Who says you can’t be pious and fashionable? Throughout the Muslim world, women have found creative ways of expressing their personality through the way they dress. Headscarves can be modest or bold, while brand-name clothing and accessories are part of a multimillion-dollar ready-to-wear industry that caters to pious fashion from head to toe. In this lively snapshot, Liz Bucar takes us to Iran, Turkey, and Indonesia and finds a dynamic world of fashion, faith, and style. “Brings out both the sensuality and pleasure of sartorial experimentation.” —Times Literary Supplement “I defy anyone not to be beguiled by [Bucar’s] generous-hearted yet penetrating observation of pious fashion in Indonesia, Turkey and Iran... Bucar uses interviews with consumers, designers, retailers and journalists...to examine the presumptions that modest dressing can’t be fashionable, and fashion can’t be faithful.” —Times Higher Education “Bucar disabuses readers of any preconceived ideas that women who adhere to an aesthetic of modesty are unfashionable or frumpy.” —Robin Givhan, Washington Post “A smart, eye-opening guide to the creative sartorial practices of young Muslim women... Bucar’s lively narrative illuminates fashion choices, moral aspirations, and social struggles that will unsettle those who prefer to stereotype than inform themselves about women’s everyday lives in the fast-changing, diverse societies that constitute the Muslim world.” —Lila Abu-Lughod, author of Do Muslim Women Need Saving?

This book uses evolutionary psychology as a lens to explain religious violence and oppression. The author, a clinical psychologist, examines religious scriptures, rituals, and canon law, highlighting the many ways in which our evolutionary legacy has shaped the development of religion and continues to profoundly influence its expression. The book focuses on the image of God as the dominant male in Judaism, Christianity, and Islam. This traditional God concept is seen as a reflection of the “dominant ape” paradigm so evident in the hierarchical social structures of primates, with whom we have a strong genetic connection. The author describes the main features of male-dominated primate social hierarchies— specifically, the role of the alpha male as the protector of the group; his sexual dominance and use of violence and oppression to attain food, females, and territory; in-group altruism vs. out-group hostility (us vs. them); and displays of dominance and submission to establish roles within the social hierarchy. The parallels between these features of primate society and human religious rituals and concepts make it clear that religion, especially its oppressive and violent tendencies, is rooted in the deep evolutionary past. This incisive analysis goes a long way toward explaining the historic and ongoing violence committed in the name of religion.

Who is Allah? What does He ask of those who submit to His teachings? Pulitzer Prize-winner Jacke Miles gives us a deeply probing, revelatory portrait of the world’s second largest, fastest-growing and perhaps most tragically misunderstood religion. In doing so, Miles illuminates what is unique about Allah, His teachings, and His resolutely merciful temperament, and he thereby reveals that which is false, distorted, or simply absent from the popular conception of the heart of Islam. So, too, does Miles uncover the spiritual and scriptural continuity of the Islamic tradition with those of Judaism and Christianity, and the deep affinities among the three by setting passages from the Hebrew Bible, the New Testament, and the Qur’an side by side. In the spirit of his two previous books, God and Christ, and with his characteristic sensitivity, perspicacity and prodigious command of the subject, Miles calls for us all to read another’s scriptures with the same understanding and accommodating eye that we turn upon our own.

"This lavishly illustrated book presents Muslim fashion as an essential part of contemporary style. This dazzling exploration of contemporary Muslim modest dress, from historic styles to present-day examples, accompanies a major exhibition and reveals the enormous range of self-expression through fashion achieved by Muslim men and women. Filled with documentary and fashion photography as well as stills from runway shows and the media, this book explores the ways Muslim style cultures are shaped by global trends and religious beliefs. From high-end couture to streetwear, this volume shows how established and diaspora regions, such as Dubai, Jakarta, London, and New York, are homes to thriving industries that create classic and cutting-edge looks. Accompanying these images are essays and personal narratives by leading voices that touch on everything from the history of modest dress to social media. A fascinating examination of a major segment of the fashion industry, this book highlights the ingenuity and creativity of Muslim designers and wearers as they deftly navigate the fashion industry while maintaining their religious and cultural identities"--

Do Muslim Women Need Saving? is an indictment of a mindset that has justified all manner of foreign interference, including military invasion, in the name of rescuing women from Islam. It offers a detailed, moving portrait of the actual experiences of ordinary Muslim women, and of the contingencies with which they live.

The interpretation of the main Islamic rules for women's dress vary from country to country and are subject to cultural circumstances and individual styles. For example, Muslim women in Northern Africa and the Middle East dress very differently from those in Pakistan and Southeast Asia. The basic tenet in Islam that tells people to dress modestly, particularly in public, does not mean that Muslim women are not stylish. There has always been an great interest in beautiful fabrics and well-made clothes in the Islamic World and decorative crafts such as embroidery, passementerie, silk weaving and the like are very regarded. Nowadays, Muslimahs the world over shop for the latest fashions and are highly creative in dressing trendy, elegantly and hijab at the same time. Islamic Fashion contains an extensive overview of dress from several Muslim regions and many pictures of modern Islamic fashion. Also included are photographs and drawings of embroidered, printed and woven decorative elements. A wide selection of these images is saved on the enclosed CD.