and spectacle of British retribution. Kim Wagner presents an intimate and vivid account of life and death in British India in the throes of the largest rebellion of the nineteenth century. Fugitive rebels spent months, even years, hiding in the vastness of the Himalayas before they were eventually hunted down and punished by a vengeful colonial state. Examining the colonial practice of collecting and exhibiting human remains, this book offers a critical assessment of British imperialism that speaks to contemporary debates about the legacies of Empire and the myth of the 'Mutiny'.

Gautam Chakravarty explores representations of the event which has become known in the British imagination as the 'Indian Mutiny' of 1857 in British popular fiction and historiography. Drawing on a wide range of primary sources including diaries, autobiographies and state papers, Chakravarty shows how narratives of the rebellion were inflected by the concerns of colonial policy and by the demands of imperial self-image. He goes on to discuss the wider context of British involvement in India from 1765 to the 1940s, and engages with constitutional debates, administrative measures, and the early nineteenth-century Anglo-Indian novel. Chakravarty approaches the mutiny from the perspectives of postcolonial theory as well as from historical and literary perspectives to show the extent to which the insurrection took hold of the popular imagination in both Britain and India. The book has a broad interdisciplinary appeal and will be of interest to scholars of English literature, British imperial history, modern Indian history and cultural studies.