Edward Said’s Orientalism, now more than fifty years old, has to be one of the most frequently cited books among academics in a wide range of disciplines, and the most frequently assigned book to undergraduates at colleges. Among the common questions raised in response to Said’s book: Did scholars in Western Europe provide crucial support to the imperialist, colonialist activities of European regimes? Are their writings on Islam laden with denigrating, eroticized, distorting biases that have left an indelible impact on Western society? What is the "Orientalism" invented by Europe and what is its impact today? However, one question has been less raised (or less has been done about the question): How were the Orientalist writings of European scholars of Islam received among their Muslim contemporaries? An international team of contributors rectify this oversight in this volume.

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

Ignaz Goldziher (1850-1921), one of the founders of modern Arabic and Islamic studies, was a Hungarian Jew and a Professor at the University of Budapest. A wunderkind who mastered Hebrew, Latin, Greek, Turkish, Persian, and Arabic as a teenager, his works reached international acclaim long before he was appointed professor in his native country. From his initial vision of Jewish religious modernization via the science of religion, his academic interests gradually shifted to Arabic-Islamic themes. Yet his early Jewish program remained encoded in his new scholarly pursuits. Islamic studies was a refuge for him from his grievances with the Jewish establishment; from local academic and social irritations he found comfort in his international network of colleagues. This intellectual and academic transformation is explored in the book in three dimensions – scholarship on religion, in religion (Judaism and Islam), and as religion – utilizing his diaries, correspondences and his little-known early Hungarian works.

A theological and historical exploration of the connection between Islam and Judaism through the single most-mentioned character in the Quran: Moses. There is one human mentioned in the Quran more than any other: Moses. Why is it that the Jewish prophet dominates the Islamic scripture? Because he is the role model for Muhammad, Islam’s own prophet. Because Islam, just like Christianity, is deeply intertwined with Judaism — although surprisingly little attention has been given to this fascinating connection between the two religions. Author and journalist Mustafa Akyol takes readers on a theological and historical walk through that much-neglected side of the Abrahamic triangle: the Judeo-Islamic tradition. Using Moses’ presence in the Quran as a jumping-off point, Akyol explores the first historical encounter between Muslims and Jews, the creative symbiosis and mutual enrichment that occurred between the two belief systems in medieval times, and the modern emergence, development, and perception of the two religions. At a time of bitter conflict in the Middle East, The Islamic Moses dives into the older, deeper, and often unexpectedly brighter story of Jews and Muslims. Readers of any background will be surprised by the common historical and theological ground that exists between the two religions, and will come away with a better understanding of both.

During the 1930s and 1940s, Jews in the Middle East took part in extensive debates on fascism in the public sphere. How did the rise of fascism impact the ways in which Jews in the region envisioned the past, present and future? Confronting Fascism in the Arabic Jewish Press examines Jewish discussions on the positions and identities of Jews in the Middle East within the context of multifocal debates on fascism. Focussing on the Arabic Jewish press in Egypt, Lebanon and Syria, it studies the ideas of its editors and main contributors and their intellectual networks. Putting those debates within the context of social, political and national reorientations following the end of the Ottoman Empire, the book uses an ideas-based and conceptual approach to also connect this history to global debates on fascism centred on the concepts of race, civilization and religion. In doing so, it situates Jewish discussions on fascism in the Middle East not only at the heart of Arab intellectual history, but also as part of a globalizing public sphere during the interwar, war and immediate post-war periods (1933-1948). The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

This volume examines how the history of the humanities might be written through the prism of scholarly personae, understood as time- and place-specific models of being a scholar. Focusing on the field of study known as Orientalism in the decades around 1900, this volume examines how Semitists, Sinologists, and Japanologists, among others, conceived of their scholarly tasks, what sort of demands these job descriptions made on the scholar in terms of habits, virtues, and skills, and how models of being an orientalist changed over time under influence of new research methods, cross-cultural encounters, and political transformations. Contributors are: Tim Barrett, Christiaan Engberts, Holger Gzella, Hans Martin Krämer, Arie L. Molendijk, Herman Paul, Pascale Rabault-Feuerhahn and Henning Trüper.

The word "West" is omnipresent and often unquestioned. The goal of this volume is to elaborate a critical reflection on this concept and make these implicit processes explicit. The articles focus on spatio‐temporal practices regarding the production and representation of westernness. Taking critical perspectives, which view the West from the inside and the outside, they address issues of highest political and social relevance.